Chronological List of Tablatures from the 1700's

The following chronological list includes existing plucked-string tablatures from 1700-1799, as well as sources known to have existed that are now lost. Continuo sources with plucked string will be listed separately, unless they contain actual tablature. Many of the later sources use staff notation and are for the "English guitar," actually a type of cittern. Where possible, I have designated the works for this instrument; some of these assignments are at present merely educated guesses.

Note that many later 18th-century sources are undated and that the editors of the RISM series do not generally give approximate ("c" or "circa") dating. For these works, approximate dates were verified from the following sources, given as an abbreviation in brackets after the publication information:

[BOETTICHER 1979] = Boetticher, Wolfgang. "Zur inhaltichen Bestimmung des für Laute intavolierten Handschriftenbestands." Acta Musicologica 51:2 (Jul.-Dec., 1979): 193-203.

[BUC] = The British Union-Catalogue of Early Music Printed before the Year 1801 (London: Butterworths, 1957)

[GÉRARD] = Gérard, Yves. Thematic, Bibliographical and Critical Catalogue of the Works of Luigi Boccherini. (London: Oxford University Press, 1969).

[GOY 2011] = Goy, François-Pierre. Musik für Barocklaute: Die Handschrift Schwerin Mus 641. (S.l.: Tree Edition, 2011).

[MGG] = Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik (Kassel: Bärenreiter, 1994-)

[MUSIQUES ANCIENNES 1980] = Gétreau, Florence, Josiane Bran-Ricci, Catherine Massip, and François Lesure. Musiques anciennes: Instruments et partitions (XVIe-XVIIe siècles). (Paris: Bibliothèque nationale, 1980).

[NBA] = Neue Ausgabe sämtlicher Werke (Neue Bach-Ausgabe), ed. Johann-Sebastian-Bach-Institut, Göttingen, and Bach-Archiv, Leipzig (Kassel and Basle, 1954–) [CC = Critical Commentary]

[NESS 1981] = Ness, Arthur J. "(Review of:) Handschriftlich überlieferte Lautenen- und Gitarrentabulaturen des 15. bis 18. Jahrhunderts by Wolfgang Boetticher." Journal of the American Musicological Society 34:2 (Summer, 1981): 339-345.

[NG] = The New Grove Dictionary of Music and Musicians (New York: Grove, 2001)

[RISM A] Einzeldrucke vor 1800 (Kassel: Bärenreiter-Verlag, 1971- ).

[RISM A/II] Music Manuscripts after 1600.

[RISM B] Recueils imprimés: XVIe-XVIIe siècles (München: G. Henle, 1960- ).

[RISM B/VII] = Boetticher, Wolfgang. Handschriftlich Überlieferte Lauten- und Gitarrentabulaturen des 15. bis 18. Jahrhunderts (Munich: G. Henle, 1978)

[RUDÉN] = Rudén, Jan Olof. Music in Tablature: A Thematic Index with Source Descriptions of Music in Tablature Notation in Sweden (Stockholm: Svenskt musikhistoriskt arkiv, 1981)

[SMT] = Sources manuscrites en tablature: Luth et théorbe (c.1500-c.1800), Christian Meyer, ed. (Baden-Baden & Bouxwiller, Valentin Koerner, 1991- )

[TYLER] = Tyler, James. The Guitar And Its Music: From The Renaissance To The Classical Era (Oxford: Oxford University Press, 2002)

[TYLER 1980] = Tyler, James. The Early Guitar: A History and a Handbook (London: Oxford University Press, 1980)

[TYLER MAND] = Tyler, James. The Early Mandolin (Oxford: Oxford University Press, 1989).

[WC] = WorldCat database from OCLC FirstSearch

[YAKELEY] = Yakeley, M. June. "New Sources of Spanish Guitar Music for the Five-Course Guitar." Revista de musicología 19:1-2 (1996): 267-286.

Dates followed by a question mark are my own educated guess. Definite dates (i.e., without the "c") are from RISM unless otherwise noted.

The names of places have been given their modern English equivalent, for consistency, and the modern political names of the countries in which these cities are located have been added in brackets. For manuscript sources, "RISM B/VII" refers to Wolfgang Boetticher, Handschriftlich Überlieferte Lauten- und Gitarrentabulaturen des 15. bis 18. Jahrhunderts (Munich: G. Henle, 1978). Other manuscripts have been added from a variety of more recent sources. Printed sources were found in the RISM A and B series, The New Grove Dictionary of Music & Musicians (2000 ed.), and a wide variety of other sources and original research.

CZ-Bm Ms. D 189 [beginning of the 18th century]
(Bohemia) [RISM B/VII p. 51; TYLER p. 147]
  • 5- and 6-course mandora in French tablature
  • 5-course guitar in alfabeto
  • 5-course guitar in French tablature
CZ-Bm Ms. Inv. 746/A.372 [beginning of the 18th century]
(Austria or Bohemia) [RISM B/VII p. 50; SMT III/2 p. 7]
  • 11-course lute in French tablature
CZ-Bm Ms. Inv. 4081/A. 3329 [beginning of the 18th century]
[RISM B/VII p. 50]
  • 16-string angélique in French tablature
CZ-Bm Ms. Inv. 4081/A. 27.750 [beginning of the 18th century]
[RISM B/VII p. 51]
  • 8-course mandora in French tablature
CZ-Bsa Ms. Kart. 296. E. 6. k. 139 [beginning of the 18th century]
[RISM B/VII p. 52]
  • 5-string mandora in French tablature
CZ-KRa Ms. IV.210 [beginning of the 18th century]
(Bohemia?) [RISM B/VII p. 161; SMT III/2 p. 14]
  • 11-course lute in French tablature
CZ-Pnm Ms. II.Kk 36 [beginning of the 18th century]
[RISM B/VII p. 315, as CZ-ROUDNICE, Bibliothek des Fürsten Lobkowitz, lost]
  • 4-course mandolin in French tablature
CZ-Pnm Ms. X.Lb.207 [beginning of the 18th century]
(Bohemia) [RISM B/VII p. 288; TYLER p. 147]
  • 5-course guitar and violin[?] in French tablature and staff notation
CZ-Pnm Ms. X.Lb.208 [beginning of the 18th century]
(Bohemia) [RISM B/VII p. 289; TYLER p. 147]
  • 5-course guitar and violin[?] in French tablature and staff notation
CZ-Pnm Ms. X.Lb.209 [beginning of the 18th century]
(Roudnice, Bohemia [Czech Republic]) [RISM B/VII p. 289; TYLER p. 147]
  • 5-course guitar in French tablature
CZ-Pnm Ms. X.Lb.210 [beginning of the 18th century]
(Bohemia?) [RISM B/VII p. 289; SMT III/2 p. 32]
  • 11-course lute in French tablature
CZ-Pnm Ms. X.Lb.211 [beginning of the 18th century]
(Bohemia) [RISM B/VII p. 289; TYLER p. 147]
  • 5-course guitar in French tablature
CZ-Pu Ms. II.Lb.27 [beginning of the 18th century]
(Bohemia?) [RISM B/VII p. 291; SMT III/2 p. 42]
  • 11-course lute in French tablature
CZ-Pu Ms. II.Lb.28 [beginning of the 18th century]
(Bohemia?) [RISM B/VII p. 292; SMT III/2 p. 46]
  • 11-course lute in French tablature
CZ-Pu Ms. II.Kk.54 [beginning of the 18th century]
(Bohemia?) [RISM B/VII p. 293; SMT III/2 p. 55]
  • 11-course lute in French tablature
D-Antiquariat Leo Liepmannssohn Ms. Katalog 167, Nr. 1050 [beginning of the 18th century] [LOST]
[RISM B/VII p. 41]
  • 5-course guitar in alfabeto tablature
  • 5-course guitar in French tablature
D-KA Mus. Ms. 1215 [beginning of the 18th century]
(Germany) [TYLER, p. 145 (as D-DO)]
  • 5-course guitar in French tablature
D-ROu Ms. Mus. Saec. XVIII.10.17 [beginning of the 18th century]
(Italy?) [RISM B/VII p. 311 (as XVIII.18.10); SMT II p. 278]
  • 11-course lute in French tablature
D-W Ms. Codex Guelferbytanus 302 Blank. [beginning of the 18th century]
"Christine Luise von Braunschweig-Lüneburg MS" (Germany) [TYLER p. 146]
  • 5-course guitar in French tablature
E-Bc Mús. 741/22 [beginning of the 18th century]
(Spain) [YAKELEY p. 277]
  • 5-course guitar and violin in Catalan cifras and staff notation
F-Pn Rés. Vmf. ms. 49 [beginning of the 18th century]
de Ryck, Catherine [Catharina]. (Low Countries?) [MUSIQUES ANCIENNES 1980, p. 104].
  • 5-course guitar in French tablature?
F-Pn Vm7 374 [beginning of the 18th century]
"Recueil d'airs avec accompag. de guittar" (France) [RISM B/VII p. 259; TYLER p. 119]
  • 5-course guitar in French tablature
H-Br K. 1.577 (olim K. 1.607) [beginning of the 18th century]
(Hungary) [SMT III/2 p. 81]
  • 11-course lute in French tablature
MEX-Minba Estri.vo a 5 [beginning of the 18th century?]
"Chamberga-Lleguen todos a oir" (Spain?) [songbook with occasional chords]
  • 5-course guitar and voice in Castilian cifras and staff notation
P-Cug M.M.97 [beginning of the 18th century]
Lamacense, Joseph Carneyro Tavares. "Cifras de viola por varios autores" (Portugal) [TYLER p. 163]
  • 5-course guitar in Italian tablature
  • 5-course bandurria in Italian tablature
P-Lcg Ms. without Sign. [beginning of the 18th century]
(Portugal) [TYLER p. 163]
  • 5-course guitar in Italian tablature
  • 5-course bandurria in Italian tablature
PL-Wu Ms. RM 4135 (olim Ms. Mf. 2001 a+b) [beginning of the 18th century]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 367 (as Mf. 2001); SMT III/2 p. 177]
  • 11-course lute in French tablature
PL-Wu Ms. RM 4136 (olim Ms. Mf. 2003) [beginning of the 18th century-1735]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 368 (as Mf. 2003); SMT III/2 p. 183]
  • 13-course lute in French tablature
PL-Wu Ms. RM 4137 (olim Ms. Mf. 2004) [beginning of the 18th century-1735]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 368 (as Mf. 2003); SMT III/2 p. 190]
  • 11- and 13-course lute in French tablature
PL-Wu Ms. RM 4142 (olim Ms. Mf. 2010) [beginning of the 18th century-1735]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 369 (as Mf. 2010); SMT III/2 p. 220]
  • 11- and 13-course lute in French tablature
S-Klm MS 21072 [1700 and 1715]
Stålhammar, Otto Frederick. "Kalmar Manuscript" (Austria?) [see RUDÉN p. 255 (ms. copy of Bittner 1682); GOY 2011 p. 27]
  • 11-course lute in French tablature
S-L Ms. Wenster G.28 [beginning of the 18th century]
(Sweden) [RISM B/VII p. 198; see RUDÉN p. 28]
  • 6-course lyra viol in French tablature
S-L Ms. Wenster G.31 [beginning of the 18th century]
[RISM B/VII p. 198; see RUDÉN p. 28]
  • 6-course lyra viol in French tablature
S-L Ms. Wenster G.35 [beginning of the 18th century]
(Sweden) [RISM B/VII p. 199; see RUDÉN p. 31]
  • 6-course lyra viol in French tablature
S-N Ms. Finspong Nr. 1122 [beginning of the 18th century]
(Sweden) [RISM B/VII p. 239; see RUDÉN p. 36; GOY 2011 p. 28]
  • 10-course lute in French tablature
A-GÖ Ms. Lautentabulatur Nr. 2 [1700-1715]
(Austria) [RISM B/VII p. 127; SMT III/1 p. 35; GOY 2011, p. 22]
  • 11-course lute in French tablature
A-KN Ms. 1255 [1700-1715]
(Austria) [RISM B/VII p. 142; SMT III/1 p. 46]
  • 11-course lute in French tablature
A-KR Ms. L 77 [1700-1725]
(Austria) [RISM B/VII p. 156; SMT III/1 p. 53]
  • 11-course lute in French tablature
  • lute, violin, bass, chalumeau, oboe, bassoon, and viole d'amour in staff notation
A-Wgm Ms. 7763/92 [1700-1710]
(Austria) [RISM B/VII p. 359; SMT III/1 p. 117]
  • 11-course lute in French tablature
A-Wgm Ms. 10.065/127 [c1700]
(Germany?) [RISM B/VII p. 374; BOETTICHER 1979 p. 201]
  • 6-course mandora in French tablature
A-Wn Mus. Ms. 17593 [1700-1733]
(Austria?) [RISM B/VII p. 351]
  • 10-course lute in French tablature
AUS-Mml Ms. LHD 243 [c1700]
(Hapsburg lands) [RISM B/VII p. 43 (as Wolffheim Ms. 53); SMT I p. 155 (as F-Polyre N° 173); GOY 2011, p. 22]
  • 11-course lute in French tablature
B-Bc Ms. Littera S. No. 5619 [1700-1720]
[RISM B/VII p. 55]
  • 6-course mandora in French tablature
B-Gu BHSL.HS.3898/15 [1700?]
Richard, B. "Ballet de l'archeducq Léopolde" [not in RISM or SMT]
  • 13-course lute in French tablature?
CZ-Bsa E4-1040 [c1700]
(Habsburg lands) [cf. RISM B/VII p. 52; GOY 2011, p. 22]
  • 12-course theorboed cittern in French tablature
CZ-Bu Ms. Ch. 103 [1700-1710]
(Austria or Bohemia) [RISM B/VII p. 52; SMT III/2 p. 13]
  • 11-course lute in French tablature
CZ-Nrlk Ms. II.Kk.73 [c1700]
Bohr, Andreas. (Austria) [RISM B/VII p. 294; SMT III/ 2 p. 58 (as CZ-Pu); GOY 2011 p. 23 (as CZ-Nlobkowicz)]
  • 11-course lute in French tablature
CZ-Pu Ms. II.Kk.75 [1700-1725]
(Roudnice, Bohemia? [Czech Republic]) [RISM B/VII p. 294; TYLER p. 147]
  • 5-course guitar in French tablature
CZ-Pu Ms. II.Kk.76a and 76b [1700-1725]
(Roudnice, Bohemia? [Czech Republic]) [RISM B/VII p. 295; TYLER p. 147]
  • 5-course guitar [and flute/violin?] in French tablature and staff notation
CZ-Nrlk Ms. II.Kk.77 [1700-1725]
Losy [Logi, Loschi, Losymthal], Jan Antonín, Count of Losinthal. "Pièces composee par le Conte Logis." (Roudnice, Bohemia? [Czech Republic]) [RISM B/VII p. 295 (as CZ-Pu); GOY 2011 p. 23 (as CZ-Nlobkowicz); TYLER p. 147]
  • 5-course guitar in French tablature
CZ-Nrlk Ms. II.Kk.78 [1700-1710]
Bohr, Andreas. (Austria) [RISM B/VII p. 295; SMT III/2 p. 61 (as CZ-Pu); GOY 2011 p. 23 (as CZ-Nlobkowicz)]
  • 11-course lute in French tablature
CZ-Pu Ms. II.Kk.79/2 [c1700]
(ms. copy of Mouton c1679) (France?) [RISM B/VII p. 296; SMT III/2 p. 62]
  • 11-course lute in French tablature
D-Kub Ms. 4° Mus. 108, vol. VII [1700-1710]
(Kassel, Germany) [RISM B/VII p. 140; SMT II p. 144]
  • 11-course lute in French tablature?
  • viols in staff notation
D-Mbs Ms. Mus. 3232d [c1700]
(Germany) [RISM B/VII p. 224; SMT II p. 233]
  • 11-, 12- and 13-course lute in French tablature
D-Nst Ms. Autograph. 2353 a [c1700]
(Germany) [RISM B/VII p. 248; SMT II p. 254]
  • 11-course lute in French tablature
D-Nst Ms. Autograph. 2353 b [c1700]
(Germany) [RISM B/VII p. 248 SMT II p. 254]
  • 11-course lute in French tablature
D-ROu Ms. Mus. Saec. XVIII.45.1 [c1700]
Hirschtaller. Parthie ex C.x. â Liuto Obligato Duci Violini e Basso (Germany) [RISM B/VII p. 311; RISM A/II 200044706; SMT II p. 281]
  • 12-course lute, violins, and bass in French tablature and staff notation
D-ROu Ms. Mus. Saec. XVIII.78.8 [1700-1710]
(Vienna, Austria) [RISM B/VII p. 311; RISM A/II 200044561; SMT II p. 291]
  • 12-course lute, flute, violin and bass in French tablature and staff noation [parts for flute, violin and bass missing]
D-SWl Ms. Mus. 640 [c1700-1710]
Trezier née Blanckenfordt, Bernardina Charlotta. (Germany) [RISM B/VII p. 318; GOY 2011 p. 24]
  • 17-string angélique in French tablature
E-Bbc Ms. 759/7 [c1700]
(Spain?) [TYLER p. 162]
  • 5-course guitar and voice in alfabeto tablature and staff notation
F-AG II n° 149 [c1700]
(France) [SMT I p. 37]
  • 14-course theorbo in French tablature with unspecified instruments in staff notation
F-Pn Vm7 6222 [c1700]
(France) [RISM B/VII p. 264; TYLER p. 119]
  • 5-course guitar in French tablature
F-Pn Vm7 6265 [c1700]
"Falconet MS" (France) [RISM B/VII p. 265; SMT I p. 152]
  • 11-course in French tablature
  • 14-course theorbo in French tablature
GB-Cpc Mus. 6.24 [1700-1750]
Thornowets, Henry. (England?) [RISM A/II 806918781]
  • lute or keyboard in [staff?] notation
GB-Lam Ms. without Sign. (ex Spencer) [c1700]
(France [(4 fols.; 6 anonymous pieces); TYLER p. 120]
  • 5-course guitar in French tablature?
I-OS Ms. Musiche B.4582 [c1700]
(Italy) [TYLER p. 94]
  • 5-course guitar in alfabeto and Italian tablature
NL-DHnmi Ms. without Sign. I [1700-1750]
(Germany?) [RISM B/VII p. 85 (as NL-DHgm)]
  • 11-course lute in French tablature
NL-DHnmi Ms. without Sign. II [1700-1750]
(Germany?) [RISM B/VII p. 85 (as NL-DHgm)]
  • 12-course lute in French tablature
PL-Kj Mus. ms. 40267 [1700]
(Germany/Austria) [RISM B/VII p. 31 (as D-B Mus. ms. 40267 LOST); TYLER p. 146]
  • cithrinchen in French tablature
  • 5-course guitar (?) in French tablature
PL-Kj Mus. ms. 40625 [c1700]
(Austria) [RISM B/VII p. 36 (D-B); SMT III/2 p. 146]
  • 11-course lute in French tablature
S-L Saml.Engelhart 172 [1700-1750]
(Sweden?) [Airs in G minor; RISM A/II 190001876]
  • lute in French? tablature
S-L Saml.Wenster G:29 [c1700]
Gavot de Lut. (Sweden?) [2 gavottes for lute in a predominantly keyboard source; RISM A/II 190001877-190001878]
  • lute in French tablature?
Amat c1701a
Amat, Joan Carles. Guitarra española y vandola en dos maneras de guitarra, Castellana, y Cathalana . . . (Barcelona, [Spain]: Gabriel Brò)
  • guitar treatise with Catalan cifras
Amat c1701b
Amat?, Joan Carles. Tractat breu, u explicacio dels punts de la guitarra, en ydioma cathalà . . . (Barcelona, [Spain]: Gabriel Brò)
  • guitar treatise with Catalan cifras
Radolt 1701
Radolt, Baron Wenzel Ludwig von. Die Aller Treueste Verschwigneste und nach so wohl Frölichen als Traurigen Humor sich richtente Freindin, Vergeselschafft sich mit anderen getreuen Fasalen Unßerer Inersten Gemiets Regungen (Vienna, [Austria]: J.M. Nestler?)
  • 11-course lute(s), violin/flute, bass viol and basso continuo in French tablature and staff notation
Sauveur 1701
Sauveur, Joseph. Principes d'acoustique et de musique, ou système général des intervalles des sons, et de son application à tous les systèmes et à tous les instrumens de musique. Inséré dans les mémoires de 1701 de l'Académie Royale des Sciences. Par Mr. Sauveur, . . . (Paris, [France]: s.n.)
  • treatise
PL-Kj Mus. ms. 40620 [1701]
Biechteler, Matthias Siegmund. (Habsburg lands) [RISM B/VII p. 35 (D-B); SMT III/2 p. 141; GOY 2011 p. 27]
  • 11-course lute in French tablature
Bittner 1702
Bittner, Jacob. Pièces de lut (Nuremburg? [Germany]: s.n.)
  • 11-course lute in French tablature
Nivers 1702
Nivers, Guillaume Gabriel. Méthode facile pour apprendre à chanter la musique, par un maistre célèbre de Paris (Paris, [France]: C. Ballard)
  • treatise
  • 5-course guitar and voice in alfabeto tablature and staff notation
A-Wn Mus. Ms. 18760 [1702]
(Mainz, Germany) [RISM B/VII p. 352; SMT III/ 1 p. 127]
  • 11-course lute in French tablature
Amat 1703-1710? [LOST]
Amat, Joan Carles. Guitarra española . . . (Girona, [Spain]: Francisco Oliva)
  • guitar treatise with Catalan cifras
Brossard 1703
Brossard, Sébastien de. Dictionnaire de musique, contenant une explication des termes grecs, latins, italiens, et françois le plus usitez dans la musique. A l'occasion desquels on rapporte ce qu'il y a de plus curieux, et de plus nécessaire à sçavoir, tant pour l'histoire et la théorie, que pour la composition, et la pratique ancienne et moderne de la musique vocale, instrumentale, plaine, simple, figurée, etc. ensemble une table alphabétique des termes françois qui sont dans le corps de l'ouvrage . . . Un traité de la manière de bien prononcer, surtout en chantant, les termes italiens, latins, françois. Et un catalogue de plus de 900 auteurs qui ont écrit sur la musique, en toutes sortes de temps, de pays, et de langues . . . par M. Sébastien de Brossard (Paris, [France]: Christophe Ballard)
  • treatise
F-Pn Rés. Vmc. ms. 6 [1703]
Caccini, Matteo. (Italy) [RISM B/VII p. 268; TYLER p. 90]
  • 5-course guitar in alfabeto tablature
  • 5-string mandora [mandola] in Italian tablature
Brossard 1705
Brossard, Sébastien de. Dictionnaire de musique, contenant une explication des termes grecs, latins, italiens, et françois le plus usitez dans la musique . . . Seconde édition (Paris, [France]: Christophe Ballard)
  • treatise
F. Campion 1705
Campion, François. Nouvelles découvertes sur la guitarre contenantes plusieurs suittes de pièces sur huit manières différentes d'accorder (Paris, [France]: Michel Brunet)
  • 5-course guitar in French tablature
D-B SA 4060 [1705-1710]
various. Compositionen für die Laute. von Launay, Niwert, Gautier Sen. u jun, Tourenne, Gallot, Herold, Emans, du Faut, Comte Logy, Gumprecht, Dubut, Fresnau, Mouton, du Pré, Vincent . . . Pinelli (Brandenburg? [Germany]) [RISM A/II 469406000; GOY 2011, p. 23 (as D-Bsa)]
  • 11-course lute in French tablature
E-Mn Ms. M.811 [1705]
Gaspar Sanz, Francesco Corbetta, Santiago de Murcia, et al. "Libros de diferentes cifras de guitarra escogidas de los mejores autores" (Spain) [YAKELEY p. 283; RISM B/VII p. 201; TYLER p. 162]
  • 5-course guitar in alfabeto tablature
  • 5-course guitar in Italian and alfabeto tablature
F-Pn Vm7 6221 [c1705-1731]
Campion, François. (Paris, [France]) [RISM B/VII p. 262; TYLER p. 119; ms. additions to F. Campion 1705 by the composer]
  • 5-course guitar in French tablature
B-Lc Ms. 245 [c1706]
de Castillion, Jean-Baptiste Ludovico. (Ghent, [Belgium]) [not in RISM; TYLER p. 119; see: http://monicahall.co.uk/corbetta/]
  • 5-course guitar in French tablature
US-R Ms. Vault M2.1 .D172 [1706-1711]
"My Lord Danby's Lute Book" (England) [RISM B/VII p. 300; also see: Tim Crawford: Lord Danby's Lute Book]
  • 11-course lute in French tablature
Brossard c1708
Brossard, Sébastien de. Dictionnaire de musique, contenant une explication des termes grecs, latins, italiens, et françois le plus usitez dans la musique . . . Troisième édition (Amsterdam, [Netherlands]: Estienne Roger)
  • treatise
F-Pn Vma ms. 1213 (olim LL 244) [composed 1708-1714; compiled in the 1730s]
Weiss, Silvius Leopold, et al. "Weiss à Rome" (Rome, [Italy]) [see Crawford, Silvius Leopold Weiss; RISM B/VII p. 231, as Thibault Ms. without Sign. IX]
  • 11-course lute in French tablature
[Kremberg] 1709
[Kremberg, Jakob]. Musicalische Gemüths-Ergetzung oder Zusammen-Stimmung vier der anmuthigsten musicalischen Instrumenten, als der Lauthe, der Angelica, der Viola di Gamba, und der Chytarra, welche nach der neuesten italiänischen und französischen Manier also eingerichtet . . . (Mainz, [Germany]: Ludwig Bourgeat)
  • voice in staff notation with continuo part, and realizations in French tablature for 5-course guitar, 11-course lute, viol, and 16-string angélique
Brossard c1710
Brossard, Sébastien de. Dictionnaire de musique, contenant une explication des termes grecs, latins, italiens, et françois le plus usitez dans la musique . . . Sixième édition (Amsterdam, [Netherlands]: Pierre Mortier)
  • treatise
A-ETgoëss Ms. VII/VIII (3382 XV f 7) [1710-1720]
(Austria) [SMT III/1 p. 20]
  • 11-course lute, lute duet in French tablature
A-ETgoëss Ms. IX (3382 XV f 7) [1710-1720]
(Austria) [SMT III/1 p. 21]
  • 13-course lute in French tablature
A-Gl Ms. 1869 [1710-1720]
[RISM B/VII p. 128]
  • 6-course mandora in French tablature
A-KR Ms. L 84 [1710-1730]
(Austria) [RISM B/VII p. 160; SMT III/1 p. 90]
  • 11-course lute in French tablature
A-Wn Ms. Suppl. Mus. 1586 [c1710]
(Bohemia) [RISM B/VII p. 356; SMT III/1 p. 139]
  • 12-course lute in French tablature
A-Wn Mus. Ms. 18761 [1710-1720]
Weiss, Silvius Leopold, et al. (Salzburg?, Austria) [RISM B/VII p. 353; SMT III/1 p. 128]
  • 11-course lute in French tablature
A-Wös Harrach, H. 120 [c1710]
Weiss, Silvius Leopold, et al. "Harrach Lute Books" (Austria?) [see Michael Freimuth and Tim Crawford, "The Harrach Manuscripts Unknown lute music by S.L. Weiss discovered in an Austrian castle"]
  • 11- and 13-course lute in French tablature
  • 13-course lute duet in French tablature
  • lute, violin, and basso continuo in French tablature and staff notation
CZ-Bm Ms. Inv. 745/A.371 [1710-1720]
(Austria or Bohemia) [RISM B/VII p. 49; SMT III/2 p. 3]
  • 11-course lute in French tablature
CZ-Pnm Ms. IV.E.36 [1710-1730]
(Bohemia) [RISM B/VII p. 287; SMT III/2 p. 26; ms copy of Mouton c1679]
  • 11-course lute in French tablature
CZ-Pnm Ms. XII.E.228 [c1710]
(Italy) [RISM B/VII p. 290; SMT III/2 p. 35]
  • 13-course lute in French tablature
CZ-Pu Ms. II.Kk 49 [c1710]
(Low Countries) [RISM B/VII p. 292; SMT III/ 2 p. 51]
  • 11-course lute in French tablature
D-B Mus.ms. Bach P 801 [1710-1717]
Bach, Johann Sebastian, composer. Johann Gottfried Walther, scribe. "Praeludio – con la Suite da Gio: Bast. Bach" [and, in a different hand:] "aufs Lauten Werck" (BWV 996) (Germany) [NBA V/10/CC, p. 115-124]
  • 11- or 12-course lute? in staff notation
S-Sr Ms. Ericsbergarkivet, Nr. 52, Teil c [c1710]
(Sweden?) [RISM B/VII p. 328; see RUDÉN p. 41; TYLER p. 138]
  • 5-course guitar in French tablature
US-NYp Ms. Music Reserve *MYO [1710-1735]
(Austria) [RISM B/VII p. 239]
  • 11-course lute in French tablature
F-Pn Rés. Vmc. ms. 61 [1712]
(Poland or Germany?) [RISM B/VII p. 230 (Thibault 7); SMT I p. 106]
  • 11-course lute in French tablature
  • 11-course lute, flute, and cello in French tablature and staff notation
S-Klm MS 21068 [1712-1715]
Stålhammar, Otto Frederick. "Stålhammar Lutebook" (Sweden) [see RUDÉN, p. 24; GOY 2011 p. 27]
  • 11-course lute in French tablature; viol in French tablature
S-L Ms. Wenster G.34 [c1712?]
(Sweden) [RISM B/VII p. 199; see RUDÉN p. 30; GOY 2011 p. 27]
  • 11-course lute in French tablature
S-L Ms. Wenster G.37 [1712]
Platin, P.P. (Malmö, Sweden) [RISM B/VII p. 200; see RUDÉN p. 31; GOY 2011 p. 27]
  • 11-course lute in French tablature
Mattheson 1713a
Mattheson, Johann. Das neu-eröffnete Orchestre, oder universelle und gründliche Anleitung, wie ein Galant Homme einen vollkommen Begriff von der Hoheit und Würde der edlen Music erlangen, seinen Gout darnach formiren, die Terminos technicos verstehen und geschicklich von dieser vortrefflichen Wissenschaft raisonniren möge (Hamburg, [Germany]: Johann Mattheson and widow of Benjamin Schiller)
  • treatise
Mattheson 1713b
Mattheson, Johann. Das neu-eröffnete Orchestre, oder universelle und gründliche Anleitung, wie ein Galant Homme einen vollkommen Begriff von der Hoheit und Würde der edlen Music erlangen, seinen Gout darnach formiren, die Terminos technicos verstehen und geschicklich von dieser vortrefflichen Wissenschaft raisonniren mög (Hamburg, [Germany]: widow of Benjamin Schiller)
  • treatise
Murcia 1714
Murcia, Santiago de. Resumen de acompañar la parte con la guitarra comprendiendo en el todo lo que conduze para este fin: en donde el aficionado hallara dissueltas por diferentes partes del instrumento, todo género de posturas, y ligaduras, en los siete signos Naturales y accidentales . . . (Madrid, [Spain]: s.n.)
  • 5-course guitar in alfabeto and Italian tablatures
E-Mn Ms. M.881 [after 1714]
Murcia, Santiago de. "Resumen de acompañar" (Spain) [ms. copy of introduction from Murcia 1714]
  • 5-course guitar in alfabeto and Italian tablatures
A-Su Lautencodex M.III.25 [1715-1735]
Weiss, Silvius Leopold, et al. (Salzburg?, Austria) [RISM B/VII p. 315; SMT III/1 p. 106]
  • 11-, 12- and 13-course lute in French tablature
  • 11- or 13-course lute, violin, and bass in French tablature [lute part only; other parts LOST]
B-Br Ms. II, 4089 [1715-1730]
(Germany) [RISM B/VII p. 64]
  • 11-, 12-, and 13-course lute in French tablature
  • 11-, 12-, and 13-course lute, violin, viols, and other instruments in French tablature and staff notation
GB-Lbl Music ms. Handel [c1715?]
Handel, George Frideric. "Cantata Spagnuola" (Rome, Italy) [YAKELEY p. 284]
  • 5-course guitar, voice, and continuo in staff notation
F. Campion 1716
Campion, François. Traité d'accompagnement et de composition, selon la règle des octaves de musique . . . (Paris, [France]: G. Adam)
  • basso continuo (theorbo) treatise
F. Campion c1716
Campion, François. Traité d'accompagnement et de composition, selon la règle des octaves de musique . . . (Amsterdam, [Netherlands]: Estienne Roger) [WC]
  • basso continuo (theorbo) treatise
E-GRu Ms. caja B-25 [c1716]
Valero, Manuel. (Spain?) [TYLER p. 162]
  • 5-course guitar treatise
GB-Lbl Ms. Additional 30387 [1717-1725]
Weiss, Silvius Leopold. "London Weiss Manuscript" (Düsseldorf, [Germany]) [RISM B/VII p. 179]
  • 11-, 12-, and 13-course lute in French tablature
  • 13-course lute duet in French tablature [2nd part LOST]
  • 11- and 13-course lute and transverse flute or harpsichord in French tablature [lute part only; other part LOST]
Zamboni 1718
Zamboni, Giovanni. Sonate d'intavolatura di leuto, [op. 1] (Lucca, [Italy]: Marescandoli)
  • 14-course archlute in Italian tablature
Boni c1720
Boni, Gaetano. Divertimenti per camera a violino, violone, cimbalo, flauto e mandola . . . [op. 2] (Rome, [Italy]: Cleton, Antonio) [WC]
  • mandore (mandola) in ensemble
B-Bc Ms. Littera S. No. 15.132 [1720-1735]
(Germany) [RISM B/VII p. 56]
  • 11- and 12-course lute in French tablature
  • 6-course mandora (calichon) in French tablature
CZ-Pa Ms. ŘPI 504 [c1720]
(Austria?) [RISM B/VII p. 286; SMT III/2 p. 40]
  • 11- and 12-course lute in French tablature
CZ-Pnm Ms. without sign. II [1720]
(France?) [RISM B/VII p. 291; could not be located in 1999]
  • 11-course lute in French tablature
CZ-PODĚBRADY, Oblastní Muzeum Jana Hellicha Ms. without sign. II [1720]
(France?) [RISM B/VII p. 286; could not be located in 1999]
  • 11-course lute in French tablature
CZ-VESELÍ, Archiv der Hauptkirche Ms. IV.D.25.1 Re [1720]
[RISM B/VII p. 341; NESS 1981 indicates that this is the same ms. as CZ-Bu Ms. Ch. 103]
D-Dl Ms. Mus. 3037-V-3 [1720-1750]
(Germany) [RISM B/VII p. 88 (as Ms. Mus. 2/D/2); SMT II p. 113]
  • 12-course lute in French tablature
D-Grunewald, Werner Wolffheim Ms. 64 [1720-1740] [LOST]
[RISM B/VII p. 43]
  • 11-course lute in French tablature
D-Gs 8° Philos. 84k [c1720]
(Germany) [RISM B/VII p. 374; SMT II p. 120; GOY 2011 p. 24]
  • 11-course lute in French tablature
D-Hs Ms. ND VI,3241 [1720] [LOST]
[RISM B/VII p. 130]
  • cithrinchen in French tablature
D-LEm III.11.5 [1720-1739]
Bach, Johann Sebastian, composer. Johann Christian Weyrauch, scribe. "Partita al Liuto. Composta dal Sigre J. S. Bach" (BWV 997) (Germany?) [NBA V/10/CC, p. 124-149; RISM B/VII p. 166; SMT II p. 189; RISM A/II 200021121]
  • 13-course lute in French tablature
D-ROu Ms. Mus. Saec. XVII.18.52.2 [c1720]
(Germany) [RISM B/VII p. 308; SMT II p. 259]
  • 11-course lute in French tablature
D-ROu Ms. Mus. Saec. XVII.18.53.1.A [c1720]
(Stuttgart, Germany) [RISM B/VII p. 308; SMT II p. 262]
  • 11-course lute in French tablature
D-ROu Ms. Mus. Saec. XVII.18.53.1.B [c1720]
(Stuttgart, Germany) [RISM B/VII p. 309; SMT II p. 264]
  • 11-course lute in French tablature
D-ROu Ms. Mus. Saec. XVII.18.53.2 [c1720]
(Germany) [RISM B/VII p. 309; SMT II p. 264]
  • lute in Italian tablature
D-ROu Ms. Mus. Saec. XVIII.65.6.a-z [1720-1750]
(Germany) [RISM B/VII p. 312; SMT II p. 284]
  • 11-, 12-, and 13-course lute in French tablature
D-W Cod. Guelf. 103 Mus. Hdschr. [c1720]
(Germany) [SMT II p. 317]
  • 12-course lute in French tablature
F-Pn Rés. 1820 [c1720]
(France) [RISM B/VII p. 273; SMT I p. 94]
  • 14-course theorbo in French tablature
GB-Lbl Ms. Additional 37074 [1720-1730]
(England) [RISM B/VII p. 185]
  • 10-course lute in French tablature
GB-Woodford Green (Essex), R. Spencer Library Ms. without Sign. I [1720]
(Prague? Czech Republic) [RISM B/VII p. 366; now in private hands in Germany and not open to the public]
  • 11-course lute in French tablature
  • 6-course mandora in French tablature
PL-Wn Rps. Muz. 396 [1720-1730]
(Germany) [RISM B/VII p. 343 (as K44); SMT III/2 p. 169]
  • 11-course lute in French tablature
SK-BRhv Ms. without Sign. [c1720?]
Weichenberger, Johann Georg. (Vienna, Austria) Lauthen Concert Von Johann Georg Weichenberger Jn Wienn [RISM B/VII p. 49; SMT III/2 p. 261; see: Music for the Baroque Lute A Database by Peter Steur]
  • 11-course lute, violin, and bass in French tablature and staff notation
US-Wc Ms. M2.1.T2.18B [1720]
"Osborne Lute Manuscript" (England) [RISM B/VII p. 349]
  • 11-, 12-, and 13-course theorbo in French tablature
SI-Šk Kapucinski Samostan Ms. Nr. 5 [1720]
(Germany?) [RISM B/VII p. 322]
  • 11-course lute in French tablature
Bonanni 1722
Bonanni, Filippo. Gabinetto armonico pieno d'istromenti sonori, indicati e spiegati dal padre Filippo Bonanni della Compagnia di Giesù . . . (Rome, [Italy]: Giorgio Placho)
  • treatise
RCH-S Pontificia Universidad Católica de Chile, Ms. without Sign. [1722]
Murcia, Santiago de. (Chile?) [not in RISM; discovered 2006 and currently in possession of the Pontificia Universidad Católica de Chile, Biblioteca Campus Oriente, as yet uncatalogued; see: Murcia, Santiago de. Cifras selectas de guitarra: Introduction, Transcription, and Edited by Alejandro Vera. Recent Researches in the Music of the Baroque Era, vol. 167. (Middleton, WI: A-R Editions, 2010).]
  • 5-course guitar in Italian tablature
S-L Ms. Wenster G.30 [c1722]
(Sweden?) [see RUDÉN p. 32]
  • cithrinchen in French tablature
Bonanni 1723
Bonanni, Filippo. Gabinetto armonico pieno d'istromenti sonori, indicati e spiegati dal padre Filippo Bonanni della Compagnia di Giesù e di nuovo corretti ed accresciuti . . . (Rome, [Italy]: Giorgio Placho)
  • treatise
Conradi 1724
Conradi, Johann Gottfried. Neue Lauten Stücke als Preludes, Allemands, Courants, Giques, Menuets etc. (Frankfurt, [Germany]: Conradi, Johann Gottfried)
  • 11-course lute in French tablature
Nassarre 1724
Nassarre [Nasarre], Pablo. Escuela musica segun la practica moderna, dividida en primera, y segunda parte . . . (Zaragoza, [Spain]: heirs of Diego de Larumbe)
  • treatise
E-Bc Mús. 737/69 [1724]
Puig, Honofre. "Tono al Santissimo sacramento" (Spain) [YAKELEY p. 277]
  • 5-course guitar and 4 treble voices in Catalan cifras and staff notation
A-Wn Ms. Suppl. Mus. 9659 [1725-1750]
(Salzburg, Austria) [RISM B/VII p. 357; TYLER p. 145]
  • 5-course guitar in French tablature
B-Bc Ms. Littera S. No. 5620 [1725-1750]
(Germany??) [RISM B/VII p. 55]
  • 13-course lute in French tablature
D-B 55 MS 10149 [1725]
Bach, Johann Sebastian, composer. Heinrich Nikolaus Gerber, scribe. "Preludio - con la Suite en Eb da Gio: Bast: Bach" (BWV 996) (Leipzig, Germany) [NBA V/10/CC, p. 116; RISM A/II 461014900]
  • 11- or 12-course lute? in staff notation
D-Dl Ms. Mus. 2841/V/1 [1725-1750]
Weiss, Silvius Leopold. "Dresden Weiss Manuscript" (Düsseldorf, [Germany]) [RISM B/VII p. 92; SMT II p. 104]
  • 13-course lute in French tablature
  • 13-course lute in French tablature and unspecified instruments [lute part only; other parts LOST]
  • 13-course lute in French tablature, 2 violins, "bass" [lute part only; other parts LOST]
  • 13-course lute duet in French tablature [2nd lute part LOST]
D-Hs Ms. ND VI,3242 [1725] [LOST]
[RISM B/VII p. 130]
  • 8-course mandora in French tablature
F-Pn Rés. 1106 [1725-1730]
(France) [RISM B/VII p. 271; SMT I p. 82]
  • 14-course theorbo in French tablature
Baron 1727
Baron, Ernst Gottlieb. Ernst Gottlieb Baron candidati juris, historisch-theoretische und practische Untersuchung des Instruments der Lauten (Nuremburg [Germany]: Friedrich Rüdiger)
  • lute treatise with French tablature
Mattheson 1727
Mattheson, Johann. Der neue göttingische, aber viel schlechter, als die alten lacedämonischen urtheilende Ephorus, wegen der Kirchen-Music eines andern belehret von Jo. Mattheson. Nebst dessen angehängten, merckwürdigen Lauten-Memorial . . . (Hamburg and Leipzig, [Germany]: Johann Christoph Kissner and Jakob Schuster)
  • treatise
B-Br Ms II. 4085 [1727-1731]
Bach, Johann Sebastian. "Pièces pour la Luth à Monsieur Schouster, par J. S. Bach" (BWV 995) (Germany) [RISM A/II 701000230; NBA V/10/CC, p. 102-115]
  • 13- or 14-course lute in staff notation
D-B Mus. ms. Bach P 804 [1727-1730]
Bach, Johann Sebastian, composer. Johann Peter Kellner, scribe. (Cöthen, Germany) (BWV 999) [not in RISM; NBA V/10/CC p. 155-156]
  • 10-course lute in staff notation
D-LEm III.11.3 [1727-1750]
Bach, Johann Sebastian, composer [unknown hand]. (BWV 995) (Germany) [NBA V/10/CC, p. 105-106; RISM B/VII p. 166; SMT II p. 188]
  • 13-course lute in French tablature
Telemann 1728
Telemann, George Philipp [ed.]. Der getreue Musikmeister, welcher so wol für Sänger als Instrumentalisten allerhand Gattungen musicalischer Stücke, so auf verschiedene Stimmen und fast alle gebräuchliche Instrumente gerichtet sind, und moralische Opern-und andere Arien, dessgleichen Trii, Duetti, Soli, etc. Sonaten, Ouverturen, etc. wie auch Fugen, Contrapuncte, Canones etc. enthalten . . . durch Telemann (Hamburg, [Germany]: s.n.)
  • 13-course lute in French tablature [pieces by Weiss and Baron]
B-Bc Ms. Littera S. No. 5615 [1729-1730]
de Castillion, Jean-Baptiste Ludovico. "Recueil de pièces de guitarre" (Ghent, [Belgium]) [RISM B/VII p. 53; TYLER p. 137]
  • 5-course guitar in French tablature
F. Campion 1730
Campion, François. Addition au traité d'accompagnement et de composition par la règle d'octave; où est compris particulièrement le secret de l'accompagnement du théorbe, de la guitare et du luth avec la manière de transposer instrumentalement . . . [Op. 4] (Paris, [France]: Ribou)
  • basso continuo (theorbo, lute, guitar) treatise
A-SEI Ms. without Sign. [1730-1750]
(Germany) [RISM B/VII p. 319; SMT III/1 p. 114]
  • 11- and 12-course lute in French tablature
B-Br Ms. II, 5551.D [1730-1740]
de Castillion, Jean-Baptiste Ludovico. (Ghent, [Belgium]) [RISM B/VII p. 66; TYLER p. 137]
  • 5-course guitar in French tablature
CZ-PODĚBRADY, Oblastní Muzeum Jana Hellicha Ms. without sign. I [1730-1740]
(Germany?) [RISM B/VII p. 285; could not be located in 1999]
  • 11-, 12, and 13-course lute in French tablature
D-AMs Ms. 39 [1730-1740]
[RISM B/VII p. 5]
  • 6-string mandora (calichon) in French tablature
D-LEm III.11.4 [1730-]
Bach, Johann Sebastian, composer. Johann Christian Weyrauch, scribe. (BWV 1000) (Germany) [RISM B/VII p. 166; SMT II p. 189; RISM A/II 200021122]
  • 13-course lute in French tablature
D-LEm III.11.6.a [1730-1740]
Baron, Ernst Gottlieb. (Germany) [RISM B/VII p. 167; SMT II p. 190]
  • 11-course lute and flute in French tablature and staff notation (flute part separate)
D-ROu Ms. Mus. Saec. XVII.51.6 [c1730]
(Germany?) [RISM B/VII p. 307; SMT II p. 258]
  • 11-course lute, flute, oboe, violin, viol d'amour, and clavecin in French tablature and staff notation
D-ROu Ms. Mus. Saec. XVIII.13.26,1 [1730-1750]
(Germany) [SMT II p. 280]
  • 11-course lute in French tablature
F-Pn Ms. Fonds Conservatoire National Rés. F. 844 [1730-1740]
Visée, Robert de, Francesco Corbetta, Angelo Michele Bartolotti, et al. (France) [RISM B/VII p. 274; TYLER p. 120]
  • 5-course guitar in French tablature
GB-Lbl Ms. Additional 17795 [1730]
(England) [RISM B/VII p. 177]
  • viols and lute? in French tablature
PL-Wu Ms. RM 4138 (olim Mf. 2005) [1730-1760]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 368 (as Mf. 2005); SMT III/2 p. 194]
  • 13-course lute in French tablature
PL-Wu Ms. RM 4139 (olim Mf. 2006) [1730-1760]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 368 (as Mf. 2006); SMT III/2 p. 199]
  • 11- and 13-course lute in French tablature
PL-Wu Ms. RM 4140 (olim Mf. 2008) [1730-1760]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 369 (as Mf. 2008); SMT III/2 p. 202]
  • 11-course lute in French tablature
PL-Wu Ms. RM 4141 (olim Mf. 2009) [1730-1760]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 369 (as Mf. 2009); SMT III/2 p. 212]
  • 11- and 13-course lute in French tablature
PL-Wu Ms. RM 4143 (olim Mf. 2011) [1730-1760]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 369 (as Mf. 2011); SMT III/2 p. 226]
  • 11-course lute in French tablature
RUS-Mcm Ms. 282.N 8 [1730-1740]
(Moscow, Russia) [RISM B/VII p. 213; SMT III/2 p. 249]
  • 13-course lute in French tablature
  • 13-course lute duet in French tablature
S-SK Ms. Högre Allmänna Läroverkets musiksamling No. 493 [1730-1740]
(Germany?) [RISM B/VII p. 321; see RUDÉN p. 44]
  • 13-course lute in French tablature
S-Uu Ms. Instr. musik i h. 20: 13 [1730-1740]
(Germany?) [RISM B/VII p. 335; see RUDÉN p. 53]
  • 11-, 12-, and 13-course lute in French tablature
Majer 1732
Majer, Joseph Friedrich Bernhard Caspar. Museum musicum theoretico practicum, das ist: Neu-eröffneter theoretisch- und practischer Music-Saal . . . (Schwäbisch Hall, [Germany]: Georg Michael Majer)
  • treatise
  • tuning chart for the 11-course lute in French tablature
Walther 1732
Walther, Johann Gottfried. Musicalisches Lexicon; oder, musicalische Bibliothec, darinnen nicht allein die Musici, welche so wol in alten als neuern Zeiten, ingleichen bey verschiedenen Nationen, durch Theorie, und Praxin sich hervor gethan, und was von jedem bekannt worden, oder er in Schrifften hinterlassen, mit allem Fleisse und nach den vornehmsten Umständen angeführtet, sondern auch die in griechischer, lateinischer, italiänischer und frantzösischer Sprache gebräuchliche musicalische Kunst- oder sonst dahin gehörige Wörter, nach alphabetischer Ordnung vorgetragen und erkläret, und zugleich die meisten vorkommende Signaturen erläutert werden von Johann Gottfried Walthern . . . (Leipzig, [Germany]: Wolfgang Deer)
  • treatise
GB-Lbl Ms. Additional 31640 [c1732]
Murcia, Santiago de. "Passacalles y obras de guitarra . . ." (Mexico) [Vol. 2 to Saldívar Codex No. 4; YAKELEY p. 286; RISM B/VII p. 182; TYLER p. 163]
  • 5-course guitar in alfabeto tablature
MEX-Msaldívar Ms. Codex Saldívar No. 4 [c1732]
Murcia, Santiago de. "Saldívar Codex" (Leon, Guanajuato, Mexico) [Vol. 1; TYLER p. 163]
  • 5-course guitar in Spanish tablature
GB-Lam Ms. 606 [1733]
Fontanelli, Ludovico. "Sonate per il Chitarone Francese." (Italy) [not in RISM; see TYLER p. 93, Ms. ex Spencer]
  • 13-course theorboed guitar and voice in Italian tablature and staff notation
D-KA Ms. mus. 1272, 2 [1734]
(Denmark?) [RISM B/VII p. 87]
  • 6-string mandora (calichon) in French tablature
Private collector; olim J-Tua Ms. without Sign. [1734-1747]
Bach, Johann Sebastian, composer and scribe. "Prelude pour la Luth. ò Cembal, par J. S. Bach" (Leipzig, Germany) (BWV 998) [not in RISM; NBA V/10/CC, p. 149-155; this manuscript was sold to a private collector in China in July 2016]
  • 13-course lute in staff notation
Amat 1735-1787
Amat, Joan Carles. Guitarra española y vándola en dos maneras de guitarra castellana, y cathalana de cinco ordenes, la qual enseña de templar, y tañer rasgado, todos los puntos naturales y b, mollados, con estilo maravilloso (Girona, [Spain]: Antonio Oliva)
  • guitar treatise with Catalan cifras
Le Sage de Richée 1735
Le Sage de Richée, Philipp Franz. Cabinet der Lauten in welchem zu finden 12. neue Partien, aus unterschiedenen Tonen und neuesten Manier so aniezo gebräuchlich, welche bestehen in Praeludien, Allemanden, Couranten, Sarabanden, Giquen, Gavotten, Menuetten, Boureen, Chagonen, Passagalien, Ouverturen, Rondeau sambt Echo. Denen Liebhabern zu einer Distraction an das Licht gegeben (Breslau? [Germany]: s.n.)
  • 11-course lute in French tablature
A-RO Ms. without Sign. 1 [1735-1740]
Weiss, Silvius Leopold. "Weiss Sylvio - Lautenmusik" (Austria) [see Freimuth, Michael, and Tim Crawford. "The Harrach Manuscripts Unknown lute music by S.L. Weiss discovered in an Austrian castle"]
  • 11- and 13-course lute in French tablature
  • lute duet in French tablature
  • lute, violin, and continuo in French tablature and staff notation
A-RO Ms. without Sign. 2 [1735-1740]
Weiss, Silvius Leopold, et al. "Lauten Musik von unbekannten Componisten" (Austria?) [see Freimuth, Michael, and Tim Crawford. "The Harrach Manuscripts Unknown lute music by S.L. Weiss discovered in an Austrian castle"]
  • 11- and 13-course lute in French tablature
  • 14-course archlute in Italian tablature
D-Dl Ms. Mus. 2701/V/1 [1735-1740]
[RISM B/VII p. 90]
  • 6-string mandora (calichon) in French tablature
D-KA Ms. mus. 1272, 1 [1735]
[RISM B/VII p. 87]
  • 5- and 6-string mandora (calichon) in French tablature
J-Tma MS Littera rara vol. 2-14 [1735-1740]
Bach, Johann Sebastian. (Leipzig, Germany) BWV 1006a [see NBA V/10/CC, p. 161-171]
  • 13- or 14-course lute in staff notation
DK-Kk Ms. GKS 110, 2° [1736-1745]
Diesel, Nathanael. (Copenhagen, [Denmark]; 14 books) [RISM B/VII p. 146; TYLER p. 138]
  • 5-course guitar in French tablature
DK-Kk Ms. GKS 377, 2° [1736-1745]
Diesel, Nathanael, et al. "Princess Charlotte Amalie's Guitar Books" (Copenhagen, [Denmark]; 20 books) [RISM B/VII p. 143; TYLER p. 138]
  • 5-course guitar in French tablature
DK-Kk Ms. GKS 1879, 4° [1736-1745]
Diesel, Nathanael. (Denmark?) [RISM B/VII p. 145; TYLER p. 138]
  • 5-course guitar in French tablature
Christoph and Stössel 1737
Kurtzgefasstes musicalisches Lexicon, worinnen eine nützliche Anleitung und gründlicher Begriff von der Music enthalten, die Termini technici erkläret, die Instrumente erläutert und die vornehmsten Musici beschrieben sind, nebst einer historischen Beschreibung von der Music Nahmen, Eintheilung, Ursprung, Erfindung, Vermehrung und Verbesserung, biss sie zu itziger Vortrefflichkeit gelanget, auch wunderbaren Würckung und Gebrauch ingleichen ihren vornehmsten Cultoribus, so von der Welt Anfang bis auf unsere Zeit gelebet. Alles aus derer besten und berühmtesten Musicorum ihren Schrifften mit Fleiss zusammen gesucht, in alphabetische Ordnung gebracht und denen Liebhabern musicalischer Wissenschaften zu ferener Nachdencken wohlmeynend vorgestellet (Chemnitz, [Germany]: Johann Christoph and Johann David Stössel)
  • treatise
Martino c1737
Martino, Philippo. Trio VI. III. con luito [sic], flauto traversière, et fondamento. III. con liuto, violino, et fondamento (Augsburg, [Germany]: Johann Christian Leopold) [WC]
  • 13-course lute, flute/violin, continuo in French tablature and staff notation
Millioni/Monte 1737
Millioni, Pietro and Lodovico Monte. Vero e facil modo d'imparare a sonare, et accordare da se medesimo la chitarra spagnuola, non solo con l'Alfabeto, et accordatura ordinarii, ma anco con un'altro Alfabeto, et accordatura straordinarii, nuovamente da inventati . . . (Venice, [Italy]: Domenico Lovisa).
  • 5-course guitar in alfabeto tablature
  • 5-course guitar and voice with text only (no tablature)
PL-WRu 60019 Odds. Mus. (olim Ms. Mf. 2002) [1739-1747?]
"Grissau MSS" (Grissau [Krzeszów, Poland]) [RISM B/VII p. 368 (as Mf. 2002); SMT III/2 p. 235]
  • 13-course lute in French tablature
Falckenhagen 1740
Falckenhagen, Adam. Sonate di liuto solo . . . [op. 1] (s.l.: s.n.) [BUC]
  • 13-course lute in French tablature
Galliard c1740
Galliard, John Ernest, [and J.C. Pepusch?]. The comic tunes in the entertainment Perseus & Andromeda and the Rape of Proserpine . . . for the harpsicord, German flute, violin, or guitar (London, [England]: J. Walsh) [BUC]
  • [English?] guitar and voice in staff notation
Grassineau 1740
Grassineau, James. A musical dictionary; being a collection of terms and characters, as well ancient as modern; including the historical, theoretical, and practical parts of music . . . the whole carefully abstracted from the best authors in the Greek, Lain, Italian, French and English languages (London, [England]: J. Wilcox)
  • treatise (describes guitar stringing)
Weigel c1740
Weigel, Johann Christoph. Musikalisches Theatrum, auf welchen alle zu dieser edlen Kunst gehörige Instrumenta in anmuthigen Posituren lebhafft gezeiget und allen Music Liebhabern zu gefälliger Belustigung vorgestellet werden. Erster Theil (Nuremberg, [Germany]: Johann Christoph Weigel)
  • treatise
A-ETgoëss Ms. X [c1740]
"Goëss Hueber" (Austria) [SMT III/1 p. 22]
  • 11- and 13-course lute, lute duet in French tablature
A-GÖ Ms. Lautentabulatur Nr. 1 [c1740]
(Austria) [RISM B/VII p. 127; SMT III/1 p. 31]
  • 11- and 13-course lute in French tablature
A-GÖ Ms. Lautentabulatur Nr. 3 [c1740]
(Austria) [RISM B/VII p. 128; SMT III/1 p. 40]
  • 13-course lute in French tablature
A-Wn Ms. Suppl. Mus. 1078 [c1740]
(Austria or Bohemia) [RISM B/VII p. 356; SMT III/1 p. 137]
  • 11-course lute in French tablature
A-Wn Mus. Ms. 18829 [c1740]
Weiss, Silvius Leopold, et al. (Austria?) [RISM B/VII p. 355; SMT III/1 p. 134]
  • 12- and 13-course lute in French tablature
CZ-Pnm Ms. without sign. I [1740]
(Germany?) [RISM B/VII p. 291; could not be located in 1999]
  • 13-course lute in French tablature
CZ-POm Ms. without Sign. III [1740-1750]
(Austria or Bohemia?) [RISM B/VII p. 286; SMT III/2 p. 15]
  • 13-course lute in French tablature
  • lute part for solo concerto
D-As Ms. Tonkunst Schl. 290 [1740-1750]
(Germany?) [RISM B/VII p. 7]
  • 6-course lute or mandora in French tablature
D-As Ms. Tonkunst Schl. 509 [1740-1750]
[RISM B/VII p. 8]
  • 6-string mandora in French tablature
D-Dl Ms. Mus. 2/V/5 [1740]
[RISM B/VII p. 88]
  • 6-string mandora (calichon) and various instruments in French tablature and staff notation?
D-Dl Ms. Mus. 2/V/6 [1740]
[RISM B/VII p. 88]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2/V/7 [1740]
[RISM B/VII p. 89]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2364/V/1 [1740-1745]
[RISM B/VII p. 89]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2364/V/2 [1740]
[RISM B/VII p. 89]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2806/V/1 [1740]
[RISM B/VII p. 90]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2806/V/2 [1740]
[RISM B/VII p. 90]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2806/V/3 [1740]
[RISM B/VII p. 91]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2806/V/4 [1740]
[RISM B/VII p. 91]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2806/V/5 [1740]
[RISM B/VII p. 92]
  • 6-string mandora (calichon) in French tablature
D-LEm III.12.18 [c1740]
(Germany) [RISM B/VII p. 83]
  • 12-course lute in French tablature
  • 7-string mandora in French tablature
D-Mbs Ms. Mus. 5362 [c1740]
(Germany) [RISM B/VII p. 225; SMT II p. 233]
  • 11-, 12- and 13-course lute in French tablature
D-ROu Ms. Mus. Saec. XVIII.13.25 [c1740]
(Germany) [SMT II p. 280]
  • 13-course lute in French tablature
D-ROu Ms. Mus. Saec. XVIII.53.3a-c [c1740]
(Germany) [SMT II p. 282]
  • 13-course lute in French tablature
D-ROu Ms. Mus. Saec. XVIII.59.1 [c1740]
(Germany) [RISM B/VII p. 312; SMT II p. 283]
  • 11-course lute in French tablature
F-Sim Ms. Rm 271 [c1740]
(Germany) [RISM B/VII p. 229 (without Sign.); RISM A/II 840000951; SMT I p. 156]
  • 13-course lute in French tablature
MEX-Mn Ms. 15-4-152 [1740]
(Mexico) [RISM B/VII p. 208, incorrectly listed as for vihuela]
  • 5-course mandola or guitar in Spanish tablature
US-NYp Ms. JOG 72-29 [1740-1750]
Baron, Ernst Gottlieb, et al. "Harrach MS" (Germany) [RISM B/VII p. 237]
  • 10- and 11-course lute in French tablature
  • lute and ensemble
Costa c1741
Costa, António Pereira da. Concertos grossos com doys violins, e violão de concertinho obrigados: e outros doys violins, viola e orgão, de concerto grosso a arbitrio . . . [op. 1] (London, [England]: John Simpson) [BUC]
  • viola toeira? in staff notation
Majer 1741
Majer, Joseph Friedrich Bernhard Caspar. Neu-eröffneter theoretisch- und pracktischer Music-Saal . . . (Nuremberg, [Germany]: Iohann Iacob Cremer)
  • treatise
D-Sl Sign. R 18 Maj 1 [c1741]
(Germany) [ms. addition to Majer 1732; BOETTICHER 1979 p. 203]
  • 6, 7, 8, 9, and 10-course cittern? in Italian tablature
Falckenhagen c1742
Falckenhagen, Adam. Sei partite a liuto solo . . . [op. 2] (Nuremberg, [Germany]: Johann Ulrich Haffner) [NG]
  • 13-course lute in French tablature
D-Wa VI Hs 13 Nr. 35 [1742]
"Stammbuch des Conrad Arnold Schmid" (with entry by Silvius Leopold Weiss). (Dresden, [Germany]) [RISM B/VII p. 365; RISM A/II 451503843; SMT II p. 317]
  • 12-course lute in French tablature
PL-Kj Mus. ms. 40151 [1742]
(Germany) [RISM B/VII p. 26 (D-B); SMT III/2 p. 116]
  • 13-course lute in French tablature
Falckenhagen c1743a
Falckenhagen, Adam. Sei concerti a liuto traverso, oboe ò violino e violoncello . . . [op. 3] (Nuremberg, [Germany]: Johann Ulrich Haffner) [NG]
  • 13-course lute, oboe/violin, and cello in French tablature and staff notation [oboe/violin and cello parts LOST]
Falckenhagen c1743b
Falckenhagen, Adam. Sej concertij a liuto, traverso, oboe o violino e violoncello . . . opera nuova [op. 4] (Nuremberg, [Germany]: Johann Ulrich Haffner) [NG]
  • 13-course lute, oboe/violin, and cello in French tablature and staff notation
[Amat 1745]: see Amat 1761-1766
D-ROu Ms. Mus. Saec. XVIII.58.26 [1743]
(Germany) [RISM B/VII p. 311; SMT II p. 283]
  • 12-course lute in French tablature
De Fesch c1745
De Fesch, Willem. XX Canzonette a voce sola di soprano, col basso continuo, da potersi suonare con violino, flauto trav.ra e mandolino . . . the second collection (London, [England]: Marco Antonio Ferro) [BUC]
  • mandolin, violin, and flute in staff notation
D-As Ms. Tonkunst 2° fasc. III [1745-1780]
Weiss, Silvius Leopold, et al. (Augsburg? Germany) [RISM B/VII p. 8; SMT II p. 3]
  • 11- and 13-course lute in French tablature
  • 13-course lute, 2 violins, viola, and violoncello in French tablature [lute part only; other parts LOST]
Daube 1746 [LOST]
Daube, Johann Friedrich. VI. Sonatas pour le lut, dans le gout moderne, Op. 1 (Nuremberg, [Germany]: Haffer)
  • lute in French tablature?
Falckenhagen c1746
Falckenhagen, Adam. Erstes Dutzend Erbauung-voller Geistlicher-Gesänge mit Variationen auf die Laute (Nuremberg, [Germany]: Johann Ulrich Haffner) [NG]
  • 13-course lute in French tablature
Straube 1746
Straube, Rudolf. Due sonate a liuto solo (Leipzig, [Germany]: Rudolf Straube)
  • 13-course lute in French tablature
Kellner 1747
Kellner, David. XVI Auserlesene Lauten-Stücke, bestehend in Phantasien, Chaconnen, Rondeau, Giga, Pastorel, Passe pied, Campanella, Sarabande, Aria & Gavotte (Hamburg, [Germany]: Christian Wilhelm Brandt)
  • 11-course lute in French tablature
Christoph and Stössel 1749
Kurtzgefasstes musicalisches Lexicon, worinnen eine nützliche Anleitung und gründlicher Begriff von der Music enthalten, die Termini technici erkläret, die Instrumente erläutert und die vornehmsten Musici beschrieben sind, nebst einer historischen Beschreibung von der Music Nahmen, Eintheilung, Ursprung, Erfindung, Vermehrung und Verbesserung, biss sie zu itziger Vortrefflichkeit gelanget, auch wunderbaren Würckung und Gebrauch ingleichen ihren vornehmsten Cultoribus, so von der Welt Anfang bis auf unsere Zeit gelebet. Alles aus derer besten und berühmtesten Musicorum ihren Schrifften mit Fleiss zusammen gesucht, in alphabetische Ordnung gebracht und denen Liebhabern musicalischer Wissenschaften zu ferener Nachdencken wohlmeynend vorgestellet. Neue Auflage (Chemnitz, [Germany]: Johann Christoph and Johann David Stössel)
  • treatise
Cloes 1749
Cloes, Nicolas. One hundred French songs set for a voice, German flute, violin, harpsichord and pandola, etc. (London, [England]: John Walsh) [BUC]
  • pandola [English guitar] in staff notation
F-Pn Rés. F 203 [1749?]
(Sweden) [RISM B/VII p. 274; SMT I p. 96]
  • 11-course lute in French tablature
anonymous c1750a
anonymous. The Birks of Endermay (The smiling morn, the breathing spring [2 voices, flute, guitar]) (London, [England]: s.n.) [WC]
  • English guitar and flute in staff notation
anonymous c1750b
anonymous. The Compleat tutor for the guittar, containing the best and easiest instructions for learners to obtain a proficiency, to which are added a choice collection of the most celebrated Italian, English & Scotch tunes, curiously adapted to that instrument (London, [England]: C. & S. Thompson)
  • English guitar method
anonymous c1750c
anonymous. Twenty-four favourite duetts for French horns or guittars (London, [England]: J. Johnson) [BUC]
  • English guitar duet in staff notation
Arne c1750?
Arne, Thomas Augustin. A dawn of hope . . . a favorite song adapted for the harpsichord, violin german flute and guittar (s.l.: s.n.) [WC]
  • English guitar and voice in staff notation
Falckenhagen c1750a [LOST]
Falckenhagen, Adam. [6 sonatine da camera for lute . . .op.5] (Nuremberg, [Germany]: s.n.)
  • 13-course lute in French tablature?
Falckenhagen c1750b [LOST]
Falckenhagen, Adam. [12 minuets for lute] (Nuremberg, [Germany]: s.n.)
  • 13-course lute in French tablature?
A-M Ms. without Sign. [c1750?]
Ebner von Ebenthal, Caspar. (Austria) [RISM B/VII p. 374; BOETTICHER 1979 p. 201]
  • 5-course mandora and violin/flute in French tablature and staff notation
B-Br II 4093 [1750-1800]
Bach, Johann Sebastian, composer. Unknown scribe. "15 Preludio con la suite" (BWV 996) (Germany?) [NBA V/10/CC, p. 116; RISM A/II 700007019]
  • 11- or 12-course lute? in staff notation
CH-BEb Ms. H.H.IV 182 (23) (Ms.1195) [1750-1789]
Merchi, Giacomo [Italy] "Dodeci Ariette O Sia Barcarolle Veneziane Composta dal Giacomo Marchi [sic] Con accompagnamento di Chitarra O Basso" (Italy?) [RISM A/II 400196048]
  • guitar and voice in staff notation
D-B Mus. ms. 40642 [c1750]
(Germany) [RISM B/VII p. 39; SMT II p. 67]
  • 11-course lute in French tablature
D-KNu 5.P.177 [c1750]
(Germany) [RISM B/VII p. 151 (as Ms. 1.N.68); SMT II p. 150]
  • 11-course lute in French tablature
D-LEm III.11.33 [c1750]
(Germany) [RISM B/VII p. 167; SMT II p. 191]
  • 11-, 12-, and 13-course lute in French tablature
D-LEm III.11.46.b [1750-1755]
(Germany) [RISM B/VII p. 168; SMT II p. 194]
  • 13-course lute in French tablature
D-LEm III.11.46.c [1750-1760]
(Germany) [RISM B/VII p. 168; SMT II p. 195]
  • 13-course lute in French tablature
D-LEm III.11.64 [1750-1770]
"Rosani Manuscript" (Germany) [RISM B/VII p. 168; SMT II p. 196]
  • 13-course lute in French tablature
D-Ngm MS 274 [olim Hs. 25461, I] [c1750]
(Germany) [RISM B/VII p. 247; SMT II p. 239]
  • 12- and 13-course lute in French tablature
D-Ngm MS 274 [olim Hs. 25461, II] [c1750]
(Germany) [RISM B/VII p. 247; SMT II p. 240]
  • 13-course lute in French tablature
D-Rp B 210 [c1750]
(Germany) [SMT II p. 257]
  • 13-course lute in French tablature
D-ROu Ms. Mus. Saec. XVIII.13.2a-c [c1750]
Daube, Johann Friedrich. Trio â Luto Traverso e Basso. (Germany) [RISM B/VII p. 310; RISM A/II 200021997, 200021998, 200021999; SMT II p. 279]
  • 13-course lute, flute, and basso continuo in French tablature and staff notation
D-ROu Ms. Mus. Saec. XVIII.13.26,2 [c1750]
(Germany) [SMT II p. 281]
  • 11- and 13-course lute in French tablature
D-WWW K 7 Nr.56 [c1750]
Quadro per il Liuto, 2. Violini, Violoncello obligato. con Sordini. F.# (Italy?) [RISM A/II 454000520]
  • lute, 2 violins, and violoncello in staff (?) notation (violin parts missing)
E-Bc Mús. 744/33 [1750-1800]
"Duo al nacimiento, a zagalejas dejad" (Spain) [YAKELEY p. 277]
  • 5-course guitar and voice in Catalan cifras and staff notation
GB-HAdolmetsch Ms. II.B.2 [1750-1770]
(Austria) [RISM B/VII p. 132]
  • 11- and 12-course lute in French tablature
PL-Kj Mus. ms. 40150 [1750-1790?]
(Germany?) [RISM B/VII p. 26 (D-B); SMT III/2 p. 115]
  • 12- and 13-course lute in French tablature
  • lute and violin in French tablature and staff notation
PL-Kj Mus. ms. 40633 [1750-1755]
(Dresden, Germany) [RISM B/VII p. 38 (D-B); SMT III/2 p. 150]
  • 11- and 13-course lute in French tablature
RUS-KA Geheimes Staats- und Universitätsbibliothek Ms. 3026 [1750-1760] [LOST]
(Germany?) [destroyed in World War II; copy survives; RISM B/VII p. 153; SMT III/2 p. 245]
  • 13-course lute in French tablature
  • lute and other instruments in French lute tablature (and staff notation?)
US-BETm Ms. BMB4 [c1750]
(Germany?) [not in RISM; see: Andy Rutherford, "Lautenzisters, Moravians, and the Moravian Choralbuch." Lute Society of America Quarterly XLV:1 (Spring 2010): 37-41.]
  • 6-course cittern in French tablature
A-LIb Ms. 569 [middle of the 18th century]
[RISM B/VII p. 171]
  • 6-string mandora in French tablature
B-Bc Ms. Littera S. No. 5622 [middle of the 18th century]
[RISM B/VII p. 56]
  • 4-course cittern in Italian tablature
CZ-Bm Ms. Inv. 4081/A. 20.545 [middle of the 18th century]
[RISM B/VII p. 51]
  • 5 to 8-string mandora in French tablature
CZ-ME Archiv der Hauptkirche Ms. D.41 [middle of the 18th century]
(Germany) [RISM B/VII p. 206]
  • 11-course lute in French tablature
D-Antiquariat Leo Liepmannssohn Ms. Katalog 221, Nr. 844 [middle of the 18th century] [LOST]
[RISM B/VII p. 42]
  • 5-course guitar in French tablaturee
D-Berlin and Leipzig, private library of Hermann Springer [middle of the 18th century]
[RISM B/VII p. 170]
  • 11- and 12-course lute in French tablature
D-Dl Ms. Mus. 2701/V/1 a [middle of the 18th century]
[RISM B/VII p. 90]
  • 6-string mandora (calichon) in French tablature
D-Dl Ms. Mus. 2806/V/2 a [middle of the 18th century]
[RISM B/VII p. 91]
  • 6-string mandora (calichon) in French tablature
D-Mbs Ms. Mus. 504 [middle of the 18th century]
[RISM B/VII p. 218]
  • 6-string mandora in French tablature
D-MT Ms. mus. pract. Nr. 90 [middle of the 18th century]
[RISM B/VII p. 207]
  • 6-course colascione and violoncello in French tablature (and staff notation?)
D-MT Ms. mus. pract. Nr. 91 [middle of the 18th century]
[RISM B/VII p. 207]
  • 6-course colascione and ensemble in French tablature (and staff notation?)
D-MT Ms. mus. pract. Nr. 91b [middle of the 18th century]
[RISM B/VII p. 208]
  • 6-course colascione, colascione duet in French tablature (and staff notation?)
D-Rp Ms. A R 778 [middle of the 18th century]
[RISM B/VII p. 299]
  • 6-course mandora (calichon) in French tablature
F-Pn Ms. Fonds Conservatoire National Rés. 1107 [middle of the 18th century]
[RISM B/VII p. 271]
  • 5-course guitar in French tablature
F-Pn Ms. Fonds Conservatoire National Rés. F. 1145 [middle of the 18th century]
"Chansons et Vaudevilles avec des accompagnements de Guitarre" (France) [RISM B/VII p. 275; TYLER p. 120]
  • 5-course guitar in French tablature
GB-Lbl Ms. Additional 30342 [middle of the 18th century]
(France) [RISM B/VII p. 178]
  • 9-course lute in French tablature
  • mandora in French tablature
I-Mc Fondo Noseda Coll.: 48/A [middle of the 18th century]
(Italy) [TYLER, p. 93]
  • 5-course guitar (chitarra battente?) and Neapolitan mandolone in alfabeto tablature and staff notation
MEX-Mn Ms. 1560 [middle of the 18th century]
(Spain) [RISM B/VII p. 208 (confused with Saldívar Codex no. 4 and incorrectly listed as for vihuela); TYLER 1980, p. 163]
  • 5-course guitar in alfabeto and Italian tablature
P-Ln F.C.R. Ms. Ne. 1 [middle of the 18th century]
(Portugal) [TYLER p. 164]
  • 5-course guitar in Italian tablature
S-Smf Ms. without Sign. II [middle of the 18th century]
(Austria) [RISM B/VII p. 329; see RUDÉN p. 39]
  • 11-course lute in French tablature
Leite Pita da Rocha 1752
Leite Pita da Rocha [de Roche], Joao. Liçam instrumental da viola portugueza ou de Ninfas, de cinco ordens: a qual ensina a temperar, e tocar raigado, com todos os pontos, assim naturaes, como accidentaes, com hum methodo facil para cualquier curioso aprender os pontos da vióla todos, sem a effectiva assistencia de Meftre: com hua Tabella, na qual se faz mençaõ dos doze tos principaes, para que o tocador se exercite com perfeiçaõ na prenda da mesma vióla . . . (Lisbon, [Portugal]: Francisco da Silva) [WC]
  • 5-course guitar treatise (Portuguese version of Amat) with Catalan cifras
Minguet y Yrol 1752
Minguet y Yrol, Pablo. Las reglas de la guitarra, tiple, y vandola (Madrid, [Spain]: J. Ibarra)
  • music treatise; both Catalan cifras and Castilian cifras for 5-course guitar
PL-Wu Ms. RM 8135 (olim Ms. 1938.111; Inv. 8735) [1753-1756]
(Silesia, [Poland]) [RISM B/VII p. 370 (as Diözesanarchiv Ms. without Sign.); SMT III/2 p. 229]
  • 13-course lute in French tablature
  • parts for 2 violins, flute, and continuo are missing
CZ-Bm Ms. Inv. 4081/A.13.268 [1754- ]
(Austria or Bohemia) [RISM B/VII p. 50; SMT III/2 p. 9]
  • 11-course lute in French tablature
anonymous 1755
anonymous. The Compleat tutor for the guittar, containing the best and easiest instructions for learners to obtain a proficiency, to which are added a choice collection of the most celebrated Italian, English & Scotch tunes, curiously adapted to that instrument (London, [England]: J. Johnson)
  • English guitar method
anonymous c1755
anonymous. The pocket companion for the guittar. Containing a favourite collection of the best Italian, French and Scotch songs. Adapted for that instrument and the voice. Book II [-VI] (London, [England]: J. Oswald)
  • English guitar and voice in staff notation
anonymous c1755?
anonymous. Lochaber, a two part song, set for the german flute [and guitar] (s.l.: s.n.)
  • English guitar and voice in staff notation
Costa c1755
Costa, António Pereira da. XII Serenatas for the guitar (London, [England]: James Oswald) [BUC]
  • English guitar in staff notation
Granom c1755
Granom, Lewis Christian Austin. The musical miscellany; or, Monthly magazine, consisting of duetts for german-flutes, violins, and guittars, airs, and songs; with figur'd-basses for the harpsichord (London, [England]: Lewis Christian Austin Granom)
  • English guitar duet in staff notation
Jommelli and Hasse c1755-1762
Jommelli, Nicolò, and Johann Adolf Hasse. Duets or canzonets for two voices, guitars or two german flutes and a bass compos'd by sigr. Jomelli, Hasse and the most eminent Italian masters [Nos. I-X] (London, [England]: J. Walsh)
  • English guitar duet in staff notation
Rutherford c1755
Rutherford, David. The Ladies' pocket guide or the compleat tutor for the guittar, containing easy rules for learners . . . with a choice collection of the most favourite airs (London, [England]: David Rutherford) [WC]
  • English guitar and voice in staff notation
D-LEm III.11.46.a [1755-1760]
(Germany) [RISM B/VII p. 167; SMT II p. 192]
  • 13-course lute in French tablature
D-Mbs Mus. Ms. 10343 [1755-1765]
(Germany) [RISM p. 374; BOETTICHER 1979, p. 199]
  • 6-course mandora in French lute tablature
anonymous 1757
anonymous. Eighteen Divertimento's for two guitars or two mandelins [sic]. Properly adapted by the best masters (London, [England]: J. Oswald)
  • English guitar or mandolin duet in staff notations
Baron and Seidel 1757
Baron, Ernst Gottlieb, and Ferdinand Seidel. Zwölf Menuetten für die Laute, von Herrn Ferdinand Seidel, samt einer Fantasie von Herrn Baron, königl. preußischen Lautenisten. Als eine Probe eines neuen Drucks von musicalischen Caracteren für die Laute (Leipzig, [Germany]: Johann Gottlob Immanuel Breitkopf)
  • 13-course lute in French tablature
  • lute treatise
Marella 1757
Marella, Giovanni Battista. Sixty six lessons for the cetra or guittar, in every key, both flat & sharp . . . [op. 3] (London, [England]: s.n.)
  • English guitar in staff notation
Merchi c1757
Merchi, Giacomo. Quatro duetti a due chitarre e sei minuetti a solo con variationi . . . li duetti possono essere anche accompagnati dal violino, [op. 3] (Paris, [France]: Giacomo Merchi, Bayard, Le Clerc, & Mlle Castagnery) [TYLER]
  • 5-course guitar, guitar duet, in staff notation
  • 5-course guitar and violin in staff notation
Amat 1758a
Amat, Joan Carles. Guitarra española y vándola en dos maneras de guitarra castellana, y valenciana de cinco ordenes, la qual enseña de templar, y tañer rasgado, todos los puntos naturales y b, mollados, con estilo maravilloso (Valencia, [Spain]: Agustin Laborda)
  • guitar treatise with Catalan cifras
Amat 1758b
Amat?, Joan Carles. Tractat breu y explicació de tots els punts de la guitarra pera que els valencians . . . (Valencia, [Spain]: Agustin Laborda)
  • guitar treatise with Catalan cifras
anonymous 1758a
anonymous. Arie nove da battelo, for the harpsichord or guitar (London, [England]: B. Sherwood) [BUC]
  • guitar (and voice?) in staff notation
anonymous c1758b
anonymous. Canzonets for two voices, german flutes or guitars, being a collection of the most favourite French songs. Book. II. No. V (London, [England]: I. Walsh) [BUC]
  • 2 guitars (and voice?) in staff notation
anonymous 1758c
anonymous. Forty airs for two violins German flutes or guittars. Consisting of tattoo's, night pieces & marches as they are perform'd in the Hessian and Prussian armies (London, [England]: J. Oswald) [BUC]
  • English guitar duet in staff notation
anonymous c1758d
anonymous. Méthode pour apprendre à jouer de la guitarre par Don * * * . . . (Paris, [France] and Madrid, [Spain]: Le Menu and J. Guerrero)
  • 5-course guitar method
Bremner 1758
Bremner, Robert [Jr.?]. Instructions for the guitar; with a collection of airs, songs and duets, fitted for that instrument (Edinburgh, [Scotland]: Robert Bremner)
  • English guitar method
Oswald 1758
Oswald, James. Twelve divertimentis for the guitar (London, [England]: James Oswald) [BUC]
  • English guitar in staff notation
anonymous 1759a
anonymous. All the tunes in the Beggar's Opera transpos'd into easy and proper keys for the guittar as also for the English flute (London, [England]: G. Jones) [BUC]
  • English guitar and voice in staff notation
anonymous 1759b
anonymous. A Pocket Companion for the guittar containing XL of the newest and most favourite minuets country-dances jiggs airs &c. All carefully tranposed and properly adapted to that instrument, to which is added the Prussian march in two parts and the favorite hymn for Easter (London, [England]: T. Habgood) [BUC]
  • English guitar in staff notation
Bremner c1759
Bremner, Robert. The songs in the Gentle Shepherd, adapted for the guitar (Edinburgh, [Scotland]: Robert Bremner) [BUC]
  • English guitar and voice in staff notation
Lapis 1759
Lapis, Santo. Miss Mayer. A new guittar book in 4 parts, viz. Italian, French, English airs, and duets for the voice, accompanied with the guittar and a thorough bass for the harpsicord . . . [op. 16] (London, [England]: R. Liesem)
  • [English?] guitar and voice in staff notation
Zuckert c1759
Zuckert [Zuchert], John Frederick [Johann Friedrich]. Six sonatas or solos for the guittar and bass . . . [op. 2] (London, [England]: John Frederick Zuckert and Sarah Phillips) [BUC]
  • English guitar and bass in staff notation
anonymous c1760a
anonymous. The Compleat tutor for the guittar, containing the best and easiest instructions for learners to obtain a proficiency, to which are added a choice collection of the most celebrated Italian, English & Scotch tunes, curiously adapted to that instrument (London, [England]: Thompson & Son)
  • English guitar method
anonymous c1760b
anonymous. The Compleat tutor for the guittar . . . With two scales shewing the method of playing in the keys of C. and G.: to which is added eighteen favourite songs adapted for that instrument. Book 1st [-2nd] (London, [England]: J. Oswald)
  • English guitar method
anonymous c1760c
anonymous. A curious collection of Scots, English, & Irish tunes for the guittar (Edinburgh, [Scotland]: Neil Stewart) [BUC]
  • English guitar in staff notation
anonymous c1760d
anonymous. The Masquerade minuet, as performed at the theatre royal in Covent-Garden [2 violins/flutes and bass; arr. for 2 German flutes or guitars] ([London, England]: J. J[ohnston]) [WC]
  • English guitar duet in staff notation
anonymous c1760e
anonymous. The Masquerade minuet, as performed at the theatre royal in Covent-Garden [2 violins/flutes and bass; arr. for 2 German flutes or guitars] (s.l.: s.n.) [WC]
  • English guitar duet in staff notation
anonymous c1760f
anonymous. The Queen's minuet, as performed in the masquerade at the theatre-royal in Drury-Lane [2 violins/guitars and continuo] (London, [England]: H. Fougt) [WC]
  • English guitar duet and continuo in staff notation
anonymous c1760g
anonymous. The Queen's minuet, as performed in the masquerade at the theatre-royal in Drury-Lane [2 violins/guitars and continuo] (London, [England]: s.n.) [WC]
  • English guitar duet and continuo in staff notation
anonymous c1760h
anonymous. The tunes in the Beggar's Opera. Adapted for the guitar or common flute, etc. (Edinburgh, [Scotland]: Robert Bremner) [BUC]
  • English guitar and voice in staff notation
Beyer 1760
Beyer, Johann Christian. Herr Prof. Gellerts Oden, Lieder und Fabeln nebst verschiedenen französischen und italienischen Liedern, für die Laute übersetzt (Leipzig, [Germany]: Johann Gottlob Immanuel Breitkopf)
  • 13-course lute and voice in French tablature only
Bremner c1760
Bremner, Robert. Twelve Scots songs for a voice or guitar with a thorough bass, adapted for that instrument (Edinburgh, [Scotland]: Robert Bremner) [BUC]
  • English guitar and voice in staff notation
Call c1760
Call, Thomas. The tunes & hymns as they are used at the Magdalen Chapel, properly set for the organ, harpsicord, and guittar (London, [England]: Thomas Call) [BUC]
  • English guitar and voice in staff notation
Geminiani 1760
Geminiani, Francesco. The art of playing the guitar or cittra, containing several compositions with a bass for the violoncello or harpsichord (Edinburgh, [Scotland]: Robert Bremner)
  • English guitar method in Italian tablature and staff notation
  • English guitar and continuo in staff notation
Giardini c1760
Giardini, Felice. VI Trii per cetra, violino e basso (s.l.: s.n.) [WC]
  • English guitar, violin, and piano in staff notation
Kropfgans c1760a [LOST]
Kropfgans, Johann. [3 sonates pour le lut, op.1] (Nuremberg, [Germany]: s.n.)
  • 13-course lute? in French tablature?
Kropfgans c1760b [LOST]
Kropfgans, Johann. [arrs. of arias by Hasse, Porpora and Hiller?] (Nuremberg, [Germany]: s.n.)
  • 13-course lute? in French tablature?
Merchi c1760a
Merchi, Giacomo. La guitarre de bonne humeur, ou Recueil de vaudeville badins; avec accompagnement de guitarre, VIIe livre de guitarre, [op. 10] (Paris, [France]: Giacomo Merchi) [BUC]
  • 5-course guitar and voice in staff notation
Merchi c1760b
Merchi, Giacomo. Raccolta d'ariette francesi ed italiane per la chitarra, li acompagnamenti sono in music e tavolatura . . . [op. 4] (Paris, [France]: Giacomo Merchi) [TYLER]
  • 5-course guitar, guitar duet, in staff notation
  • 5-course guitar and violin in staff notation
Merchi c1760c
Merchi, Giacomo. Sei trio a due violini e basso . . . [op. 5] (Paris, [France] and the Hague [Netherlands]: s.n. and Homel)
  • 5-course guitar, 2 violins and continuo in staff notation
Pasqualino de Marzis c1760?
Pasqualino de Marzis. Six sonatas for the cetra or kitara with a thorough bass (London, [England]: John Johnson)
  • English guitar and continuo in staff notation
F. Pellegrini c1760
Pellegrini, Ferdinando. Chansons italiennes pour chanter à table et pour les plaisirs champaîtres, elles se peuvent chanter avec la harpe, guitare, clavecin et seules (Paris, [France]: Bayard, Castagnery, Le Clerc, Le Menu) [NG]
  • 5-course guitar and voice in staff notation
Rush c1760
Rush, George. XII Favourite lessons or airs for two guittars, [op. 2] (London, [England]: James Oswald) [NG]
  • English guitar duet in staff notation
Rutherford c1760a
Rutherford, David. A curious collection of the most celebrated country dances and airs . . . to which are added four favorite Italian songs, neatly fitted for the guittar (London, [England]: David Rutherford)
  • English guitar and voice in staff notation
Rutherford c1760b
Rutherford, David. The Delightful pocket companion for two guittars containing sixty of the most celebrated airs both old and new, which are now in vogue; neatly adapted for that instrument & is the most useful book for young practitioners, yet published . . . Book 2d. N.B. These airs are proper for two french horns, two german flutes or two violins (London, [England]: David Rutherford)
  • English guitar method
Schumann c1760
Schumann [Schuman], Friedrich Theodor. A second set of lessons for one and two guittars . . . [op. 2] (London, [England]: J. Johnson) [BUC]
  • English guitar and voice in staff notation
GB-Lbl Ms. Additional 31698 [1760-1770]
"Straube MS" (England) [RISM B/VII p. 183]
  • 12- and 13-course lute in French tablature
D-B Mus. ms. 40346 [1760-1770]
(France?) [RISM B/VII p. 32; SMT II p. 48]
  • 12-course lute in French tablature
D-Rtt Kühnel 1 [c1760]
Kühnel, Johann Michael. (Germany) [SMT II p. 258; RISM A/II 450009998]
  • 11-course lute in French tablature
Agus 1761
Agus, Giuseppe. The comic tunes to all the late Opera Dances as perform'd at the Kings Theatre in the Hay Market for the harpsicord, German flute or violin. Or guitar . . . [vol. 8, pt. 2 of The celebrated comic tunes to the Opera Dances] (London, [England]: I. Walsh) [BUC]
  • English guitar? and voice in staff notation
Amat 1761-1766a
Amat, Joan Carles. Guitarra española y vándola en dos maneras de guitarra castellana, y cathalana de cinco ordenes, la qual enseña de templar, y tañer rasgado, todos los puntos naturales y b, mollados, con estilo maravilloso (Girona, [Spain]: Joseph Bró) [WC]
  • guitar treatise with Catalan cifras
Amat 1761-1766b
Amat?, Joan Carles. Tractat breu, u explicacio dels punts de la guitarra, en ydioma cathalà . . . (Girona, [Spain]: Joseph Bró) [WC]
  • guitar treatise with Catalan cifras
anonymous 1761
anonymous. L'autre jour, un songe agréable. Air, avec accompag.t de guitarre. Par une jeune demoiselle [in Mercure de France, March 1761] (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Ford c1761
Ford, Ann. Lessons and instructions for playing on the guitar (London, [England]: s.n.)
  • English guitar treatis
Genty 1761
Genty, Mlle. IIe. Recueil de chansons avec un accompagnement de guitarre par musique & par tablature (Paris, [France]: La Chevardière) [TYLER]
  • 5-course guitar and voice in staff notation and French tablature
Genty c1761?
Genty, Mlle. Recueil de chansons avec un accompagnement de guitarre (Paris, [France]: Mlle. Genty)
  • 5-course guitar and voice in staff notation
Kohaut 1761
Kohaut, Karl. Divertimento primo per il liuto obligato, due violini e basso (Leipzig, [Germany]: Johann Gottlob Immanuel Breitkopf)
  • 13-course lute, 2 violins, and continuo in French tablature and staff notation
Merchi 1761
Merchi, Giacomo. Le guide des écoliers de guitarre ou préludes aussi agréables qu'utiles, sur tous les modes, les positions et les arpégemens avec des airs et des variations . . . Ve livre de guitarre, [op. 7] (Paris, [France]: Giacomo Merchi) [TYLER]
  • 5-course guitar, guitar duet, in staff notation
  • 5-course guitar and violin in staff notation
Parry 1761
Parry, John. A collection of Welsh, English & Scotch airs with new variations, also four new lessons for the harp or harpsichord . . . to which are added twelve airs for the guittar (London, [England]: John Johnson)
  • English guitar and voice in staff notation
D-B Mus. ms. 11833 [1761]
(Germany?) [19th-century copy by W. Tappert, Berlin, 1.10.1886; SMT II p. 23]
  • 13-course lute in French tablature
anonymous c1762
anonymous. A collection of psalm and hymn-tunes As they are performed at the Magdalen and Foundling Chapels, properly set for the organ, harpsichord and guittar by several eminent masters (London, [England]: John Phillips) [BUC]
  • English guitar and voice in staff notation
Arne c1762
Arne, Thomas Augustin. The airs in the opera of Artaxerxes, set for the german-flute, violin & guittar (London, [England]: Henry Thorowgood) [WC]
  • English guitar and voice in staff notation
Arne c1762?
Arne, Thomas Augustin. The airs in the opera of Artaxerxes, set for the german-flute, violin & guittar (London, [England]: S.A. and P. Thompson)
  • English guitar and voice in staff notation
Godard 1762
Godard. Premier recueil d'airs choisis, avec accompagnement de guitarre (Paris, [France]: Godard)
  • 5-course guitar and voice in staff notation
Handel c1762
Handel, George Frideric.Handel's favourite minuets from his operas & oratorios with those made for the balls at court, for the harpsicord, german flute, violin or guitar, book I (-IV) (London, [England]: J. Walsh) [WC]
  • [English?] guitar and voice in staff notation
Hintz c1762
Hintz, Frederick. A choice collection of psalm and hymn tunes set for the cetra or guittar (London, [England]: Robert Bremner) [BUC]
  • English guitar and voice in staff notation
Légat de Furcy 1762
Légat de Furcy, Antoine. Les soirées de Choisy-le-Roy. Recueil de chansons don't plusieurs sont avec accompagnement de harpe, de guitarre, de clavecin, de flûtes et de violons (Paris, [France]: Antoine Légat de Furcy) [NG]
  • 5-course guitar and voice in staff notation
Leone c1762?
Leone. Duo pour deux violons qui peuvent se jouer sur la mandoline et sur le par-dessus (Paris, [France]L La Chevardière)
  • mandolin (violin) duet in staff notation
Marella 1762
Marella, Giovanni Battista. Compositions for the cetra or guittar with an accompaniament [sic] consisting of a variety of pieces in every stile of music . . . book II, [op. 4] (London, [England]: Giovanni Battista Marella)
  • English guitar in staff notation
Parry, John c1762
Parry, John. A collection of Welsh, English & Scotch airs with new variations, also four new lessons for the harp or harpsichord . . . to which are added twelve airs for the guittar (London, [England]: John Johnson) [BUC]
  • English guitar and voice in staff notation
Pepusch c1762
Pepusch, Johann Christoph. The comic tunes in Perseus and Andromeda. Set for the violin, German-flute, guittar & harpsichord (London, [England]: Charles & Samuel Thompson) [WC]
  • English guitar and voice in staff notation
Ruge c1762
Ruge, Filippo. L'Après soupée. Secondo libro di duetti per due voci di soprano con il basso quali si possono accompagnare le voci con il violino, o flauto traversiere, e sei canzonette a voce sola con il basso che si puole accompagnare con il violino o flauto traversiere o chitarra (Paris, [France]: s.n.) [NG]
  • 5-course guitar, bass, and voice in staff notation
anonymous c1763-1784
anonymous. The Dusky night, a favorite hunting song (The dusky night rides down the sky [voice and continuo; arr. for flute or guitar]) ([London, England]: I. F[entum]) [WC]
  • [English?] guitar and voice in staff notation
Arne c1763a
Arne, Thomas Augustin. The airs with all the symphonies in the opera of Artaxerxes, correctly transpos'd for the german flute, violin & guittar (London, [England]: John Johnson) [WC]
  • English guitar and voice in staff notation
Arne c1763b
Arne, Thomas Augustin. Thomas and Sally, or The sailor's return . . . a musical entertainment . . . set for a german flute, violin, or guitar (London, [England]: John Johnson) [BUC]
  • English guitar and voice in staff notation
Cocchi 1763
Cocchi, Gioacchino. Sixteen songs and duets with a thorough bass for the harpsichord, also adapted for the violin, hautboy, german flute, guitar and violoncello . . . [op. 63] (London, [England]: s.n.)
  • [English?] guitar and voice in staff notation
Corrette c1763
Corrette, Michel. Les Dons d'Apollon. Méthode pour apprendre facilement à jouer de la guitarre . . . avec . . . des jolis airs connus notés en partition . . . livre 1r (Paris, [France]: de La Chevardière Bayard & Mlle Castagnery) [BUC]
  • 5-course guitar in staff notation and French tablature
Holmes 1763
Holmes, Valentine Arnold. Twenty-four duetts in a pleasing taste for two french-horns or two guittars as also for german-flutes or two violins . . . [op. 1] (London, [England]: Jonathan Fentum) [BUC]
  • English guitar duet in staff notation
Merchi c1763
Merchi, Giacomo. Recueil d'airs avec accompagnement de guitarre . . . VIe livre de guitarre, [op. 8] (Paris, [France]: Giacomo Merchi) [TYLER]
  • 5-course guitar and voice in staff notation
Noferi 1763
Noferi, Giovanni Battista. Sei duetti per due cetre . . . [op. 6] (London, [England]: Giovanni Battista Noferi) [BUC]
  • English guitar duet in staff notation
Noferi c1763?
Noferi, Giovanni Battista. Sei duetti per due cetre . . . [op. 6] (London, [England]: Peter Welcker)
  • English guitar duet in staff notation
Rush c1763
Rush, George. A first set of sonatas for the guittar, with an accompanyment for another guittar or violin (London, [England]: George Rush) [NG]
  • [English?] guitar duet, violin, in staff notation
Schumann 1763a
Schumann [Schuman], Friedrich Theodor. Thirty eight lessons, with an addition of six French & Italian songs, for the guittar . . . [op. 1] (London, [England]: Michael Rauche)
  • English guitar and voice in staff notation
Schumann 1763b
Schumann [Schuman], Friedrich Theodor. A collection of the most celebrated songs set by several authors, adapted for the guittar (London, [England]: Michael Rauche) [BUC]
  • English guitar and voice in staff notation
B-Br Ms. II, 4086 [1763-1800]
(Austria?) [RISM B/VII p. 59]
  • 12- and 13-course lute, violin, and cello in French tablature and staff notation
B-Br Ms. II, 4087 [1763-1800]
Baron, Ernst Gottlieb, or Sylvius Leopold Weiss. (Austria?) [RISM B/VII p. 61]
  • 12-, 13-, and 14-course lute in French tablature
B-Br Ms. II, 4088 [1763-1800]
(Austria?) [RISM B/VII p. 62]
  • 12- and 13-course lute, violin, and cello in French tablature and staff notation
E-Mn Ms. M.1233 [1763-1800]
Trapero, Joseph. "Método de guitarra" (Spain) [RISM B/VII p. 202; TYLER p. 162]
  • 5-course guitar in alfabeto and Italian tablature
F-Pn Ms. Fonds Conservatoire National Rés. 1956 [c1763]
"Chansons avec la Guithare" (France) [RISM B/VII p. 273; TYLER p. 120]
  • 5-course guitar in French tablature
anonymous 1764a
anonymous. Quand je t'entends, chère guitarre. Brunette, avec accompagnement de guitarre (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1764b
anonymous. Midas, a comic opera as it is perform'd at the theatre royal in Covent Garden, for the harpsichord, voice, german flute, violin or guitar [Compilation of popular songs] (London, [England]: I. Walsh) [WC]
  • English guitar and voice in staff notation
anoymous c1764
anonymous. Midas, a comic. Set for a German flute, violin or guitar (London, [England]: I. Walsh) [BUC]
  • English guitar and voice in staff notation
Bérard 1764
Bérard. Premier Recueil d'airs choisis, avec accompagnement de guitarre dédié à Madame la comtesse d'Egmont par Mr. Bérard (Paris, [France]: l'auteur)
  • 5-course guitar and voice in staff notation
Gluck c1764?
Gluck, Christoph Willibald. Un ruisselet bien clair . . . Air . . . avec accompagnement de guitarre par Mr. Godard (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
La Garde 1764a
La Garde, Pierre de. I. Recueil de brunettes avec accompagnement de guittare, de clavecin ou de harpe . . . les brunettes sont tirées du Journal de musique (Paris, [France]: Pierre de La Garde)
  • 5-course guitar and voice in staff notation
La Garde 1764b
La Garde, Pierre de. II. Recueil de brunettes avec accompagnement de violon, guitare, clavecin ou harpe . . . les brunettes sont tirées du Journal de musique (Paris, [France]: Pierre de La Garde)
  • 5-course guitar and voice in staff notation
La Garde 1764c
La Garde, Pierre de. III. Recueil de brunettes avec accompagnement de violon, guitare, clavecin ou harpe . . . ces brunettes sont tirés du Journal de musique (Paris, [France]: Pierre de La Garde)
  • 5-course guitar and voice in staff notation
Merchi 1764a
Merchi, Giacomo. Recueil d'airs avec accompagnement de guitarre faciles et à la portée des commençans . . . VIIIe livre de guitarre, [op. 11] (Paris, [France]: Giacomo Merchi) [TYLER]
  • 5-course guitar and voice in notation
Merchi 1764b
Merchi, Giacomo. Choix d'ariettes avec accompagnement de guitarre . . . Xe livre de guitarre, [op. 13] (Paris, [France]: Giacomo Merchi) [TYLER]
  • 5-course guitar and voice in notation
Merchi c1764
Merchi, Giacomo. Sei duetti a chitarra e violino con sordina del signor Merchi, IXth. Livre de guitarre, [op. 12] (Paris, [France]: Giacomo Merchi)
  • 5-course guitar and voice in notation
Sotos 1764
Sotos, Andrés de. Arte para apprender con facilidad, y sin maestro, á templar y tañer rasgado la guitarra, de cinco órdenes ó cuerdas; y tambien la de quatro ó seis órdenes, llamada guitara española, bandurria y vandola, y tambien el tiple (Madrid, [Spain]: de Cruzada)
  • guitar method; Catalan cifras
Yates c1764
Yates, William. A collection of moral songs or hymns for a voice, harpsichord and guitar (London, [England]: Thompson & sons) [BUC]
  • guitar and voice in staff notation
anonymous c1765a
anonymous. The airs with all the symphonies in the comic opera of Love in a village correctly transposed for the guittar (London, [England]: David Rutherford) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1765b
anonymous. The British fair (Phoebus meaner themes disdaining) sung by Miss Wright at Vauxhall (London, [England]: s.n.) [WC]
  • guitar and voice in staff notation
anonymous c1765c
anonymous. Genteel Damon (Genteel is my Damon [voice and continuo; with guitar arr.]) (London, [England]: s.n.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1765d
anonymous. The Hymns, anthems & tunes with the ode used at the Magdalen Chapel, set for the organ, harpsichord, voice, german flute or guitar. Book I (London, [England]: Henry Thorowgood) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1765e
anonymous. The Maid of the Mill. A comic opera adapted for the guitar (London, [England]: Henry Thorowgood) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1765f
anonymous. A new collection of Scots and English tunes adapted to the guittar with some of the best songs out of the Beggars opera, & other curious ballads, most of them within the compass of the common flute (Edinburgh, [Scotland]: Neil Stewart)
  • English guitar and voice in staff notation
anonymous c1765g
anonymous. Six divertimentis or lessons for the guittar with a thorough bass for the harpsicord [sic] or violoncello. Compos'd by a Gentleman for his own private entertainment, etc. (London, [England]: Michael Rauche) [BUC]
  • English guitar in staff notation
anonymous c1765?a
anonymous. The Duke of Glocester's march, as performed before his Majesty at the review in Hyde-Park . . . In compass for two guittars (s.l.: s.n.)
  • English guitar in staff notation
anonymous c1765?b
anonymous. Genteel Damon (Genteel is my Damon [voice and continuo; with guitar arr.]) (London, [England]: H. Fougt)
  • [English?] guitar and voice in staff notation
anonymous c1765?c
anonymous. Hence with cares, sung by Mr. Beard in Love in a village [voice and piano/guitar] (s.l.: s.n.)
  • [English?] guitar and voice in staff notation
anonymous c1765?d
anonymous. The world is a well furnish'd table, sung by Mr. Beard in Love in a village [voice and piano; arr. for guitar] (s.l.: s.n.)
  • [English?] guitar and voice in staff notation
Arne 1765a
Arne, Thomas Augustin. The New Songs Sung at Vaux-Hall (London, [England]: s.n.)
  • English guitar and voice in staff notation
Arne 1765b
Arne, Thomas Augustin. A second collection of psalms and hymns used at the Magdalen chapel, the words by Dr. Watts, Dr. Doddridge, Dr. Dodd, Mr. Dryden, and Mr. Lockman. The musick . . . by Dr. Arne, Mr. W. Selby and Mr. A. Smith . . . Set for the organ, harpsichord, voice, violin, German flute and guittar (London, [England]: Henry Thorowgood) [BUC]
  • English guitar and voice in staff notation
Arne c1765a
Arne, Thomas Augustin. Rule Britannia. Set to music [with an arrangement for the guitar] (Dublin, [Ireland]: John Lee) [WC]
  • English guitar and voice in staff notation
Arne c1765b
Arne, Thomas Augustin. Rule Britannia [with an arrangement for the guitar] (s.l.: s.n.) [WC]
  • English guitar and voice in staff notation
Bremner c1765
Bremner, Robert [Jr.?]. Instructions for the guitar; with a collection of airs, songs and duets, fitted for that instrument (Edinburgh, [Scotland]: Bremner, Robert) [BUC]
  • English guitar and voice in staff notation
Carey c1765
Carey, Henry. The favourite songs, in the interlude called True Blue or the Press Gang . . . set for the harpsichord, violin, german flute, and guitar (London, [England]: Henry Thorowgood) [BUC]
  • [English?] guitar and voice in staff notation
Carpentier c1765
Carpentier, Joseph. Ier recueil de menuets, allemandes etc. entremêlés d'airs agréables à chanter avec leurs accompagnements dont les sujets sont tirés des meilleurs autheurs, et arrangés exprès pour le cythre ou guitthare allemande qui peuvent néantmoins s'exécuter sur la guitthare espagnolle et sur la mandore (Paris, [France]: Le Marchand) [BUC]
  • cythre, mandora, 5-course guitar and voice in staff notation
Cherbourg c1765
Cherbourg, Mlle. Premier recueil de chansons avec accompagnement de guitarre et six menuets en duo pour deux guitarres (Paris, [France]: Bailleux)
  • 5-course guitar and voice in staff notation
  • 5-course guitar duet in staff notation
Denis 1765
Denis, Pierre. Six sonates pour la mandoline et basse; on peut les exécuter sur le clavecin et ne sont point difficiles sur le violon (Paris, [France]: Pierre Denis)
  • mandolin and bass in staff notation
Ghillini di Asuni 1765
Ghillini di Asuni. A collection of duets songs and airs for the guittar . . . To which is added several favourite English, French & Italian songs by the best masters (London, [England]: Peter Welcker) [BUC]
  • English guitar and voice in staff notation
Ghillini di Asuni c1765
Ghillini di Asuni. The Lady's amusement, being an entire new collection of favourite French and Italian songs, airs, minuets & marches, none ever before publish'd, compos'd and adapted for the guitar by sr. Ghillini di Asuni (London, [England]: Peter Welcker)
  • [English?] guitar and voice in staff notation
Hintz c1765
Hintz, Frederick. A choice collection of psalm and hymn tunes set for the cetra or guittar (London, [England]: Hintz's music shop) [BUC]
  • English guitar and voice in staff notation
Noferi c1765
Noferi, Giovanni Battista. Six solos for a guitar with a thorough bass for the harpsichord . . . [op. 3] (London, [England]: John Johnson) [BUC]
  • [English?] guitar in staff notation
Parry c1765
Parry, John. Twelve airs for one and two guitars (London, [England]: Henry Thorowgood) [BUC]
  • English guitar/duet and voice in staff notation
Potter c1765
Potter, John. The comic tunes to the principal scenes in the Rites of Hecate or Harlequin from the moon, as they are perform'd at the Theater Royal in Drury Lane, set for violins, ye tenor, the guittar, german flute or harpsichord (London, [England]: John Johnson) [BUC]
  • English guitar and voice in staff notation
Straube c1765
Straube, Rudolf. Lessons for two guittars with a thorough bass (London, [England]: Michael Rauche) [WC]
  • English guitar duet and continuo in staff notation
Tacet 1765
Tacet, Joseph. Second collection of Italian, French, and English favorite airs and minuets with variations adapted for two german flutes or two violins or two guittars by Mr. Tacet (London, [England]: Joseph Tacet) [BUC]
  • English guitar duet and voice in staff notation
Thackray 1765a
Thackray, Thomas. Six lessons for the guittar [Op. 1] (York, [England]: Haxby, Thomas) [NG]
  • English guitar in staff notation
Thackray 1765b
Thackray, Thomas. Six lessons for the guittar [Op. 1] (York, [England]: Longman & Broderip) [NG]
  • English guitar in staff notation
various 1765a [LOST]
various authors. Le Festin de l'Amour à 4 parties, voix seule, harpe, guitarre, mandoline, violons, ou clavecin et basse (s.l.: s.n.) [TYLER]
  • 5-course guitar, etc. and voice in staff notation
various 1765b [LOST]
various authors. Les Projet de l'Amour avec les mêmes accompagnements (s.l.: s.n.) [TYLER]
  • 5-course guitar, etc. and voice in staff notation
PL-Kj Mus. ms. 40145 [1765]
"Evangelisches Choral Buch" (Germany) [RISM B/VII p. 25, as D-B and lost]
  • 13-course cittern in Italian tablature
PL-Wn Ms. Mus. 2088 [c1765]
(Germany/Austria) [RISM p. 374; BOETTICHER 1979 p. 202; TYLER p. 146]
  • guitar? in unknown tablature
B-Bc 6323/18 [1766]
Dandrieu, Jean-François. Gavotte, für den Violine und den Lauf (France?) [RISM A/II 703003633 (in collection 703003615)]
  • lute and violin in staff? notation
anonymous c1766?
anonymous. The Hapless swain [voice and piano, with guitar arr.] ([London, England]: Bland)
  • [English] guitar and voice in staff notation
Cumberland 1766
Cumberland, Richard. Airs in the Summer's Tale, a musical comedy. Set for the guitar (London, [England]: I. Walsh) [BUC]
  • [English] guitar and voice in staff notation
Gougelet c1766-1767
Gougelet, [Madame?]. Premier (-deuxième) recueil d'airs choisis avec accompagnement de guitarre (Paris, [France]: Gougelet)
  • 5-course guitar and voice in staff notation
Leone c1766?
Leone. Six duo pour deux violons qui peuvent se jouer sur la mandoline et sur le par-dessus (Paris, [France]: Leone)
  • mandolin (violin) duet in staff notation
Merchi 1766a
Merchi, Giacomo. Scelta d'arietta francesi, italiane ed inglesi, con accompagnamento di chitarra, [op. 15] (London, [England]: Giacomo Merchi) [BUC]
  • English guitar and voice in staff notation
Merchi 1766b
Merchi, Giacomo. Dodici suonate per la chitarra, sei a due chitarre o con accompagnemento di violino e sei a solo . . . [op. 16] (London, [England]: Giacomo Merchi) [BUC]
  • English guitar, guitar duet, in staff notation
  • English guitar and violin in staff notation
Mignard 1766
Mignard. Duo pour la guitarre (Paris, [France]: Mignard)
  • 5-course guitar duet in staff notation
Paisible 1766
Paisible, Adélaïde-Félicité Mareschal. Premier Recueil d'ariettes choisies avec accompagnement de guitarre par Melle. Paisible et de violon a volonté par Mr. son frère avec basse chiffrée dédiés aux amateurs (Paris, [France]: Paisible)
  • 5-course guitar and voice in staff notation
anonymous c1767a
anonymous. The country wedding, sung by Mrs. Scott and Mrs. Dorman, in the Elopement [voice and continuo; arr. for flute and guitar] ([London, England]: H. Fougt) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1767b
anonymous. Dorilas and Daphne (Young Dorilas [voice and flute/guitar]) (London, [England]: H. Fougt) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1767c
anonymous. Fair Hebe (Fair Hebe I left with a cautious design [voice and continuo with guitar arr.]) (London, [England]: H. Fougt) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1767d
anonymous. The Masquerade minuet, as performed at the theatre royal in Covent-Garden [2 violins/flutes and bass; arr. for 2 German flutes or guitars] (London, [England]: H. Fougt) [WC]
  • English guitar duet in staff notation
anonymous c1767e
anonymous. The New spinning-wheel (One summer's eve as Nancy [voice, violin, and continuo; arr. for flute or guitar] (London, [England]: H. Fougt) [WC]
  • English guitar and voice in staff notation
anonymous c1767f
anonymous. Plato's advice (Says Plato why should man be vain) [voice and continuo; arr. for guitar] (London, [England]: H. Fougt) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1767g
anonymous. Select airs for the guitar collected from operas and the most favourite songs, minuets, &c . . . by the best masters . . . perform'd at the theatres. Vol. 1 [-2] (London, [England]: J. Walsh)
  • [English?] guitar and voice in staff notation
anonymous c1767?
anonymous. Plato's advice [voice and piano/guitar] (Glasgow, [Scotland]: A. McGoun)
  • [English?] guitar and voice in staff notation
anonymous 1767-1772
anonymous. The Musical magazine, or compleat pocket companion for the year 1767 [-1772] consisting of songs and airs for the german flute, violin, guittar and harpsichord; by the most eminent masters. Vol. I [-VI] (London, [England]: T. Bennett)
  • English guitar and voice in staff notation
Fougt c1767a
Fougt, Henric. The British fair (Phoebus meaner themes disdaining) (London, [England]: H. Fougt) [WC]
  • guitar and voice in staff notation
Fougt c1767b
Fougt, Henric. The broom on cowdenknows (When summer comes the swains) (London, [England]: H. Fougt) [WC]
  • guitar and voice in staff notation
Gervasio c1767
Gervasio, Giovanni Battista. Méthode très facile pour apprendre à jouer de la mandoline à quatre cordes, instrument fait pour les dames, avec les règles les plus exactes pour la façon de se servir de la plume . . . [op. 1] (Paris, [France]: Bouin) [TYLER]
  • mandolin method
S-Smf Nydahl MMS 1017 [c1767?]
Naumann, Johann Gottlieb (autograph). (Sweden) [RISM A/II 190015173]
  • voice, lute, and violin in staff notation
Albanese c1768
Albanese, Antoine. Les amusements de Melpomène ou IVe recueil d'airs mêlés d'accompagnement de violon, de guitarre et des pièces de guitarre . . . par Mrs. Albanèse et Cardon (Paris, [France]: La Chevardière) [WC]
  • 5-course guitar and voice in staff notation
Amat 1768-1813a
Amat, Joan Carles. Guitarra española y vandola en dos maneras de guitarra, Castellana, y Valenciana . . . (Valencia, [Spain]: Francisco Burguette)
  • guitar treatise with Catalan cifras
Amat 1768-1813b
Amat?, Joan Carles. Tractat breu y explicació de tots els punts de la guitarra pera que els valencians . . . (Valencia, [Spain]: Francisco Burguette)
  • guitar treatise with Catalan cifras
anonymous c1768
anonymous. Come hast to the wedding, sung by Mrs. Scott & Mrs. Dorman in the new pantomime call'd the Elopement at the theatre royal in Drury Lane [voice and continuo; arr. for flute and guitar] ([London, England]: C. & S. Thompson) [WC]
  • [English?] guitar and voice in staff notation
Bouleron 1768
Bouleron. Recueil d'airs choisis avec accompagnement de guitarre (Versailles and Paris, [France]: Huguet)
  • 5-course guitar and voice in staff notation
Dibdin c1768
Dibdin, Charles. The songs in the comic opera of The padlock adapted for the guittar (London, [England]: John Johnson) [BUC]
  • English guitar and voice in staff notation
Fischer c1768
Fischer, Johann Christian. Favourite rondeau, set for the harpsichord, hautboy, violin, german flute or guitar (Dublin, [Ireland]: Benjamin Rhames) [MGG]
  • English guitar in staff notation
Gervasio c1768a
Gervasio, Giovanni Battista. Airs for the mandoline, guittar, violin or german flute, interspersed with songs . . . [op. 3] (London, [England]: Welcker) [TYLER]
  • mandolin or English guitar in staff notation
  • mandolin or English guitar and voice in staff notation
Gervasio c1768b
Gervasio, Giovanni Battista. Sei duetti per due mandolini, o due violini . . . [op. 5] (s.l.: s.n.) [TYLER]
  • mandolin duet in staff notation
Leone 1768
Leone. Méthode raisonnée pour passer du violon à la mandoline et de l'archet à le plume . . . contenant XXIV airs dansants à deux mandolines, II duo, I sonate avec la basse et plusieurs airs connus variés (Paris, [France]: Leone) [WC]
  • mandolin method
Merchi 1768
Merchi, Giacomo. XVIe Livre de guitarre contenant des airs, romances et vaudevilles avec des accompagnements, préludes et ritournelles . . . [op. 20] (Paris, [France]: Giacomo Merchi)
  • 5-course guitar and voice in staff notation
Monro c1768
Monro (Monroe), George. Help me each harmonious grove. Colin's request . . . adapted for the harpsichord, german flute, violin, or guitar (s.l.: s.n.) [WC]
  • English guitar and voice in staff notation
Oliver y Astorga c1768
Oliver y Astorga, Juan. Twelve Italian songs and duets for voice and harpsichord, with an accompanyment for a guitar . . . [op.2] (London, [England]: Welcker) [BUC]
  • guitar and voice in staff notation
Straube 1768
Straube, Rudolf. Three sonatas for the guittar, with accompanyments for the harpsichord or violoncello . . . With an addition of two sonatas for the guittar accompanyd with the violin. Likewise a choice collection of the most favourite English, Scotch and Italian songs for one, and two guittars, of different authors . . . Also thirty two lessons by several masters (London, [England]: Michael Rauche)
  • English guitar and continuo in staff notation
  • English guitar and violin in staff notation
  • English guitar and voice in staff notation
Suin 1768 [LOST]
Suin, Nicolas. Recueil d'airs choisis pour la guitare avec accompagnement de violin ad libitum (Lyon, [France]: s.n.)
  • guitar, violin, and voice in staff notation
anonymous c1769
anonymous. Twelve of the most favourite English songs collected from the comic operas represented at Paris, and adapted to the guitar (London, [England]: H. Fougt)
  • English guitar and voice in staff notation
Breitkopf 1769
Breitkopf, Johann Gottlob Immanuel. Supplemento IV. dei Catalogi delle Sinfonie, Partite, Overture, Soli, Duetti, Trii, Quattri e Concerti per il Violino, Flauto Traverso, Cembalo, ed altri Stromenti (Leipzig, [Germany]: Johann Gottlob Immanuel Breitkopf)
  • thematic catalog [includes partitas by S.L. Weiss]
Röser 1769a
Röser, Valentin. Six sonates à deux violons et basse, qui peuvent s'exécuter sur la mandoline . . . [op. 3] (Paris and Lyon, [France]: Valentin Röser and Castau) [TYLER]
  • mandolin? [duet?] in staff notation
Röser 1769b
Röser, Valentin. Six sonates à deux violons et basse, qui peuvent s'exécuter sur la mandoline . . . [op. 3] (Paris and Lyon, [France]: La Chevardière and Castau) [TYLER]
  • mandolin? [duet?] in staff notation
Thackray 1769
Thackray, Thomas. Six lessons for the guittar . . . [op. 2] (London, [England]: Thomas Thackray) [NG]
  • English guitar in staff notation
I-Bologna Ms. EE 155 [1769]
"F. dalla Casa; rules for arch-lute" (Italy) [not in RISM]
  • archlute, theorbo, mandolin treatise
H-Bn Ms. Mus. 4977 [1769]
Albrechtsberger, Johann Georg. (Austria) [Concertino for jew's harp, mandora, 2 violins and bass in D major]
  • jew's harp, mandora, 2 violins, and bass in staff notation
H-Bn Ms. Mus. 2.551 [1769]
Albrechtsberger, Johann Georg. (Austria) [Concertino for jew's harp, mandora, 2 violins and bass in D major]
  • jew's harp, mandora, 2 violins, and bass in staff notation
N-Ok Ms. w/o Sign. [1769-c1785]
"Storm Manuscript" (Copenhagen, Denmark) [not in RISM; see: Frank Nordberg, "The Storm Manuscript: A Rare Glimpse into a Forgotten Chapter of Cittern History." Lute Society of America Quarterly XLV:1 (Spring 2010): 43-45]
  • 7-course cittern in French tablature
Albanese c1770
Albanese, Antoine. Les amusements de Melpomène ou IVe recueil d'airs mêlés d'accompagnement de violon, de guitarre et des pièces de guitarre . . . les accompagnements par M. Cardon (Paris, [France]: La Chevardière) [WC]
  • 5-course guitar and voice in staff notation
Alcock c1770
Alcock, John (ii). Twelve songs for the guittar (London, [England]: Thompson, Charles & Samuel) [MGG]
  • [English?] guitar in staff notation
anonymous c1770a
anonymous. A Companion to the Magdalen-Chapel, containing the hymns, psalms, ode and anthems, used there, set for the harpsichord, voice, German-flute or guitar. The music composed by the most eminent masters (London, [England]: Henry Thorowgood) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1770b
anonymous. Compleat instructions for the guitar, containing the most modern directions, with proper examples for learners to obtain a speedy proficiency, corrected by the most eminent masters. To which is added a collection of favourite minuets, marches, songs &c. adapted purposely for that instrument (London, [England]: J. Longman & Co.)
  • English guitar method
anonymous c1770c
anonymous. The Contented miller (In a plain pleasant cottage conveniently neat [voice and piano/guitar] ([London, England]: s.n.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770d
anonymous. The Cotillon (Hail politeness, pow'r divine [arr. for 2 guitars]) ([London, England]: L[ewis] L[avenu]) [WC]
  • [English?] guitar duet in staff notation
anonymous c1770e
anonymous. The Fairest of the fair, sung at Ranelagh (O Betsy wilt thou gang wi'me [voice and continuo, with arr. for flute or guitar]) ([London, England]: s.n.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770f
anonymous. The Favourite songs sung at Ranelagh for the voice and harpsichord also adapted for the guittar (London, [England]: Robert Bremner)
  • English guitar and voice in staff notation
anonymous c1770g
anonymous. The Hymns, anthems & tunes with the ode used at the Magdalen Chapel, set for the organ, harpsichord, voice, german flute or guitar. Book I (London, [England]: Preston & Son) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770h
anonymous. An Invitation to pleasure, sung by Mr. Taylor at Maryeone [sic] (Pleasure, goddess all divine [voice and continuo; arr. for flute and guitar]) (London, [England]: R. Falkener) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770i
anonymous. The Jest (Young Jenny the blythest that [voice and continuo; arr. for flute or guitar]) (London, [England]: H. Fougt) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770j
anonymous. Jockey, a favourite new Scotch ballad, sung by Mrs. Baddeley at Vauxhall (My Jockey is the blithest lad [voice and continuo; arr. for flute and guitar]) (London, [England]: s.n.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770k
anonymous. Lango Lee, a favorite Irish song [voice and piano; arr. for guitar] ([London, England]: L[ewis] L[avenu?]) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770l
anonymous. Lionel and Clarissa . . . adapted for the German-flute violin hautboy and guittar (London, [England]: J. Johnson) [BUC]
  • English guitar and voice in staff notation
anonymous c1770m
anonymous. Love in disguise, sung by Mr. Bellamy at Covent Garden theatre (At Totterdown hill there dwelt an old pair [voice and continuo; arr. for flute or guitar]) ([London, England]: L[ewis] L[avenu?]) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770n
anonymous. On those fair eyelids. To Sylvia sleeping. Adapted for the harpicord, violin, German flute and guittar (London, [England]: Longman, Lukey & Co.) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1770o
anonymous. The Roast beef cantata: 'Twas at the gate of Calais Hogarth tells [voice and continuo; arr. for flute or guitar] How hard O Sawney (s.l.: s.n.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770p
anonymous. Stratford Jubilee, as sung by Mr. Love . . . at Finch's Gardens (Come, brothers of Stafford [sic; voice and piano/guitar]) ([London, England]: s.n.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770q
anonymous. Twelve new songs and a cantata with a compleat scale for the guitar (London, [England]: J. Longman & Co.) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1770r
anonymous. The Weary pilgrim (I am a weary pilgrim, and yet must tread this stage [piano with text; arr. for guitar]) ([London, England]: C. [&] S. T[hompson]) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1770?a
anonymous. Captain Reed's or the Third Regt. of Guard's march (s.l.: s.n.)
  • [English?] guitar and voice in staff notation
anonymous c1770?b
anonymous. Chloe out of humour (Dear Chloe how blubber'd is [voice and guitar]) (London, [England]: H. Fougt)
  • [English?] guitar and voice in staff notation
anonymous c1770?c
anonymous. Cold stream or Second Regt. of guards march [arr. for voice and guitar] (s.l.: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1770?d
anonymous. The Cotillon (Hail politeness, pow'r divine) ([London, England]: [R. Falkener?])
  • [English?] guitar duet in staff notation
anonymous c1770?e
anonymous. The Dorsetshire march, adapted to violins or german-flutes, with a bass [also for guitar] ([London, England]: H. Fougt)
  • [English?] guitar in staff notation
anonymous c1770?f
anonymous. The Dorsetshire march, for two german flute [sic] and a bass [also for guitar] (s.l.: s.n.)
  • [English?] guitar in staff notation
Arne and Bates 1770
Arne, Thomas Augustin, and William Bates. The Ladies Frolick, a comic opera [by W. Bates and T.A. Arne] being the airs, simphonies, overture, duets, & vaudevilles with the words . . . for one, and two guittars (London, [England]: Longman, Lukey, & Co.) [BUC]
  • English guitar(s) in staff notation
Arne c1770
Arne, Thomas Augustin. Love in a village. A comic opera . . . the musick by Handel, Boyce, Arne . . . for the harpsichord, voice, german flute, violin, or guittar (London, [England]: J. Longman)
  • English guitar and voice in staff notation
Bates c1770a
Bates, William. Eighteen duettinos for two guittars, two french horns, or two clarinetts (London, [England]: Longman, James, and Co.) [BUC]
  • English guitar duet in staff notation
Bates c1770b
Bates, William. On the origin and improvement of kisses. A genuine recipe, adapted for the harpsichord, german flute or guittar (London, [England]: Longman, Lukey and Co.) [BUC]
  • English guitar in staff notation
Bates c1770c
Bates, William. Ariadne one morning. A bacchanalian song. Followed by an arrangement for the guitar (s.l.: s.n.) [WC]
  • English guitar in staff notation
Bianchi c1770
Bianchi, Mr. The Marquis of Kildara's March. Set for two guitars, or two violins (Dublin, [Ireland]: Benjamin Rhames) [BUC]
  • English guitar duet in staff notation
C., Mr. Chan. de S.L. du Louvre c1770
Les Récréations des dames. Pièces pour deux cytres ou guittares allemandes, entremelées de chant avec accompagnement de violon obligé. Par Mr. C. Chan. de S.L. du Louvre . . . 1ère [-4è] récréation (Paris, [France]: s.n.)
  • cythre and voice in staff notation
Carey c1770
Carey, Henry. The favourite songs, in the interlude called True Blue or the Press Gang . . . set for the harpsichord, violin, german flute, and guitar (London, [England]: James & John Simpson and Henry Thorowgood) [BUC]
  • [English?] guitar and voice in staff notation
Carpentier c1770a
Carpentier, Joseph. Amusement de campagne, pour le cythre ou guitthare allemande qui peut s'exécuter sur la mandore avec violon obligé, dédié aux amateurs (Paris, [France]: Hugard de St. Guy) [WC]
  • cythre, mandora, violin in staff notation
Carpentier c1770b
Carpentier, Joseph. 2er recueil de menuets, allemandes etc. avec des variations entremêlés d'airs agréables à chanter, avec leurs accompagnements dont les sujets sont tirés des meilleurs autheurs et arrangés exprès pour le cythre ou guitthare allemande qui peuvent néantmoins s'exécuter sur la mandore et sur la guitthare espagnole (Paris, [France]: Le Marchand) [BUC]
  • cythre, mandora, 5-course guitar and voice in staff notation
Carpentier c1770c
Carpentier, Joseph. 3er recueil de menuets, allemandes, et contredances, avec vingt et une variations des Folies d'Espagne, touttes en pincé différents, et d'un genre nouveau, entremêlés d'ariettes avec leurs accompagnements pour le cythre, ou guitthare allemande qui peuvent néantmoins s'exécuter sur la mandore et sur la guitthare espagnole (Paris, [France]: Joseph Carpentier) [BUC]
  • cythre, mandora, 5-course guitar and voice in staff notation
Carpentier c1770?
Carpentier, Joseph. Les Récréations des dames. Pièces pour deux cytres ou guittares allemandes, entremêlées de chant, avec accompagnement de violon obligé. 1re [-4e] récréation (Paris, [France]: s.n.)
  • cythre, voice and violin in staff notation
Clagget c1770
Clagget, Charles. Best as th'immortal gods. For the guitar [and voice] (s.l.: s.n.) [WC]
  • English guitar and voice in staff notation
Cocchi c1770
Cocchi, Gioacchino. Sixteen songs and duets with a thorough bass for the harpsichord, also adapted for the violin, hautboy, german flute, guitar and violoncello . . . [op. 63] (London, [England]: Welcker)
  • [English?] guitar and voice in staff notation
Dale c1770
Dale, Joseph. Damon and Phillis. A new song . . . adapted for the harpsichord, violin, german flute, and guitar (London, [England]: Robert Falkener) [BUC]
  • [English?] guitar and voice in staff notation
Demignaux 1770
Demignaux, Jacques Antoine. Nouveau recueil d'airs avec accompagnement de guittare (Paris, [France]: de La Chevardière) [TYLER]
  • 5-course guitar and voice in staff notation
Demignaux c1770?
Demignaux, Jacques Antoine. Nouveau recueil d'airs avec accompagnement de guittare (Versailles, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Denis c1770
Denis, Pierre. Troisième recueil de petits airs de chants de la comédie italienne les plus nouveaux, avec accompagnement de mandoline (Paris, [France]: Pierre Denis)
  • mandolin and voice in staff notation
Dibdin c1770a
Dibdin, Charles. The ballads sung by Mr. Dibdin in the evening at Ranelagh: and a conclusion piece, properly transposed for the german flute and guitar (London, [England]: Charles Dibdin) [BUC]
  • English guitar and flute in staff notation
Dibdin c1770b
Dibdin, Charles. The songs, airs and dances . . . adapted for the guittar (London, [England]: John Johnson) [WC]
  • English guitar and voice in staff notation
Dibdin c1770?
Dibdin, Charles. Serenade . . . for two voices, with an accompanyment for a guittar (London, [England]: Longman and Broderip)
  • English guitar and voice in staff notation
Felix c1770
Felix, J.S. Recueil d'airs et ariettes choisies avec accompagnement de guitarre ou mandore . . . [op. 2] [Suivi de sonates pour la guitare avec accompagnement de violon] (Paris, [France]: Huberty) [TYLER]
  • 5-course guitar or mandora and voice in staff notation
  • 5-course guitar and violin in staff notation
Fischer c1770
Fischer, Johann Christian. Favourite variations on the celebrated Irish air of Gramachree Molly, sett for the harpsichord, violin, german flute, and guittar (Dublin, [Ireland]: S. Lee) [BUC]
  • English guitar, harpsichord, violin, and flute in staff notation
Grétry c1770?
Grétry, André-Ernest-Modeste. Le dieu de la tendresse. Vaudeville avec accompagnement de guitarre (s.l.: s.n.)
  • guitar and voice in staff notation
Guichard 1770 [LOST]
Guichard, François, Abbé. Nouveau recueil de chansons et ariettes (s.l.: s.n.)
  • guitar and voice in staff notation
Handel c1770
Handel, George Frideric.Minuet in Ariadne with variations for the harpsichord or piano forte, also for the violin, german flute or guittar (London, [England]: Thompson, Charles & Samuel) [WC]
  • [English?] guitar in staff notation
Haxby c1770?
Haxby, R.Twenty four easy airs for the guitar made on purpose for young beginners (London, [England]: J. Longman & Co.)
  • [English?] guitar in staff notation
Hook c1770a
Hook, James. Chiling o Guiery. With variations for the harsichord [sic] or piano forte, also for the guittar (London, [England]: Charles & Samuel Thompson) [BUC]
  • English guitar in staff notation
Hook c1770b
Hook, James. Young Dorilas an artless swain. Dorilas and Daphne [for voice and basso continuo, arr. for flute or guitar] (London, [England]: H. T[horowgood]) [WC]
  • English guitar and voice in staff notation
Hook c1770c
Hook, James. Young Dorilas an artless swain. Dorilas and Daphne [for voice and basso continuo, arr. for flute or guitar] (London, [England]: H. Fougt) [WC]
  • English guitar and voice in staff notation
Hoyle 1770
Hoyle, John [pseudonym for John Binns]. Dictionarium musica, being a complete dictionary, or treasury of music. Containing, a full explanation of all the words and terms made use of in music, both speculative, practical and historical. All the words and terms made use of by the Italians, are also inserted. The whole compiled from the best antient and modern authors who have wrote on the subject. By John Hoyle (London, [England]: John Hoyle and S. Crowder)
  • treatise
Keith c1770
Keith, William. The airs as sung at the Jews Synagogue, in 3 parts . . . also adapted for the harpsichord, violin, German flute & guitar (London, [England]: Longman, J., & Co.) [BUC]
  • English guitar and voice in staff notation
Kreusser c1770
Kreusser, Johann. VI Deutsche Lieder mit Begleitung der Guitarre oder des Forte-Piano (Mainz, [Germany]: Carl Zulehner) [WC]
  • guitar and voice in staff notation
Langdon c1770
Langdon, Richard. Ev'ry bliss that heav'n can give. A favorite rondo. Sung by Miss Marshall at the Grotto Gardens. Adapted for the harpischord Germand flute and guittar (London, [England]: s.n.) [BUC]
  • English guitar and voice in staff notation
Lapis 1770
Lapis, Santo. A libro aperto. Light airs with minuets for the harpsichord and for all sorts of guittars; containing 36 easy lessons . . . [op. 17] (London, [England]: Santo Lapis)
  • [English?] guitar and voice in staff notation
Leone c1770?
Leone. Méthode raisonnée pour passer du violon à la mandoline et de l'archet à le plume . . . contenant XXIV airs dansants à deux mandolines, II duo, I sonate avec la basse et plusieurs airs connus variés (Paris, [France]: Montutai)
  • mandolin treatise
Martini c1770
Martini, Jean-Paul-Gilles. Martini's favorite minuet. For the harpsichord, german flute and guittar (London, [England]: Thompson, Charles & Samuel) [BUC]
  • guitar and voice in staff notation
Merchi c1770a
Merchi, Giacomo. Les soirées de Paris. XVIIIe Livre de guitarre contenant des airs d'opéra comique avec des accompagnemens d'un nouveau goût, des préludes et des ritournelles . . . [op. 22] (Paris and Lyon, [France]: Merchi, Giacomo, and Castaud)
  • 5-course guitar and voice in staff notation
Merchi c1770b
Merchi, Giacomo. XXe Livre de guitarre contenant des airs d'opéra comique avec des accompagnements d'un nouveau goût, des préludes et des ritournelles . . . [op. 24] (Paris, [France]: Giacomo Merchi)
  • 5-course guitar and voice in staff notation
Merchi c1770?a
Merchi, Giacomo. Collection of the most favorite Italian, French, and English songs, with an accompaniment for the guitar (London, [England]: Robert Bremner)
  • English guitar and voice in staff notation
Merchi c1770?b
Merchi, Giacomo. Collection of the most favorite Italian, French, and English songs, with an accompaniment for the guitar . . . book second (London, [England]: Robert Bremner)
  • English guitar and voice in staff notation
Merchi c1770?c
Merchi, Giacomo. A collection of the most favorite Italian, French & English songs & duets for the guittar, with an accompanyment for an other guittar . . . [op. 22a] (London, [England]: Welcker)
  • English guitar, guitar duet, in staff notation
  • English guitar and violin in staff notation
Merchi c1770?d
Merchi, Giacomo. Six lessons and six duets for one and two guitars . . . book first. N.B. These duets may be play'd by a guitar and violin (London, [England]: Robert Bremner)
  • English guitar and voice in staff notation
Monsigny c1770?
Monsigny, Pierre-Alexandre. Peut-on affliger ce qu'on aime. Ariette . . . avec accompagnement de guithare (s.l.: s.n.)
  • guitar and voice in staff notation
Patouart 1770-1776
Patouart. La muse lyrique dédiée à Madame la Dauphine, 1er [-4e] recueil d'airs avec accompagnement de guitarre (Paris, [France]: Jolivet)
  • 5-course guitar and voice in staff notation
Real c1770?
Real, Joseph. Twenty four duets for two french-horns, two guittars, or two german flutes (London, [England]: Thompson & son)
  • English guitar duet in staff notation
Remy c1770?
Remy, Francis. The constant maid [song with accompaniment for flute/guitar] (s.l.: s.n.)
  • [English?] guitar and flute in staff notation
Schumann c1770a
Schumann [Schuman], Friedrich Theodor. A second set of English, French and Italian songs, adapted for the guittar (London, [England]: Robert Bremner)
  • English guitar and voice in staff notation
Schumann c1770b
Schumann [Schuman], Friedrich Theodor. A second set of English, French and Italian songs, adapted for the guittar (London, [England]: Friedrich Theodor Schumann) [WC]
  • English guitar and voice in staff notation
Stannard c1770
Stannard, A. The Norwich march, adapted for the violin, german flute and guittar (London, [England]: Longman, Lukey, & Co.) [BUC]
  • [English?] guitar in staff notation
Tacet c1770
Tacet, Joseph. A collection of Italian, French, and English favourite airs and minuets with variations, adapted for two german flutes or two violins or two guittars by Mr. Tacet (London, [England]: Joseph Tacet)
  • English guitar duet and voice in staff notation
Teleschi c1770
Teleschi, Antonio. Trois sonatines à deux mandolines ou violons (Paris, [France]: s.n.) [BUC]
  • mandolin duet in staff notation
Thackray c1770?a
Thackray, Thomas. Six lessons for the guittar (London, [England]: John Johnston)
  • English guitar in staff notation
Thackray c1770?b
Thackray, Thomas. Six lessons for the guittar . . . [op. 2] (London, [England]: John Johnston)
  • English guitar in staff notation
Veginy c1770
Veginy, Giacomo. Sei duetti notturni a flauto traverso e mandolino o due violini o pardessus di viola . . . [op. 1] (Paris, [France]: Giacomo Veginy) [WC]
  • flute, mandolin/2 violins, viola in staff notation
Weideman c1770
Weideman, Carl Friedrich. Weideman's favorite minuet, for the harpsicord, two german flutes or two guittars (s.l.: s.n.) [BUC]
  • English guitar duet in staff notation
D-B Mus. ms. 11834, Faszikel 1,3,5,7,9 [1770]
(Austria) [RISM B/VII p. 19; SMT II p. 24]
  • 13-course lute in French tablature
D-B Mus. ms. 12019/1 and 12019/2 [1770]
(Germany) [RISM B/VII p. 19 (as LOST)]
  • 13-course lute and strings in French tablature and staff notation
D-B Mus. ms. 12020 [1770]
(Germany?) [RISM B/VII p. 20; SMT II p. 25]
  • 13-course lute and strings in French tablature and staff notation
D-B Mus. ms. 12021 [1770]
(Germany?) [RISM B/VII p. 20]
  • 12-course lute and strings in French tablature (string parts missing)
D-B Mus. ms. 12165 [c1770]
(Germany) [RISM B/VII p. 20; SMT II p. 25]
  • 12-course lute in French tablature
D-RH (part of D-MÜu) Ms 879 (olim 604) [c1770]
"Rheda Manuscript" (Germany?) [RISM A/II 450017492]
  • 13-course lute, violin, and continuo in French tablature and staff notation
GB-Gu Ms. Euing R.d.29 [c1770-1780]
Conti, Francesco. "L'accordo della Mandola è l'istesso della Chitarra alla francese SCOLA del Leutino, osîa Mandolino alla Genovese" (Italy) [TYLER p. 219]
  • treatise (6-string guitar, mandolin tuning)
H-Bn Ms. Mus. 2.553 [1770]
Albrechtsberger, Johann Georg. (Austria) [Concerto for mandora, crembalum (jew's harp), 2 violins and bass in F major]
  • jew's harp, mandora, 2 violins, and bass in staff notation
PL-Kj Mus. ms. 40146 [1770] [LOST]
(Germany) [RISM B/VII p. 25 (D-B)]
  • 7-course mandora in French tablature
RUS-KA Geheimes Staats- und Universitätsbibliothek Ms. 2712 [1770-1780; c1798] [LOST]
[RISM B/VII p. 152; SMT III/2 p. 243]
  • 13-course lute in French tablature
US-Private Lib. of Paul Nettl Ms. without Sign. [1770-1780]
[error in RISM B/VII p. 47; see US-R Ms. Vault M125 (1670)]
Carpentier 1771
Carpentier, Joseph. Méthode distribuée par leçons pour apprendre en peu de temps à jouer de l'instrument appellé cytre ou guitthare allemande . . . (Paris, [France]: Joseph Carpentier)
  • cythre in staff notation
Dibdin 1771
Dibdin, Charles. The overture, songs, duets, trios, choruses, marches, &c in The institution of the garter, or Arthur's round table restored . . . adapted with the words for the guitar (London, [England]: Longman, Lukey & Co.) [BUC]
  • English guitar and voice in staff notation
Fouchetti c1771
Fouchetti, Giovanni. Méthode pour apprendre facilement à jouer de la mandoline à 4 et à 6 cordes . . . on y a joint six sérénades et six petites sonates . . . (Paris, [France]: s.n.) [NG]
  • mandolin in staff notation
Fouquet 1771
Fouquet. Recueil de jolis airs choisis dans les opéras comiques pour deux mandolines ou violon arrangés par M. Fouquet (Paris, [France]: La Chevardière)
  • mandolin duet in staff notation
Fridzeri 1771 [LOST]
Fridzeri, Alessandro Mario Antonio. 6 sonates, mandolin, op. 3 (Paris, [France]: s.n.)
  • mandolin in staff notation
Merchi 1771
Merchi, Giacomo. Six barcaroles italiennes (Paris, [France]: s.n.) [BUC]
  • 5-course guitar in staff notation
Pollet c1771a
Pollet, Charles-François-Alexandre-Victor. Premier recueil d'ariettes, menuets et allemandes arrangés pour le cistre ou guittare allemande . . . [op. 1] (Lille, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Pollet c1771b
Pollet, Charles-François-Alexandre-Victor. Premier recueil d'ariettes, menuets et allemandes arrangés pour le cistre ou guittare allemande . . . [op. 2] (Paris, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Pollet c1771c
Pollet, Charles-François-Alexandre-Victor. IIe Recueil d'ariettes, menuets et allemandes arrangés pour le cistre ou guittare allemande . . . [op. 2] (Paris, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Pollet c1771d
Pollet, Charles-François-Alexandre-Victor. Ier [-IVe] Recueil d'ariettes des plus jolis opéras avec accompagnement de cistre ou guittare allemande arrangés . . . [op. 3] (Paris and Lille, [France]: s.n. and Vue Sifflet, Pollet cadet) [NG]
  • cythre and voice in staff notation
anonymous c1772?
anonymous. Lovely nymph asswage my anguish. A favorite song, sung by . . . this season in the character of Apollo in Midas, at the theatre royal Covent Garden [piano with text; flute or guitar] (s.l.: s.n.)
  • English guitar and voice in staff notation
Arne 1772
Arne, Thomas Augustin. A second collection of psalms and hymns used at the Magdalen chapel . . . set for the organ, harpsichord, voice, violin, german flute and guittar (London, [England]: Henry Thorowgood)
  • English guitar and voice in staff notation
Bouleron 1772
Trios pour la guitarre, ou recueil de morceaux choisis mis en trio pour une guitarre, un violon et un alto . . . mis au jour par Mr Parison (Versailles and Paris, [France]: s.n. and Parison)
  • 5-course guitar, violin and viola in staff notation
Corrette c1772
Corrette, Michel. Nouvelle méthode pour apprendre à jouer en très peu de temps la mandoline, où les principes sont démonstrés si clairement que ceux qui jouent du violon peuvent apprendre d'eux-mêmes. Plus la tablature du cistre en musique à 5, à 6, et à 7 rangs de cordes . . . (Paris, Lyon, and Dunkerque, [France]: s.n.)
  • mandolin method in staff notation
  • cittern method in tablature
Corri 1772
Corri, Domenico. Six canzones for two voices and bass or guitar (Edinburgh, [Scotland]: John Johnson)
  • [English?] guitar and voice in staff notation
Dibdin 1772
Dibdin, Charles. A collection of catches and glees for two, three or four voices, with accompanyments for guittars and flutes (London, [England]: John Johnson)
  • English guitar(s), flute(s), and voices in staff notation
Dibdin c1772?
Dibdin, Charles. The palace of mirth. A musical introduction to the entertainments at Sadlers Wells, 1772 . . . adapted for the harpsichord, voice, violin, german flute & guittar (London, [England]: John Johnson)
  • English guitar in staff notation
Hook 1772
Hook, James. The country courtship. A pastoral dialogue, and a favorite hunting duet, perform'd at Sadlers Wells, 1772 . . . adapted for the harpsichord, violin, german flute & guittar [op. 2] (London, [England]: John Johnston) [BUC]
  • English guitar and voice in staff notation
Thackray 1772a
Thackray, Thomas. Twelve divertimenti for two guittars or a guittar & violin . . . [op. 3] (London, [England]: Longman, Lukey & Co.) [NG]
  • English guitar duet in staff notation
  • English guitar and violin in staff notation
Thackray 1772b
Thackray, Thomas. A collection of forty four airs . . . for one or two guittars (London, [England]: John Johnston) [NG]
  • English guitar and voice in staff notation
Thackray c1772?
Thackray, Thomas. 12 divertissements pour deux guittars avec l'accompagnement d'un violon ou guittar 2me (s.l.: s.n.)
  • English guitar duet in staff notation
  • English guitar and violin in staff notation
Vernon 1772
Vernon, Joseph. The new songs in the pantomime of the Witches, the celebrated epilogue in the comedy of Twelfth Night, a song in the Two gentlemen of Verona and two favorite ballads sung by Mr. Vernon at Vaux Hall . . . to which are added the new comic tunes, in the Witches and a favourite French air sung in . . . Twelfth Night, by Mrs. Abington, all properly adapted for the harpsichord, violin, german flute or guittar (London, [England]: John Johnston) [BUC]
  • English guitar and voice in staff notation
Vernon c1772
Vernon, Joseph. A widow bewitch'd with her passion. Epilogue to the Irish widow, sung by Mrs. Barry [for voice and piano; arr. for guitar] (London, [England]: s.n.) [WC]
  • English guitar and voice in staff notation
Vidal 1772
Vidal, B. IIe Recueil d'airs d'opéra comiques et autres avec accompagnement de guitarre . . . mis au jour par M. Bouin (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Vidal c1772?
Vidal, B. Recueil d'ariettes, d'opéra comiques, et autres . . . avec accompagnement de guitarre, plusieurs airs variés, et trois duo pour guitare et violon, ou deux guitarre (Paris and Rouen, [France]: s.n. and P. Briere Luttier)
  • 5-course guitar and voice in staff notation
  • 5-course guitar duet in staff notation
Arne 1773
Arne, Thomas Augustin. The music in The trip to Portsmouth . . . the overture and dances composed by Dr. Arne, and the songs by Charles Dibdin, with transpositions for the german flute & guitar (London, [England]: Longman, Lukey and Co.) [BUC]
  • English guitar and flute
Arne c1773?
Arne, Thomas Augustin. The music in The trip to Portsmouth . . . the overture and dances composed by Dr. Arne, and the songs by Charles Dibdin, with transpositions for the german flute & guitar (London, [England]: Longman, Lukey, and John Johnston)
  • English guitar and flute
Bailleux 1773
Bailleux, Antoine. Méthode de guittarre par musique et tablature, avec différens exercices sur le pincer de cet instrument dans lesquels se trouvent les Folies d'Espagne (Paris, [France]: Antoine Bailleux)
  • 5-course guitar in French tablature and staff notation
Leone c1773
Leone. Méthode raisonnée pour passer du violon à la mandoline et de l'archet à le plume . . . contenant XXIV airs dansants à deux mandolines, II duo, I sonate avec la basse et plusieurs airs connus variés (Paris, [France]: Bailleux) [WC]
  • mandolin method
H-PH Mus.Jes. 156b [1773]
Falkenhagen, Adam. Concerto à Liuto principale 2 Violinis Alto-Viola e Basso Autore Sigre Falkenhagen (Germany) [RISM A/II 530003395]
  • lute (in French? tablature; MISSING), violins, viola, and bass in staff notation
H-PH Mus.Jes. 157e [1773]
anon. Concerto à 4: Liuto, Violino Fagotto col Basso (Germany) [RISM A/II 530003400]
  • lute (in French? tablature; MISSING), violins, violoncello, and bassoon in staff notation
anonymous 1774-1775
anonymous. The New musical and universal magazine. Consisting of the most favourite songs, airs . . . adapted for the G. flute, violin, guitar and harpsichord, also is included 16 pages of letter press . . . (London, [England]: R. Snagg)
  • English guitar and voice in staff notation
Denis c1774
Denis, Pierre. Les IV Saisons européennes. Second recueil contenant les meilleurs morceaux de chant avec leurs parties d'accompagnements, qui ont été donnés l'année dernière sur les théâtres d'Italie, d'Allemagne, d'Angleterre et de Paris et notamment sur le théâtre de la comédie italienne avec des parties d'accompagnements faits pour les différens instrumens comme harpe, guitarre, mandoline, violin et flute. Terminé par le commencement d'un traité de composition musicale le meilleur qui ait encore paru . . . (Paris, [France]: Pierre Denis)
  • 5-course guitar and voice in staff notation
  • mandolin and voice in staff notation
Minguet y Yrol 1774
Minguet y Yrol, Pablo. Reglas y advertencias generales que enseñan el modo de tañer todos los instrumentos mejores, y mas usuales, como son la guitarra, tiple, vandola, cythara, clavicordio, organo, harpa, psalterio, bandurria, violin, flauta traversera, flauta dulce, y la flautilla . . . (Madrid, [Spain]: J. Ibarra)
  • music treatise
Ritter c1774
Ritter, D. A choice collection of XII of the most favorite songs for the guittar sung at Vaux Hall and in the Deserter . . . with an addition of the overture in the Deserter [P.A. Monsigny], two favorite rondeaus & six cotillons properly adapted for that instrument with an easy bass throughout by D. Ritter (London, [England]: D. Ritter) [BUC]
  • English guitar and voice in staff notation
Alcock c1775
Alcock, John (ii). Twelve divertimentis for the guittar, harpsichord or piano forte . . . book 2d (London, [England]: John Rutherford) [BUC]
  • English guitar in staff notation
anonymous c1775a
anonymous. Ev'ry shrub its sweetness sheds. Summer. Sung by Miss Marshall at the Grotto Gardens. Adapted for the harpsichord, German flute and guittar (s.l.: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1775b
anonymous. Fair Hebe (Fair Hebe I left with a cautious design [voice and continuo with guitar arr.]) (London, [England]: s.n.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1775c
anonymous. Go tunefull bird that gladst the skies. The Sky Lark [song, words by W. Shenstone]. Adapted for the harpsichord, German flute or guitar (London, [England]: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1775d
anonymous. Gramachree Molly with variations for the harpsichord or piano forte, also for the german flute, violin or guitar (London, [England]: Straight & Skillern) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1775e
anonymous. How fearful the sound to poor mothers and wives. March of the XVth Regiment. For the harp, harpischord, violin, German flute, or guittar (London, [England]: P. H[odgson]) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1775f
anonymous. The hymns, anthems & tunes with the ode used at the Magdalen Chapel,. Set for the organ, harpsichord, voice, German-flute or guitar (London, [England]: C. & S. Thompson) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1775g
anonymous. Lady Barrimore's favourite minuet, perform'd at Bath & most polite assemblys, adapted for the harpsichord, violin, german flute and guitar (London, [England]: s.n.) [WC]
  • [English?] guitar in staff notation
anonymous c1775h
anonymous. Minuets cotillons & country dances for the violin, mandolin, German flute, & harpsichord. Composed by an African . . . (London, [England]: s.n.) [BUC]
  • mandolin, violin, flute, and harpsichord in staff notation
anonymous c1775i
anonymous. Mrs. Talbot's minuet [for harpsichord, flute and guitar] (London, [England]: I. R[utherford]) [BUC]
  • English guitar in staff notation
anonymous c1775j
anonymous. A pocket book for the guitar (London, [England]: Longman, Lukey and Broderip)
  • English guitar method
anonymous c1775k
anonymous. The Sportsman's companion being a collection of the most favourite hunting & shooting songs adapted for the voice, harpsicord, violin, german flute and guitar. Book I [-II] (London, [England]: Longman, Lukey and Broderip)
  • English guitar and voice in staff notation
anonymous c1775l
anonymous. Strephon and Chloe (Why heaves my fair one's snowy breast [voice and continuo; arr. for flute or guitar]) ([London, England]: L[ongman], L[ukey] & B[roderip]) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1775m
anonymous. The Tight Rope Dancers Tunes . . . adapted for the harpsicord violin German flute and guitar (London, [England]: Longman, Lukey, & Co.) [BUC]
  • English guitar and voice in staff notation
anonymous c1775n
anonymous. To fly like birds. The Prudent Fair. A favorite song sung by Miss Marshall . . . adapted for the harpsicord, German flute, or guitar (London, [England]: Longman, Lukey, & Co.) [BUC]
  • English guitar and voice in staff notation
anonymous c1775o
anonymous. The tunes in the Beggar's Opera adapted for the guitar or common flute, etc. (London, [England]: Robert Bremner) [BUC]
  • English guitar and voice in staff notation
anonymous c1775p
anonymous. The Vauxhall Marybone & Grotto songs as sung by Miss Jameson, Mr. Vernon, Mr. Barnshaw &c. purposely adapted for the guittar. 1st book (London, [England]: Longman, Lukey & Co.) [BUC]
  • English guitar and voice in staff notation
anonymous c1775?a
anonymous. Gramachree Molly with variations for the harpsichord or piano forte, also for the german flute, violin or guitar (Dublin, [Ireland]: Elizabeth Rhames)
  • [English?] guitar and voice in staff notation
anonymous c1775?b
anonymous. The Whistling plowman, sung at Sadlers-Wells (The whistling plowman hails the blushing dawn [piano with text; arr. for guitar]) ([London, England]: s.n.)
  • [English?] guitar and voice in staff notation
Arne c1775
Arne, Thomas Augustin. The overture and airs in the opera of Artaxerxes set for one & two german flutes, violins or guittars (London, [England]: Logman, Lukey and Co.) [WC]
  • English guitar and voice in staff notation
J.C. Bach c1775
Bach, Johann Christian. A sonata for the guitar with an accompaniment for a violin (London, [England]: Longman, Lukey, and Co.) [BUC]
  • English guitar and violin in staff notation
Bennet c1775
Bennet. Sequester'd in a lonely vale. The complaint . . . Adapted for the harpsichord, violin, german flute and guitar (London, [England]: Longman, Lukey, and Co.) [BUC]
  • English guitar and voice in staff notation
Blaise c1775?
Blaise, Adolfe Benoît. C'est la fille à Simonette. Chansonnette . . . avec accompagnement de guitarre (s.l.: s.n.)
  • guitar and voice in staff notation
Boecklin c1775?
Boecklin, Franz Friedrich Siegmund August von. Amusement pour le beau monde, sur le violon avec deux guitarres et violoncell de la composition de Ms. le conseiller intime, op. 35 [Magasain de musique, No. 807] (Braunschweig, [Germany]: s.n.)
  • 2 guitars, violin, cello in staff notation
Carey c1775
Carey, Henry. Sally in our alley . . . with variations for the harpsichord or piano forte also for the violin, german flute or guittar (London, [England]: Straight & Skillern) [BUC]
  • guitar solo in staff notation
Carter c1775
Carter, Thomas. La lumière. A favourite French song with variations for the harpsichord or piano forte, also for the violin, german flute or guitarr (London, [England]: Thompson, Charles & Samuel) [BUC]
  • English guitar in staff notation
Cifolelli c1775a
Cifolelli, Giovanni. C'est le verre à la main. Ariette de Perin et Lucette, avec accompagnement de guitarre du Sr. Berchoni (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Cifolelli c1775b
Cifolelli, Giovanni. C'est le verre à la main. Ariette de Perin et Lucette, avec accompagnement de guitarre du Sr. Berchoni (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Giardini 1775
Giardini, Felice. Six trios for the guittar, violin, and piano forte; or harp, violin and violoncello . . . [op. 18] (London, [England]: William Napier) [NG]
  • English guitar, violin, and piano in staff notation
Gougelet c1775?
Gougelet, [Madame?]. Troisième recueil d'airs choisis avec accompagnement de guitarre (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Gresset c1775a
Gresset, Jean-Baptiste-Louis. Ah! que n'es-tu ma minette! Ariette nouvelle avec accomp.t de guitare p.r Mr. Alberti (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Gresset c1775b
Gresset, Jean-Baptiste-Louis. Le soleil baise sans nuage. Air . . . avec accompagnement de guitare par Alberti (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Gresset c1775?
Gresset, Jean-Baptiste-Louis. Ah! que n'es-tu ma minette! Ariette nouvelle avec accomp.t de guitare p.r Mr. Alberti (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Guichard 1775a [LOST]
Guichard, François, Abbé. Les loisirs de Melpomène, ou Recueil périodique (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Guichard 1775b [LOST]
Guichard, François, Abbé. 3 recueils d'airs (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Hook c1775a
Hook, James. For Sally I sigh. With variations for the harpsichord or piano forte, also for the german flute, violin and guittar (London, [England]: Welcker) [BUC]
  • English guitar in staff notation
Hook c1775b
Hook, James. Lovely nymph. With variations for the harpsichord or piano forte, also for the german flute, violin and guittar (London, [England]: Welcker) [BUC]
  • English guitar in staff notation
Hook c1775c
Hook, James. Martini's minuet. With variations for the harpsichord, harp, or piano forte, also for the violin, german flute, and guittar (London, [England]: Charles & Samuel Thompson) [BUC]
  • English guitar in staff notation
Hook c1775d
Hook, James. Rural felicity. With variations for the harpsichord or piano forte, also for the german flute, violin, and guittar (London, [England]: Welcker) [BUC]
  • English guitar in staff notation
Hook c1775e
Hook, James. Saw you my father. With variations for the harpsichord or piano forte, also for the german flute, violin, and guittar (London, [England]: Welcker) [BUC]
  • English guitar in staff notation
Hook c1775f
Hook, James. To thee oh gentle sleep. With variations for the harpsichord or piano forte, also for the german flute, violin, and guittar (London, [England]: Welcker) [BUC]
  • English guitar in staff notation
Hook c1775g
Hook, James. Tweed side. With variations for the harpsichord or piano forte, also for the german flute, violin, and guittar (London, [England]: Welcker) [BUC]
  • English guitar in staff notation
Legros c1775?
Legros, (Joseph?). Le délire de l'amour. Romance, la musique et l'accompt. de guitthare du Cn. Legros (Paris, [France]: Frère)
  • [English?] guitar and voice in staff notation
Leone c1775
Leone, Gabriele. Six sonates pour la mandoline et basse . . . [Op. 2] (Paris, [France]: Bailleux) [WC]
  • mandolin and bass in staff notation
Merchi c1775
Merchi, Giacomo. Twelve divertimentos for two guittars or a guittar and violin . . . [op. 21] (London, [England]: Welcker) [BUC]
  • English guitar, guitar duet, in staff notation
  • English guitar and violin in staff notation
Merchi c1775?
Merchi, Giacomo. Twelve divertimentos for two guittars or a guittar and violin . . . [see op. 21] (London, [England]: Robert Bremner)
  • English guitar and voice in staff notation
Noferi c1775
Noferi, Giovanni Battista. Six sonatas or lessons for the guitar . . . [op. 12] (London, [England]: Longman, Lukey, & Co.) [WC]
  • [English?] guitar in staff notation
Pollet 1775a
Pollet, Charles-François-Alexandre-Victor. Six sonnates des meilleurs auteurs, arrangées pour le cistre ou guitarre allemande avec accompagnement de violon . . . [op. 4] (Paris, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Pollet 1775b
Pollet, Charles-François-Alexandre-Victor. Méthode pour apprendre à pincer du cistre ou guittare allemande . . . [op. 5] (Paris, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Pollet c1775a
Pollet, Charles-François-Alexandre-Victor. IXe [-XVe] Recueil de musique arrangée pour le cistre ou guitarre allemande contenant les plus jolies ariettes avec accompagnement, et des airs variés . . . [op. 13-15] (Paris and Lille, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Pollet c1775b
Pollet, Charles-François-Alexandre-Victor. Recueil d'ariettes différens auteurs avec accompagnement de cistre ou guittare allemande . . . [3 vols.] (Paris, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Rozelli c1775?
Rozelli. Twenty one duets for two french horns or two guittars, to which is added three trios for 3 horns . . . op. 4 (London, [England]: Charles & Samuel Thompson)
  • [English?] guitar duet in staff notation
Sacchini c1775?
Sacchini, Antonio (Maria Gasparo Gioacchino). Dès ce soir l'hymen m'engage. [Ariette] . . . l'accompagnement par Sr. Berchoni [voice and guitar] (Paris, [France]: Mlle Girard)
  • 5-course guitar and voice in staff notation
Shield c1775a
Shield, William. A collection of favourite songs, adapted for the voice, harpsichord, violin, guitar or german flute, to which is added a duett for two violins . . . book 1st (Durham, [England]: Thorne) [NG]
  • [English?] guitar and voice in staff notation
Shield c1775b
Shield, William. Johnny and Mary. The favorite new Scotch song introduc'd by Miss Catley in Love in a village for the guittar (London, [England]: J. Fentum) [BUC]
  • [English?] guitar and voice in staff notation
Smart c1775
Smart, Henry. Gramachree Molly. With variations for the harpsichord or piano forte also for the german flute, violin or guitar (London, [England]: Straight & Skillern) [WC]
  • [English?] guitar and voice in staff notation
Tissier 1775
Tissier. Troisième recueil d'airs d'opéra comiques et autres avec accompagnement de guittare . . . mis au jour par Mr. Bouin, [op. 7] (Paris, [France]: Tissier)
  • 5-course guitar and voice in staff notation
Villers c1775
Villers, A.A.J. de. Premier recueil d'ariettes, menuets et alemandes arrangés pour le cistre ou guitare allemande (Lille, [France]: A.A.J. de Villers)
  • cythre in staff notation
Amat 1776-1819a
Amat, Joan Carles. Guitarra española y vándola en dos maneras de guitarra castellana, y valenciana de cinco ordenes, la qual enseña de templar, y tañer rasgado, todos los puntos naturales y b, mollados, con estilo maravilloso [includes: Tractat breu y explicació de tots els punts de la guitarra pera que els valencians] (Valencia, [Spain]: la viuda de Agustin Laborda)
  • guitar treatise with Catalan cifras
anonymous c1776a
anonymous. A collections [sic] of lessons, airs, jiggs, minuets & marches for the guittar composed . . . by an eminent master (London, [England]: J. Preston) [BUC]
  • English guitar in staff notation
anonymous c1776b
anonymous. Jockey and Moggy, a favorite Scotch song, sung at the publick gardens (O'er the meadows, o'er the moor [voice and continuo; arr. for guitar]) ([London, England]: L[ongman] & B[roderip]) [WC]
  • [English?] guitar and voice in staff notation
Bonanni 1776
Bonanni, Filippo. Descrizione degl'istromenti armonici d'ogni genere del padre Bonanni. Seconda edizione riveduta, corretta ed accresciuta dall'abbate Giacinto Ceruti, ornata con CXL rami incisi d'Arnoldo Wanwesterout. = Description des instrumens harmoniques en tout genre par le père Bonanni. Seconde édition revue, corrigée et augmentée par l'abbé Hiacinthe Ceruti avec CXL plances gravées par Arnaud Wanwesterout (Rome, [Italy]: Venanzio Monaldini)
  • treatise
Carpentier 1776
Carpentier, Joseph. 4er recueil d'airs de toutte espèce et trois suittes de pièces avec violon obligé ou mandoline, entremêlés d'ariettes avec accompagnement pour le cythre, ou guitthare allemande (Paris, [France]: Joseph Carpentier)
  • cythre and mandolin/violin in staff notation
Demesse 1776
Demesse. 1er Recueil de menuets, allemandes et autres morceaux variés, entre-mêlés d'ariettes, romances . . . avec leurs accompagnemens arrangés pour le cythre . . . par Mr. Demesse. [Op. 1] (Paris, [France]: Bignon)
  • cythre and voice in staff notation
Guichard 1776 [LOST]
Guichard, François, Abbé. Les soirées de Paphos, ou Recueil périodique d'ariettes tirées des opéras comiques (s.l.: s.n.)
  • guitar, violin, and voice in staff notation
Hook c1776
Hook, James. The jolly young waterman. With variations for the harpsichord, or piano forte, also for the german flute, violin and guittar (London, [England]: Welcker) [BUC]
  • English guitar in staff notation
Méreaux c1776?
Méreaux, Nicolas-Jean Le Froid de. Le retour de tendresse. Comédie en un acte et en vers mêlée d'ariettes . . . Qu'est devenu l'amant. Avec accompagnement de guitare (s.l.: s.n.)
  • guitar and voice in staff notation
Parry, John c1776
Parry, John. A collection of Welsh, English & Scotch airs with new variations, also four new lessons for the harp or harpsichord . . . to which are added twelve airs for the guittar (London, [England]: Welcker) [BUC]
  • English guitar and voice in staff notation
Vidal 1776
Vidal, B. Les soirées espagnoles ou choix d'ariettes d'opéra comiques et autres avec accompagnement de guitarre, menuets et allemandes (Paris, [France]: Boüin)
  • 5-course guitar and voice in staff notation
US-Cn Case MSVMT 582 V29e [1776]
Vargas y Guzmán, Juan Antonio. "Explicación para tocar la guitara de puntedo . . . " (Veracruz, [Mexico]) [TYLER p. 214]
  • 6-course guitar in staff notation
Corbelin c1777
Corbelin, François Vincent. Recueil hebdomadaire d'airs d'opéra comique et autres, avec accompagnement de guittarre (Paris and Versailles, [France]: Borelly and Blaizot)
  • 5-course guitar and voice in staff notation
Corbelin c1777?
Corbelin, François Vincent. Onzième recueil composé d'ariettes et romances choisies . . . et plusieurs romances nouvelles, avec accompagnement de guitarre . . . pour servir de suite à sa méthode de guitarre (Paris, [France]: François Vincent Corbelin)
  • 5-course guitar and voice in staff notation
Merchi 1777
Merchi, Giacomo. XXIe Livre de guitarre contenant des airs connus avec des accompagnement faciles, des préludes et des ritournelles . . . [Op. 25] (Paris, [France]: Giacomo Merchi)
  • 5-course guitar and voice in staff notation
Merchi c1777a
Merchi, Giacomo. Sei duetti a chitarra e violino con sordina o a due chitarre, XXIXe Livre de guitarre, [op. 33] (Paris, [France]: Giacomo Merchi) [TYLER]
  • 5-course guitar and voice in staff notation
Merchi c1777b
Merchi, Giacomo. Traité des agrémens de la musique exécutés sur la guitarre . . . [op. 35] (Paris, [France]: Giacomo Merchi) [TYLER]
  • 5-string guitar and voice in staff notation
Noferi c1777?
Noferi, Giovanni Battista. Six trios for the guittar, violin, and piano forte or violoncello . . . [op. 16] (London, [England]: John Rutherford)
  • [English?] guitar, violin, and piano in staff notation
Patouart 1777-1789
Patouart. La muse lyrique dédiée à la Reine. Recueil d'airs avec accompagnement de guitarre (Paris, [France]: Baillon)
  • 5-course guitar and voice in staff notation
H-Bn Ms. Mus. 2.552 [1777]
Albrechtsberger, Johann Georg. (Austria) [Concertino for mandora, jew's harp, 2 violins and bass in E major]
  • jew's harp, mandora, 2 violins, and bass in staff notation
Alberti and Tissier c1778-1779
Alberti, Francesco, and Tissier. Recueil d'airs des opéras-comiques avec accompagnement de guitare par MM. Alberti, Tissier et autres (Paris, [France]: Camand)
  • 5-course guitar and voice in staff notation
anonymous 1778a
anonymous. The morning fresh. A favorite duett sung by Mrs. Mattocks and Mr. Gaudry in the comedy of Know your own Mind. Accompanied on the guitar (London, [England]: Longman & Broderip) [BUC]
  • English guitar and voice in staff notation
anonymous 1778b
anonymous. Que ne suis je encore un enfant. La Curiosité indiscrète. Romance nouvelle avec accompagnement de guitare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1778a
anonymous. Drinking song (While the flowing bowl I see [voice and continuo; also arr. for flute or guitar]) (London, [England]: P. H[odgson]) [WC]
  • English guitar and voice in staff notation
anonymous c1778b
anonymous. The morning fresh. [Duet from the comedy of Know your own Mind by A. Murphy]. Set for the harpsichord, two violins, German flutes, or guitar (Dublin, [Ireland]: John Lee) [BUC]
  • English guitar and voice in staff notation
anonymous c1778c
anonymous. Trip to Cox Heath (There's beef and mutton roast and boil'd). Sung by Mr. Heryman at Sadlers Wells in the favorite interlude call'd A trip to Cox heath [voice and piano/guitar] ([London, England]: S. [&] A. T[hompson]) [WC]
  • English guitar and voice in staff notation
Carpentier c1778
Carpentier, Joseph. 5e recueil de petites pièces entremêlées de chant avec accompagnement pour le cythre ou la guitarre allemande (Paris, [France]: Joseph Carpentier) [WC]
  • cythre and voice in staff notation
Fargere 1778
Fargere. Six sonate per il mandolino o per il violino. Della quale tre si suonano a due mandolini o violini e tre con il basso (Paris, [France]: Mme. Tarade) [TYLER MAND]
  • mandolins in staff notation
Gluck 1778
Gluck, Christoph Willibald. Vous ressemblez à la rose. Ariette, etc. [with guitar accompt.; from La Rencontre Imprévue] (Paris, [France]: Mlle. Girard) [BUC]
  • 5-course guitar, violon, and bass in staff notation
Gluck c1778?
Gluck, Christoph Willibald. Un ruisselet bien clair [from La Rencontre imprévue] . . . avec accompagnement de violon, de guitarre & de basse (Paris, [France]: Simon, Vue, & fils)
  • 5-course guitar, violon, and bass in staff notation
Grétry 1778
Grétry, André-Ernest-Modeste. Chantez, dansez. Vaudeville . . . avec accompagnement de guitare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Grétry c1778?a
Grétry, André-Ernest-Modeste. Amusez vous jeunes fillettes. Les dangers de la Coudrette. Romance [from La rosière de Salenci] avec accompagnement de guitare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Grétry c1778?b
Grétry, André-Ernest-Modeste. Ma barque légère. Ariette [from Lucile] . . . avec accompagnement de guittare par Guichard (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Grétry c1778?c
Grétry, André-Ernest-Modeste. Ma barque légère. Ariette [from Lucile. . . avec accompagnement de guittare par M. de Morlanne l'aîné (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Grétry c1778?d
Grétry, André-Ernest-Modeste. Je connais la bonne jeunesse. Air [from Lisbeth] . . . accompagnement de guitare par Lemoine (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Grétry c1778?e
Grétry, André-Ernest-Modeste. Je connais la bonne jeunesse. Air [from Lisbeth] . . . accompagnement de guitare par Lemoine (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Grétry c1778?f
Grétry, André-Ernest-Modeste. Je sais un cœur. Air [from Lisbeth] . . . accompagnement de guitare par Lemoine (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Grétry c1778?g
Grétry, André-Ernest-Modeste. Ouvrez moi votre âme sensible. Air [from Lisbeth] . . . accompagnement de guitare par Lemoine (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Grétry c1778?h
Grétry, André-Ernest-Modeste. Quand on ne dort pas. Air [from Lisbeth] . . . accompagnement de guitare par Lemoine (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Guichard 1778
Guichard, François, Abbé. Les loisirs d'Apollon, ou Nouveau recueil d'ariettes, romances, chansons nouvelles &c., avec accompagnement de guitarre et basse chiffrée pour le clavecin ou piano-forte . . . [op. 7] (Paris, [France]: Bignon)
  • 5-course guitar, keyboard, and voice in staff notation
Guichard 1778 [LOST]
Guichard, François, Abbé. 8me recueil des Bijoux des dames (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Guichard c1778
Guichard, François, Abbé. Nouvelles chansons, romances, ariettes, &c., avec accompagnement de guitarre et basse chiffrée pour le clavecin ou piano-forte pour servir de suite aux Loisirs d'Apollon . . . [op. 8] (Paris, [France]: Bignon)
  • 5-course guitar, keyboard, and voice in staff notation
Noferi 1778
Noferi, Giovanni Battista. The opera dances for 1778 including the favorite Spanish dance as performed by Monsieur Simonet & Mademoiselle Bacelli, Composed & adapted for the harp, guittar, gern. flute and piano forte (London, [England]: John Rutherford) [BUC]
  • [English?] guitar in staff notation
Pean 1778
Pean. Tristes échos. Romance. Imitée de l'allemand . . . avec accompagnement de guitarre . . . (in: Mercure de France, mai 1778) (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Pollet 1778
Pollet, Charles-François-Alexandre-Victor. Journal d'airs pour le cistre ou guitare allemande . . . [4 vols.] (Paris, [France]: Charles-François-Alexandre-Victor Pollet) [NG]
  • cythre and voice in staff notation
Shield 1778
Shield, William. A collection of favourite songs, adapted for the voice, harpsichord, violin, guitar or german flute, to which is added a duett for two violins . . . book 1st (London, [England]: Lukey & Broderip) [BUC]
  • [English?] guitar and voice in staff notation
Vidal c1778 [LOST]
Vidal, B. Méthode de guitare (s.l.: s.n.)
  • 5-course guitar method
Albanese 1779a
Albanese, (Egide-Joseph-Ignace-) Antoine. Comment voulez vous qu'on vous aime [Air] . . . avec accompagnement de guithare par Mr. Guichard (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Albanese 1779b
Albanese, Antoine. La Comtesse de Saulx. Romance . . . avec accompagnement de guithare par Mr. Tissier (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1779a
anonymous. Dieux quel malheur qu'il ait ce défaut la. Le Clerc Voleur. Avec accompangement de guithare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1779b
anonymous. En mariage ma mère. L'Esprit de Pierrot. Chanson avec accompt. de guitare, dédié à Mr. N.F.G. (Paris, [France]: M. La Fosse) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1779c
anonymous. L'Espoir incertain, ariette avec accompagnement de guitare. Février 1779, No. 1 (Sous nos fenêtres le soir) (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
anonymous 1779d
anonymous. Tendre baiser sur bouche demi close. L'amant complaisant. Romance nouvelle avec accompt. de guitare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1779e
anonymous. Voulons nous dans ces retraites. Avec accompagnement guithare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1779a
anonymous. The Court of Vauxhall, written for and sung by Mr. Vernon, 1778 and 1779, set to musick by the author [voice and piano/flute/guitar] (London, [England]: S. and A. Thompson)
  • [English] guitar and voice in staff notation
anonymous c1779b
anonymous. Ode to the sun, sung by Mrs. Weichsell at Vauxhall 1779. The words by Mr. Dobey [voice, violins, continuo; arr. for guitar or flute] (London, [England]: Skillern)
  • [English] guitar and voice in staff notation
anonymous c1779c
anonymous. La tête à perruque. Sur toute la nature on voit regner l'amour. Chanson tirée de La tête à perruque, avec accompagnement de guithare par Mr. Tissier (s.l.: s.n.) [WC]
  • 5-course guitar and voice in staff notation
anonymous c1779?
anonymous. A Cruizing we will go, a song sung at the theatre royal in Covent Garden in The Liverpool prize (Behold upon the swelling wave [piano with text; arr. for flute or guitar]) ([London, England]: A. Portal)
  • [English] guitar and voice in staff notation
Blavet 1779
Blavet, Michel. Les Moeurs du siècle. Vaudeville . . . avec accompagnement de guitare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Boyce c1779
Boyce, William. Come cheer up my lads. Sung by Mr. Champnes in Harlequin Invasion. For the harpsichord or guitar (London, [England]: Longman, Lukey and Broderip) [BUC]
  • English guitar and voice in staff notation
Carpentier c1779
Carpentier, Joseph. 6e recueil de petites pièces entremêlées de chant avec accompagnement pour le cythre ou la guitarre allemande (Paris, [France]: Joseph Carpentier) [WC]
  • cythre and voice in staff notation
Carpentier c1779?a
Carpentier, Joseph. 7e recueil de menuets, allemandes et contredanses avec vingt et une variations des Folies d'Espagne, touttes en pincés différents et d'un genre nouveau entremêlés d'ariettes avec leurs accompagnements pour le cythre ou guitthare allemande (Paris and Lyon, [France]: Joseph Carpentier and Castaud)
  • cythre and voice in staff notation
Carpentier c1779?b
Carpentier, Joseph. 8e recueil de petit airs de tout genre, entremêlés d'arietes choisies, avec accompagnements obligés de guitarre allemande ou cythre et de violon ou mandolinne (Paris, [France]: Joseph Carpentier)
  • cythre, voice, and mandolin/violin in staff notation
Guichard 1779
Guichard, François, Abbé. J'aime Rosette à la folie. Chanson, avec accompagnement de guithare (s.l.: s.n.) [BUC]
  • guitar and voice in staff notation
La Garde 1779
La Garde, Pierre de. Soyez toujours songes charmans. Ariette . . . avec accompagnement de guithare par Mr. Guichard (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Purcell 1779
Purcell, Henry. Two daughters of this aged stream . . . favourite duet, sung by the Syrens . . . for two voices, flutes or guittars (in: Hibernian Magazine, Feb. 1779) (Dublin, [Ireland]: s.n.)
  • [English?] guitar and voices in staff notation
Tissier 1779
Tissier. Si Mathurin dessus l'herbette. Ariette avec accompagnement de guithare (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Albanese c1780a
Albanese, Antoine. Charmantes fleurs quittez les prés de Flore. Air, avec accompagnement de guitar (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Albanese c1780b
Albanese, Antoine. Un peu d'amour un peu de vin. Air, avec accompagnement de guitare (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Albanese c1780c
Albanese, Antoine. Quand j'avais le cœur d'Annette. L'Amant malheureux. Romance avec accompt. de guitare pr. Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Albanese c1780?a
Albanese, Antoine. Le connais tu ma chère Éléonore. Ariette, avec accompagnement de guithare, par Mr. Comine (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Albanese c1780?b
Albanese, Antoine. Depuis plus de six mois. La consolation bachique. Chanson nouvelle, avec accompt. de guitare par Mr. Alberti (Paris, [France]: M. Camand)
  • 5-course guitar and voice in staff notation
Albanese c1780?c
Albanese, Antoine. Depuis plus de six mois. La consolation bachique. Chanson nouvelle, avec accompt. de guitare par Mr. Alberti (Paris, [France]: M. de la Fosse)
  • 5-course guitar and voice in staff notation
Albanese c1780?d
Albanese, Antoine. Je le tiens ce nid de fauvettes. Idylle de M. Berquin. Accompagnement de guittare de Mr. Comien (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Alberti c1780a
Alberti, Francesco. Un berger quand on l'écoute. Ariette nouvelle. Avec accompagnement de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780b
Alberti, Francesco. La bonne chère et le bon vin. Chanson de table. Avec accompagnement de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780c
Alberti, Francesco. Les charmes de Colin. Chanson nouvelle avec accompagnement de guitare (Paris, [France]: Camand) [WC]
  • 5-course guitar and voice in staff notation
Alberti c1780d
Alberti, Francesco. Colin a des yeux charmants. Les charmes de Colin. Chanson nouvelle avec accompagnement de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780e
Alberti, Francesco. Dans un bois solitaire. La fille prudente. Chanson nouvelle avec accompagnement de guitharre (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780f
Alberti, Francesco. Dans un bois je vis l'autre jour. La villageoise instruite. Romance nouvelle avec accompagnement de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780g
Alberti, Francesco. Déjà dans la plaine. L'amour délicat. [Song], avec accompagnement de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780h
Alberti, Francesco. En mariage ma mère. L'Esprit de Pierrot. Chanson avec accompt. de guitare, dédié à Mr. N.F.G. (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780i
Alberti, Francesco. Évitez sensibles bergères. Romance nouvelle. Avec accompt. de guitare par Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780j
Alberti, Francesco [?]. Javote enfin vous grandissez. L'Education de Javote. Romance avec accompt. de guitar par Mr. Alberti (Paris, [France]: Camand) [BUC]
  • guitar and voice in staff notation
Alberti c1780k
Alberti, Francesco [?]. Un jour dans un verd boccage. La Tendre Union. Chanson nouvelle avec accompt. de guitare par Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780l
Alberti, Francesco [?]. Un jour l'aimable Dorine. Le Berger Gaillard. Avec accompt. de guitare par Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780m
Alberti, Francesco [?]. Quel plaisir d'une main. Le Bonheur de la vie. Romance avec accompt. de guitare, par M. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780n
Alberti, Francesco [?]. Rêvant à mon amour. Le Retour au Logis. Chanson nouvelle avec accompagnement de guitare par Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780o
Alberti, Francesco [?]. Ruisseaux [sic] qui baigne cette plaine. Romance nouvelle. Avec accompagnement de guitare par Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780p
Alberti, Francesco [?]. Toc, toc, ouvrez, si'l vous plait. Le Bouquet du Mois de May. Rondeau avec accompagt. de guitare pr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780q
Alberti, Francesco [?]. Vole à ma sœur, heureux bouquet. Bouquet a ma sœur. Air, J'avois toujours gardé mon cœur. Paroles et accompangement de guittare du Sieur Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1780?
Alberti, Francesco. Pourquoi belle Adelaîde. Romance, accompagnement de guitare . . . No. 33 (Paris, [France]: Camand)
  • 5-course guitar and voice in staff notation
anonymous 1780
anonymous. The Paphian Doves, a new book of kisses, set for the harpsichord or piano-forte with an accompanyment for the violin, and transpositions for the german flute and guittar. The songs & music . . . by different ingenious masters (London, [England]: A. Portal)
  • English guitar and voice in staff notation
anonymous c1780a
anonymous. À peine la verdure, le plus beau des présents. Ariette nouvelle [with guitar accompaniment] (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780b
anonymous. Amour achève ton ouvrage. Ariette avec accompagnement de guithare (Paris, [France]: s.n.) [BUC]
  • guitar and voice in staff notation
anonymous c1780c
anonymous. Assis sur l'herbette. Ariette nouvelle avec accompagnement de guitare (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780d
anonymous. Au traite amour. L'Amante difficile. Air, Vous l'ordonnez. Avec accompagnem[en]t de guithare (Paris, [France]: Frère) [BUC]
  • guitar and voice in staff notation
anonymous c1780e
anonymous. C'est dans tes yeux, belle Zémire. Romance nouvelle avec accomp.t de guitare (Paris, [France]: Chez le Sr. de Lafosse) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780f
anonymous. C'est un crime d'être belle. Romance nouvelle . . . avec accompagnement de guitare par Casimir (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780g
anonymous. Collecçaõ de alguns minuetes, marchas, contradanças, e outras peças mais usuaes, com accompanhamento de seconda guitarra, . . . e huma tocata (Madrid?, [Spain]: Francisco Gerardo) [BUC]
  • guitar in staff notation
anonymous c1780h
anonymous. Come gentle god of soft repose, for the guittar or ger. flute ([London, England]: I. F[entum]) [BUC]
  • English guitar and voice in staff notation
anonymous c1780i
anonymous. A Companion to the Magdalen-Chapel, containing the hymns, psalms, ode and anthems, used there, set for the harpsichord, voice, German-flute or guitar. The music composed by the most eminent masters [An Appendix to the Magdalen Hymns, etc.] (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1780j
anonymous. Compleat instructions for the guitar, containing the most modern directions, with proper examples for learners to obtain a speedy proficiency, corrected by the most eminent masters. To which is added a collection of favourite minuets, marches, songs &c. adapted purposely for that instrument (London, [England]: Longman and Broderip)
  • English guitar method
anonymous c1780k
anonymous. Depuis longtems je soupire. L'Aveu reciproque. Romance nouvelle. Avec accompagnement de guitare (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780l
anonymous. Depuis que j'ai quitté les lieux. Les Rigueurs de l'Absence. Chanson nouvelle. Avec accomp.t de guitare (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780m
anonymous. Elle m'aima, cette belle Aspasie. Romance nouvelle. Avec accompagnement de guithare (Paris, [France]: s.n.) [BUC]
  • guitar and voice in staff notation
anonymous c1780n
anonymous. La Gentille Parfumeuse. Avec accompt. de guitare. Air: O ma tendre musette (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780o
anonymous. Guardian angels, a favourite song, sung by Mr. Mahon at Dublin and by Miss Catley in the Golden Pippin. For the ger: flute [voice and continuo, arr. for guitar] ([London, England]: I. F[entum]) [WC]
  • English guitar and voice in staff notation
anonymous c1780p
anonymous. Histoire de Malbrouk, ou le petit page, a celebrated French song with a new accompaniment for the harp, piano forte, violin, ger. flute, & guitar, by an eminent master, as sung by Miss George at the theatre royal Drury Lane (Venez scavoir l'histoire) (London, [England]: S. Babb) [WC]
  • English guitar and voice in staff notation
anonymous c1780q
anonymous. Il est minuit o fidelle Raimonde. L'Amant Espagnol, avec accompt. de guitarre (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780r
anonymous. Il n'est point d'insensible cœur. Ariette nouvelle avec accompagnement de guitarre (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780s
anonymous. In airy dreams (In airy dreams soft fancy flies) [voice and continuo; arr. for flute or guitar] (London, [England]: P. H[odgson]) [WC]
  • English guitar and voice in staff notation
anonymous c1780t
anonymous. J'aime Bacchus, j'aime Nanon. L'Ami du Plaisir. Chanson avec accompt. de guitar (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780u
anonymous. Je vous ai juré, maman. Le Faux Serment. Romance avec accompagt. de guitare et clavecin (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780v
anonymous. Jupiter un jour en fureur. Ariette, avec accompag.mt [sic] de guitharre (Paris, [France]: s.n.) [BUC]
  • guitar and voice in staff notation
anonymous c1780w
anonymous. The King's minuet [for strings, flutes, and guitar] (London, [England]: s.n.) [BUC]
  • guitar, strings, and flutes in staff notation?
anonymous c1780x
anonymous. Lady Barrimores minuet. Perform'd at Bath . . . Adapted for the harpsichord, violin, German flute, and guittar (London, [England]: s.n.) [BUC]
  • English guitar in staff notation
anonymous c1780y
anonymous. Laissez vous sous mes doigts ployer avec souplesse. Ariette nouvelle. Avec accompagt. de guitare (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780z
anonymous. Let beauty with the sun arise. Serenade for 2 voices with an accompanyment for a guittar (London, [England]: s.n.) [BUC]
  • English guitar and voice in staff notation
anonymous c1780aa
anonymous. Lorsque tu m'étois fidèle. La Bergere sensible. Avec accompagnement de guithare (Paris, [France]: Chez Frère) [BUC]
  • guitar and voice in staff notation
anonymous c1780bb
anonymous. March of General Lotton's Regiment in Berlin [piano and guitar or flute] (London?, [England]: s.n.) [BUC]
  • English guitar and piano in staff notation
anonymous c1780cc
anonymous. Minuets &c. &c. for the violin, mandolin, German-flute and harpsichord. Compos'd by an African . . . Book 2d (London, [England]: s.n.) [BUC]
  • mandolin, violin, flute, and harpsichord in staff notation
anonymous c1780dd
anonymous. The much admired catch of "Care thou canker of our joys" adapted for the harpsichord and voice; also for the German flute and guittar (London, [England]: G. Smart) [BUC]
  • [English?] guitar and flute in staff notation
anonymous c1780ee
anonymous. Pourquoi faut-il q'ça m'tourmente. J'vous frais plaisir. Chanson nouvelle pour la guitare. [Words] Par Mr. Petelard le jeune (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780ff
anonymous. Quand d'amour je reçus la loi. Romance nouvelle. Accompagnement de guittare (Paris, [France]: Mlle. Lebeau) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780gg
anonymous. Quel embarras, hélas que faire. Le Loup Apprivoisé. Chanson nouvelle avec accompt. de guitare (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780hh
anonymous. A select collection of lessons, airs, marches, minuets, reels, jiggs, &c., with the most favourite songs, for the guittar. To which are added some excellent songs, with a thorough bass . . . by an eminent master (Edinburgh, [Scotland]: Robert Ross) [BUC]
  • English guitar and voice in staff notation
anonymous c1780ii
anonymous. Sous nos fenêtres le soir. L'Espoir incertain. Ariette avec accompagnement de guitare (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780jj
anonymous. Thirty favorite Scots songs, adapted for a voice and harpsichord, violin, German flute and guitar, the words by Allen Ramsay, &c. Book I (London, [England]: Longman & Broderip) [BUC]
  • English guitar and voice in staff notation
anonymous c1780kk
anonymous. The Tinker, sung by Mr. Keen at Sadlers Wells (I'll tell you my neighbours [piano with text; arr. for guitar]) (s.l.: s.n.) [WC]
  • English guitar and voice in staff notation
anonymous c1780ll
anonymous. L'un de ces jours mes moutons s'égarèrent. Chanson. Avec accompt. de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1780mm
anonymous. Venez scavoir l'histoire. Histoire de Malbrouk, ou le petit page, a celebrated French song with a new accompaniment for the harp, piano forte, violin, Ger. flute, & guittar, by an eminent master, as sung by Miss George at the theatre royal Drury Lane (London, [England]: John Welcker)
  • English guitar and voice in staff notation
anonymous c1780nn
anonymous. Vous qu'amour brûle de ses feux. Ariette avec accompagnement de guithare (Paris, [France]: s.n.) [BUC]
  • guitar and voice in staff notation
anonymous c1780oo
anonymous. You bid me write my charming dove. Flora. Adapted for the harpisord, violin, German flute, and guittar (London, [England]: P. E[vans]) [BUC]
  • English guitar and voice in staff notation
anonymous c1780?a
anonymous. Care thou canker, a much admired catch for 3 voices, adapted for the harpsichord and voice, also for the ger. flute & guittar (Care thou canker of our joys) (London, [England]: A., S. & P. Thompson)
  • [English?] guitar and voice in staff notation
anonymous c1780?b
anonymous. Gramachree Molly, a favorite Irish air [words by George Ogle] [voice and continuo, arr. for guitar] ([London, England]: W. N[apier])
  • English guitar and voice in staff notation
anonymous c1780?c
anonymous. Gramachree Molly . . . (As down on Banna's banks) [voice and piano, arr. for guitar] (s.l.: s.n.)
  • English guitar and voice in staff notation
anonymous c1780?d
anonymous. J'aimerai toujours Colin. Les Amants heureux. Chanson nouvelle avec accompagt. de guitare (Paris, [France]: M. Camand) [BUC; as c1710, but appears to be in error]
  • 5-course guitar and voice in staff notation
anonymous c1780?e
anonymous. May we live all the days of our lives (Let care be a stranger to each jovial soul [voice and piano; arr. for clarinet or guitar]) (Glasgow, [Scotland]: A. McGoun)
  • English guitar and voice in staff notation
anonymous c1780?f
anonymous. The Paphian Doves, a new book of kisses, set for the harpsichord or piano-forte with an accompanyment for the violin, and transpositions for the german flute and guittar. The songs & music . . . by different ingenious masters . . . A new edition (London, [England]: A. Portal)
  • English guitar and voice in staff notation
anonymous c1780?g
anonymous. The Prince of Brunswick's march [arr. for 2 guitars] ([London, England]: s.n.)
  • English guitar duet in staff notation
Arne c1780
Arne, Thomas Augustin. The overture, songs & duetts in the opera of Artaxerxes . . . properly dispos'd for the voice, harpsichord, violin, german-flute or guittar (London, [England]: Music shops) [BUC]
  • English guitar and voice in staff notation
Arne c1780?
Arne, Thomas Augustin. A selection from the much admired works of the late Dr. Arne, consisting of airs, songs, duets, overtures &c., adapted for the voice, harpsichord, ger[ma]n flute, & guitar, vol. 1 (London, [England]: Charles Wheatstone)
  • English guitar in staff notation; English guitar and voice in staff notation
Ballasteros 1780 [LOST]
Ballasteros [Ballesteros], Antonio. Obra para guitarra de seis órdenes ([Spain?])
  • 6-course guitar in staff notation
Benda c1780
Benda, Georg. L'enfant trouvé (Le soleil se cachoit) avec accompt. de guitarre (s.l.: s.n.) [WC]
  • guitar and voice in staff notation
Blavet c1780
Blavet, Michel. Les Moeurs du siècle. Vaudeville du Jaloux Corigé, avec accompagnement de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Carpentier 1780a
Carpentier, Joseph. 7e recueil d'ariettes choisies avec accompagnement de guitarre allemande, ou cytre (Paris, [France]: Joseph Carpentier)
  • cythre and voice in staff notation
Carpentier 1780b
Carpentier, Joseph. VIIIè Recueil de petits airs de tout genre, entremelés d'ariettes choisies, avec accompagnements obligés de guitarre allemande ou cythre et de violon ou mandoline . . . par Mr. l'abbé Carpentier (Paris, [France]: Joseph Carpentier)
  • cythre and voice in staff notation
  • mandolin in staff notation
Carpentier c1780
Carpentier, Joseph. Méthode distribuée par leçons pour apprendre en peu de temps à jouer de l'instrument appellé cytre ou guitthare allemande . . . 2ème partie . . . composée par Mr. l'abbé Carpentier (Paris, [France]: Joseph Carpentier)
  • cythre in staff notation
Denis c1780a
Denis, Pierre. Méthode pour apprendre à jouer de la mandoline sans maître [livre 1-3] (Paris, [France]: Pierre Denis) [BUC]
  • mandolin method
Denis c1780b
Denis, Pierre. Seconde partie de la méthode pour apprendre à jouer de la mandoline sans maître, avec des variations sur douze petits airs de la comédie italienne . . . (Paris, [France]: Pierre Denis)
  • mandolin method
Dezède c1780
Dezède, Nicolas. Voulés vous savoir, mes amis. L'inconstant . . . (Air: Je le compare avec Louis), avec accompagnement de guitare (s.l.: s.n.) [BUC]
  • guitar and voice in staff notation
Ducray-Duminil c1780
Ducray-Duminil, François Guillaume. Filette ne jure de rien, accompagnement de guittare. (Air: Colin disoit à Lise un jour) (s.l.: s.n.) [BUC]
  • guitar and voice in staff notation
East c1780
East, Michael. How merrily we live. A favorite glee . . . in the Flitch of bacon . . . adapted for a guitar and voice and for one, two or three german flutes (London, [England]: Longman & Broderip) [WC]
  • guitar and voice in staff notation
Galli c1780
Galli, Caterina. When first I saw thee graceful move. For two voices, two german flutes, or two guittars (s.l.: Skillern) [WC]
  • guitar duet in staff notation
Giordani 1780?
Giordani, Tommaso. Six solos for a guitar with a thorough bass for the harpsichord, and one trio for a guitar, violin and bass (London, [England]: Longman and Broderip)
  • English guitar in staff notation; English guitar, violin, and bass in staff notation
Gluck c1780?
Gluck, Christoph Willibald. Conservés dans votre âme . . . accompagnement de guittare par M. Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Grétry c1780
Grétry, André-Ernest-Modeste. Oui j'adopte ton sentiment. Air avec accompagnement de guitare (Paris, [France]: Camand) [WC]
  • 5-course guitar and voice in staff notation
Guichard c1780
Guichard, François, Abbé. Petits airs arrangés pour une guitarre seule (Paris, [France]: Thomassin)
  • 5-course guitar in staff notation
Hus c1780
Hus, J.B. (fils). Recueil musical . . . contenant six chansons . . . avec accompagnement de harpe, six autres . . . avec accompagnement de guitarre, deux duo avec accompagnement de deux violons et basse, une marche guerrière à grand orchestre, une romance pour le forté-piano, et une chasse pour le clavecin, avec accompagnement de violon, flûte et violoncelle (Lyon, [France]: Guera) [BUC]
  • guitar in staff notation
La Borde c1780
La Borde, Jean-Benjamin de. Vois-tu ces coteaux se noircir. Air . . . avec accompagnement de guithare (Paris, [France]: Frère) [WC]
  • 5-course guitar and voice in staff notation
Leeves c1780
Leeves, William. Since Jenny she has married. Jennie's complaint, or The sequel to Auld Robin Gray, set to the original . . . air, for the harpsichord, violin, flute & guittar ([London, England]: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
Linley c1780
Linley, Thomas. The Duenna, or The double elopement. A comic opera . . . for the guitar (London, [England]: Thompson, Charles & Samuel) [WC]
  • [English?] guitar and voice in staff notation
Martini c1780
Martini, Jean-Paul-Gilles. La fille aux trois rois. Air . . . avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Merchi 1780
Merchi, Giacomo. XXXIVe Livre de guitarre contenant des airs d'opéra et opéra comique et autres de sociétez avec des accompagnements, des préludes et des ritournelles . . . [op. 36] (Paris and Lyon, [France]: Giacomo Merchi and Castaud)
  • 5-course guitar and voice in staff notation
Panerau c1780
Panerai, Vincenzo. Suonata XIV per cimbalo e mandolino obbligato (Florence, [Italy]: Rinaldo Bonini) [TYLER]
  • mandolin and piano in staff notation
Pepusch c1780
Pepusch, Johann Christoph. Dr. Pepusch's ground, with variations for the harspichord, violin, and guittar (London, [England]: Thomas Straight) [BUC]
  • [English?] guitar in staff notation
Purcell c1780
Purcell, Henry. From rosie [rosy] bow'rs . . . [Song from Don Quixote, Part III] . . . adapted for the harpsichord, violin, german flute and guitarr (s.l.: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
J. Rutherford c1780
Rutherford, John. A collection of the most celebrated songs set to music by several eminent authors, adapted for the guittar (London, [England]: John Rutherford)
  • English guitar and voice in staff notation
Shield c1780a
Shield, William. All his soul was love. Sung by Mrs. Kennedy in Henry and Emma. Written by an officer, followed by an arrangement for german flute or guitar (London, [England]: Thomas Straight) [BUC]
  • [English?] guitar and voice in staff notation
Shield c1780b
Shield, William. Johnny and Mary. The favorite new Scotch song introduc'd by Miss Catley in Love in a village. For the guittar (London, [England]: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
Shield c1780c
Shield, William. Johnny and Mary. The favorite new Scotch song introduc'd by Miss Catley in Love in a village. For the guittar (Glasgow, [Scotland]: James Aird) [BUC]
  • [English?] guitar and voice in staff notation
Smethergell c1780
Smethergell, William. Delia. A favorite song, sung by Mr. Vernon at Vauxhall . . . adapted for the harpsicord, violin, german flute, and guitar (London, [England]: Longman and Broderip) [BUC]
  • English guitar and voice in staff notation
Tissier 1780
Tissier. VIè Recueil d'airs et ariettes tirés des opéra, opéra comiques et autres morceaux choisis, avec accompagnement de guitarre . . . [op. 7] (Paris, [France]: Bignon)
  • 5-course guitar and voice in staff notation
Tissier c1780a
Tissier. Le petit ménage. Avec accompagnement de guithare (s.l.: s.n.) [BUC]
  • guitar and voice in staff notation
Tissier c1780b
Tissier. IVè Recueil d'airiettes d'opéra comiques et autres avec accompagnement de guitare et autres airs connus par la guitare seule . . . [op. 8] (Paris, [France]: Le Duc)
  • 5-course guitar and voice in staff notation
  • 5-course guitar in staff notation
Tissier c1780?
Tissier. Recueil de romances, chansons et vaudevilles arrangés pour la guitarre (Paris, [France]: Benaut)
  • 5-course guitar and voice in staff notation
Vouzy c1780
Vouzy, Mr. de. Il te souvient sans doute. La Suite de J'vous. Par Mr. de Vouzy. Air: Pourquoi faut il puisqu'ça m'tourmente. Avec accompagnement de guithare par Mr. Desmigneaux (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Weldon c1780
Weldon, J. Hope, thou nurse. Sung by Miss Brent and Miss Hallam in Love in a village. For the harpsicord, and guittar (London, [England]: s.n.) [BUC]
  • English guitar and voice in staff notation
Werner c1780
Werner, Francis. A compleat collection of the most favorite cotillions, country dances, and allemands . . . carefully transpos'd . . . for the guittar (London, [England]: John Rutherford) [BUC]
  • English guitar in staff notation
D-B? Mus. ms. 30415 [1780]
[RISM B/VII p. 21]
  • 5-string mandora in French tablature
D-B? Mus. ms. 15976/5 from W. Tappert Priv. Lib. [1780-1790?]
(Germany) [RISM B/VII p. 20; SMT II p. 26]
  • 12-course lute in French tablature
D-ROu Ms. Mus. Saec. XVIII.13.2 [c1780]
(Germany) [RISM B/VII p. 310; SMT II p. 278]
  • 13-course lute in French tablature
GB-Lbl Ms. Additional 11581 [1780]
(England) [RISM B/VII p. 173]
  • 13-course lute in French tablature
anonymous 1781
anonymous. Mon honneur dit que je serois coupable. Ariette des Amours d'Été. Avec accompagnment de guitarre par Mr. Alberti (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1781-1782
anonymous. Chansons des après soupers de la société petit théâtre lyrique et moral, avec accompagnement de guitarre et un violon ad litibum, dédié à la folie par un amateur (Paris, [France]: Auteur des après soupers de la société, maison de Mr. Brunot) [TYLER]
  • 5-course guitar, voice and violin in staff notation
anonymous c1781
anonymous. Le grand curé de not village. Le Grand Curé. Chanson givoise. Avec accompagnement de guitarre, du vaudeville des Deux Morts, ou air: Ça n'ce peut pas (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1781?
anonymous. The Devonshire minuet, as danced by Sigr. Vestris at the Opera House . . . [piano; arr. for guitar and flute] (London, [England]: A. Bland and Weller)
  • guitar and flute in staff notation
M. Arne c1781
Arne, Michael. The Foes of Old England. A song in praise of . . . Prince William [and] The Devonshire minuet for the guittar [and] Dances by Sigr. Vestris at the Opera House, London. (Dublin, [Ireland]: Rhames, Elizabeth) [BUC]
  • English guitar in staff notation
  • English guitar and voice in staff notation
Arnold 1781
Arnold, Samuel. Alla stagion novella. The favourite song . . . (adapted for the guittar, in: Hibernian Magazine, July, 1781) (Dublin, [Ireland]: s.n.)
  • English guitar and voice in staff notation
Baillon 1781
Baillon, Pierre-Joseph. Nouvelle méthode de guitarre selon le sistême des meilleurs auteurs, contenant les moyens les plus clairs et les plus aisés pour aprendre à accompagner une voix et parvenir à jouer tout ce qui est propre à cet instrument (Paris, [France]: Pierre-Joseph Baillon)
  • 5-course guitar method with staff notation
  • 5-course guitar and violin in staff notation
Curtis 1781
Curtis, Thomas. The Jessamine. A collection of songs for the voice and harpsichord within the compass of the german flute and transpos'd for the guitar . . . book the 3d (London, [England]: Longman and Broderip)
  • [English?] guitar and voice in staff notation
Giordani c1781
Giordani, Tommaso. The favorite airs . . . in The critic . . . adapted for the voice, harpsichord, violin, german flute & guittar (London, [England]: Longman and Broderip) [BUC]
  • English guitar and voice in staff notation
Riggieri c1781a
Riggieri, Antoine. Six duo à deux mandolines et six sonates à mandoline, et basse qu'on peut exécuter avec le violon, et le pardessus de viole . . . [op. 1] (Paris, [France]: Antoine Riggieri) [TYLER]
  • mandolin, mandolin duet in staff notation
Riggieri c1781b
Riggieri, Antoine. Airs italiens chantés à la Comédie italiene, menuets et sonates en duo pour la mandoline . . . [op. 2] (Paris, [France]: Antoine Riggieri) [TYLER]
  • mandolin, mandolin duet in staff notation
Riggieri c1781c
Riggieri, Antoine. Six duo à deux mandolines . . . [op. 3] (Paris, [France]: Antoine Riggieri) [TYLER]
  • mandolin, mandolin duet in staff notation
Riggieri c1781d
Riggieri, Antoine. Menuets, allemandes et petits allegro à deux mandolines ou violon avec six sonates à mandolines ou violon. On trouvera une sonata à mandoline accord différant marquant dites accord avec le menuet chéri de l'auteur en variations . . . [op. 4] (Paris, [France]: Antoine Riggieri) [TYLER]
  • mandolin, mandolin duet in staff notation
Riggieri c1781e
Riggieri, Antoine. La Fürstemberg. Variationi, no. 10 (s.l.: s.n.) [TYLER]
  • mandolin and voice in staff notation
Alberti 1782
Alberti, Francesco. Ici tout rend hommage. Couplets nouveaux sur La Redoute chinoise. Air de Colinette à la cour. Col accompagnamento di guittarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Arnold c1782
Arnold, Samuel. Address to a locket [voice and piano; arr. for guitar or flute] (London, [England]: Longman and Broderip) [WC]
  • English guitar and voice in staff notation
Dalayrac c1782
Dalayrac, Nicolas-Marie. Lison jeune et timide. Vaudeville de L'éclipse totale, accompt. de guitarre par Mr. C. (Paris, [France]: Savigny frères) [BUC]
  • 5-course guitar and voice in staff notation
Giordani c1782a
Giordani, Tommaso. The new Gilderoy, a favorite Scotch ballad, for the piano-forte, violin, German flute or guitar (London, [England]: Longman and Broderip) [BUC]
  • English guitar and voice in staff notation
Giordani 1782b
Giordani, Tommaso. The new Gilderoy. A favorite Scotch ballad, for the piano-forte, violin, german flute or guitar (Dublin, [Ireland]: Hime)
  • English guitar and voice in staff notation
Giordani 1782c
Giordani, Tommaso. Slave bear the sparkling goblet round, for the piano-forte, german-flute, violin & guittar (London, [England]: Longman and Broderip)
  • English guitar and voice in staff notation
Shield 1782
Shield, William. The comic opera of the Poor soldier, for the guitar . . . (London, [England]: John Bland) [BUC]
  • [English?] guitar and voice in staff notation
Vidal 1782
Vidal, B. Recueil d'airs d'opéra comiques, menuets et contre-danses avec des variations, arrangés pour la guitarre . . . [op. 18], et 2e recueil d'airs variés (Paris and Versailles, [France]: Boivin and Mlle. Castagnery)
  • 5-course guitar and voice in staff notation
Vidal c1782
Vidal, B. Recueil d'airs avec accompagnement de guitare et clavecin, entremêlés de petits morceaux et airs variés et d'une sonate avec accompagnement de basse . . . [op. 18] (Paris and Nantes, [France]: Bignon and Hugard de St. Guy) [TYLER]
  • 5-course guitar and voice in staff notation
anonymous 1783a
anonymous. The Ladies' Amusement, being a collection of favourite songs and lessons within compass of the guitar, etc. No. 1 (London, [England]: s.n.) [BUC]
  • English guitar and voice in staff notation
anonymous 1783b
anonymous. Parmi la soixantaine. Ariette du Voyage du Rosine [Opéra-comique, words by Piis and Barré]. Air de Malbrouk avec accompagnement de guitare par casimir (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Arne c1783
Arne, Thomas Augustin. Love in a village. A comic opera . . . the musick by Handel, Boyce, Arne . . . for the harpsichord, voice, german flute or guittar (London, [England]: Longman and Broderip)
  • English guitar and voice in staff notation
Boyer c1783
Boyer [Boyé], Pascal. Suite des soirées de la comédie italienne, contenant les airs chantés sur ce théâtre et autres. Avec accompagnement de guittare (Paris, [France]: de La Chevardière)
  • 5-course guitar and voice in staff notation
Dezède 1783
Dezède, Nicolas. Sitôt que Lubin m'aima. Air [from Péronne Sauvée] . . . accompagnement de guittare par Mr. Ducray . . . (in: Mercure de France, juillet, 1783) (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Dezède c1783
Dezède, Nicolas. Sitôt que Lubin m'aima. Air de Péronne Sauvée. Accompagnement de guittare par Mr. Ducray (Paris, [France]: Savigny frères) [BUC]
  • 5-course guitar and voice in staff notation
Dezède c1783?a
Dezède, Nicolas. Entends ma voix, viens, cher amant . . . ariette . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dezède c1783?b
Dezède, Nicolas. Entends ma voix, viens, cher amant . . . ariette . . . avec accompagnement de guittare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Dezède c1783?c
Dezède, Nicolas. Entends ma voix, viens, cher amant . . . ariette . . . avec accompagnement de guittare par Mr. Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Dezède c1783?d
Dezède, Nicolas. Sitôt que Lubin m'aima. A favorite air [from Péronne Sauvée] . . . adapted for the piano forte, violin, german flute & guitar (London, [England]: Longman and Broderip)
  • [English?] guitar and voice in staff notation
Dezède c1783?e
Dezède, Nicolas. Sitôt que Lubin m'aima. a favorite air [from Péronne Sauvée] . . . adapted for the piano forte, violin, german flute & guitar (London, [England]: John Welcker)
  • [English?] guitar and voice in staff notation
Hook c1783?
Hook, James. The hours of love. A collection of sonnets, containing Morning, Noon, Evening and Night . . . properly adapted for the voice, harpsichord, violin, german-flute, or guitar . . . a new edition (London, [England]: S.A. and P. Thompson)
  • English guitar and voice in staff notation
Taylor c1783?
Taylor, Raynor [Rayner]. Overture to Circe and Ulysses, a comic burletta . . . composed and adapted for the harpsichord. NB. In this overture a movement adapted to the celestina or organiz'd piano forte with accompaniments for a guittar and flute or hautboy (London, [England]: Longman and Broderip)
  • English guitar and voice in staff notation
anonymous 1784a
anonymous. The Beauties of music and poetry . . . The whole adapted for the harpsichord or piano-forte, violin, german flute and guitar. Vol 1 [Number I-VI] (London, [England]: J. Preston)
  • English guitar and voice in staff notation
anonymous 1784b
anonymous. Le Magnetisme regnera. Des Docteurs Modernes. Air du Curé de Pomponne. Avec accomp.t de guitare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1784
anonymous. A Plan entirely original. Number II . . . of the beauties of music and poetry . . . The whole adapted for the harpsichord or piano-forte, violin, german-flute and guitar (London, [England]: J. Preston)
  • [English?] guitar and voice in staff notation
Bonesi c1784a
Bonesi, Barnaba. Une fille du voisinage. Romance du Rosier. Avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Bonesi c1784b
Bonesi, Barnaba. Qu'il sera beau le jour de d'main. Vaudeville du Rosier. Avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Grétry 1784
Grétry, André-Ernest-Modeste. Après un long voyage. Air de la Caravane [arranged for guitar] (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Grétry c1784
Grétry, André-Ernest-Modeste. Bon Dieu com' hier à c'te fête. Air de L'Épreuve Villageoise. Accompagnement de guitare par M. Alberti (Paris, [France]: Carmand) [BUC]
  • 5-course 5-course guitar and flute in staff notation
Grétry c1784?a
Grétry, André-Ernest-Modeste. Un bandeau couvre les yeux. Airiette [from Richard Cœur de Lion] . . . avec accompagnement de guitarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Grétry c1784?b
Grétry, André-Ernest-Modeste. Un bandeau couvre les yeux. Une fièvre brûlante. Air [from Richard Cœur de Lion] . . . avec accompagnement de guitarre (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Grétry c1784?c
Grétry, André-Ernest-Modeste. Une fièvre brûlante. Air [from Richard Cœur de Lion] . . . accompagnement de guitarre par M. de Morlonne (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Martini c1784?a
Martini, Johann Paul Aegidius. L'autre jour j'étois seulette. Romance . . . [arr. for voice and guitar] (Paris, [France]: Savigny)
  • 5-course guitar and voice in staff notation
Martini c1784?b
Martini, Johann Paul Aegidius. Vous enflammés et pour longtemps. Chanson . . . [arr. for voice and guitar] (Paris, [France]: Savigny)
  • 5-course guitar and voice in staff notation
Piccinni 1784a
Piccinni, Niccolò. Ah! prens pitié de ma faiblesse. Air de Didon . . . accompagnement de guitare par Mr. Porro (Paris, [France]: Baillon)
  • 5-course guitar and voice in staff notation
Piccinni 1784b
Piccinni, Niccolò. Au noir chagrin qui me dévore. Air de Didon . . . acc. [for guitar] par Mr. Porro (Paris, [France]: Baillon)
  • 5-course guitar and voice in staff notation
Piccinni 1784c
Piccinni, Niccolò. Plaignez un roi, plaignez un père. Air de Didon. Guitare de Mr. Porro (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Piccinni 1784d
Piccinni, Niccolò. Viens ma rose. Ariette du Dormeur Éveillé . . . accompagnement de guitare par Mr. Porro (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Porro c1784
Porro, Pierre Jean. Nouvelles étrennes de guitarre, ou recueil des plus jolies romances et couplets qui aient paru dans l'année 1784 suivis d'une sonate et de plusieurs pièces pour la guitarre seule, mis en musique et arrangés expressément pour cet instrument . . . [op. 4] (Paris, [France]: Baillon) [WC]
  • 5-course guitar and voice in staff notation
  • 5-course guitar in staff notation
Sarti c1784?a
Sarti, Giuseppe. Io voglio uno sposino/Ah c'est trop rester fille. Air delle Nozze di Dorina avce [sic] accompagnement de guittare. 3 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Sarti c1784?b
Sarti, Giuseppe. Un diavolino nel seno mi sento/D'un trait perfide. Air des Noces de Dorine avec accompagnement de guittare. I (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Alberti c1785a
Alberti, Francesco. Le cœur me bat, je n'en puis plus. Cloris pénitente. Romance nouvelle avec accompagnement de guitare. Air de Confiteor (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785b
Alberti, Francesco. Du plus beau des petits endroits. Le Petit Bien de Lise. Chanson nouvelle avec accompagnement de guitare par Alberti. Air: Philis demande son portrait [by Albenese] (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785c
Alberti, Francesco. Fi du mariage. Rondeau. Avec accompt. de guitare del Sigr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785d
Alberti, Francesco [?]. Je connais un plaisir charmant. Le Plaisir d'un Moment. Accompagnement de guitare par Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785e
Alberti, Francesco [?]. Ma fille, je vais vous punir. La Pleureuse. Avec accompt. de guitare par Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785f
Alberti, Francesco. La Maladie Amoureuse. Ariette nouvelle avec accompt. de guitare (Paris, [France]: Camand) [WC]
  • 5-course guitar and voice in staff notation
Alberti c1785g
Alberti, Francesco [?]. La nuit, dans les bras du repos. Le beau songe. Romance avec accompt. de guitare par Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785h
Alberti, Francesco [?]. Pierrot dit à Madeleine. La Bergère vaincu. Avec accompt. de guitar par Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785i
Alberti, Francesco [?]. Quand je vous vis. La Défense Inutile. Paroles de R. Duferol, guitarre d'Alberti. Air: Du haut en bas (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785j
Alberti, Francesco [?]. Quand vous riez, jeune Glycère. Le Souhait, paroles de Mr. R. Duferol. Guitarre del Sigr. Alberti. Air: Avec les jeux dans le village (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785k
Alberti, Francesco [?]. Suzon fermoit son cœur. Chansonette. Avec accompangement de guittare par Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785l
Alberti, Francesco [?]. La trop innocente Colette. Les Amans curieux. Romance, avec accompagnement de guitare pr. M. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785m
Alberti, Francesco [?]. Une nuit dans la prairie. Romance nouvelle avec accompt. de guitare par Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785n
Alberti, Francesco [?]. Venez à ma leçon. Les Forgerons de Cythère. Vaudeville avec accompt. de guitare pr. Mr. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1785o
Alberti, Francesco [?]. Vive les nuits étoilées. Les Soirées du Palais Royal. Sur l'air ["Coueurs sensibles"] du Mariage de Figaro. Avec accompt. de guitarre par M. Alberti (Paris, [France]: M. Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785a
anonymous ["Par Mr. Alberti" in MS]. À confesse m'en suis allé. La Penitans Agréable. Avec accompagnement du guitare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785b
anonymous. Allons vite en diligence. Le Triomphe du Palais Royal. Air: Nous n'avons qu'un tems à vivre. Avec accompagnement de guittare par Halberty. Par Mr. Préchat (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785c
anonymous. L'Amour un jour cherchoit partout. La Méprise de l'amour. Romance, par Mr. T:--avec Accmpt. de guitarre. . . . Air: L'amour est un enfant trompeur [by G. Martini] (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785d
anonymous. The Apprehension, or the devil among the lawyers. A favorite new song . . . Adapted for the violin, Ger: flute, and guittar. The words by Mr. Oakman [by I.B.] (London, [England]: C. Fentum) [BUC]
  • guitar and voice in staff notation
anonymous c1785e
anonymous. Au près de l'amant qui m'engage. Air nouveau. Avec accompagnement de guitare par Mr. D.L.F., etc. (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785f
anonymous. Bland's first collection of twenty four airs, marches, minuets, &c. Twelve for one, & twelve for two guitars or a guitar and violin, composed by the best masters (London, [England]: J. Bland)
  • English guitar(s) in staff notation
  • English guitar and violin in staff notation
anonymous c1785g
anonymous. Complete instructions for the guittar containing the most useful directions & examples . . . (London, [England]: J. Preston) [BUC]
  • English guitar method
anonymous c1785h
anonymous. De tes bienfaits la douce image. La Reconnaissance. Paroles de Mr. de Villeneuve. Avec accompt. de guitarre (Paris, [France]: Frères Savigny) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785i
anonymous. Elegant Extracts for the guittar, consisting of . . . songs . . . canzonets, rondos, airs with variations, allemands, dances, &c. . . . by the most eminent masters. Vol. (II) (London, [England]: J. Preston) [BUC]
  • English guitar and voice in staff notation
anonymous c1785j
anonymous. A fifth sett of psalm and hymns used at the Magdalen Chapel, adapted for the organ, harpischord, voice, violin, German flute & guittar (London, [England]: John Preston) [BUC]
  • English guitar and voice in staff notation
anonymous c1785k
anonymous. The Hymns, anthems & tunes, with the ode used at the Magdalen Chapel; set for the organ, harpsichord, voice, German flute or guittar. Book I (London, [England]: A. Bland and Weller) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1785l
anonymous. Je vous aime, j'ose le dire. Ariette avec accompagnement de guitare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785m
anonymous. Un jour, Mathurin et Babet. L'Entorse de Babet. Par M. Minier. Air: Colin disoit à Lise un Jour. Avec accompt. de guittare (Paris, [France]: Frères Savigny) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785n
anonymous. Mon père je viens devant vous. Lise penitente. A celebrated French song with a new accompaniment for harp. piano forte. violin. or German flute. Also adapted for two guittars. No. XII (London, [England]: Birchall and Andrews) [BUC]
  • two [English] guitars in staff notation
anonymous c1785o
anonymous. My William I have lost. William far away. A favorite song for the piano-forte, violin, German-flute, or guittar, &c. (London, [England]: T. Skillern) [BUC]
  • English guitar and voice in staff notation
anonymous c1785p
anonymous. The new Spanish or Count Almodovar's minuet. For the harpsicord, German flute and guitar (London, [England]: Longman and Broderip) [BUC]
  • guitar in staff notation
anonymous c1785q
anonymous. The New spanish or Count Almodovar's minuet for the harpsichord, german flute and guitar (s.l.: s.n.) [WC]
  • English guitar and voice in staff notation
anonymous c1785r
anonymous. Nous n'avons qu'un tems à vivre. La Morale de Roger Bon-Tems. Avec accompagnem.t de guittare par Mr. Ducray (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785s
anonymous [M.D.]. Pour vous plaire, jeune Constance. Le Tourment de l'Amour. Avec accompagnement de guittare par M.D. Air: La danse n'est pas ce que j'aime [by A.E.M. Grétry] (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785t
anonymous. Si nous vivions comme vivaient nos pères. Le Troubadour. Romance, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785u
anonymous. The Tobacco box, or Soldier's pledge of love, a favorite dialogue (Tho' fate of battle [voice and piano/guitar or flute] ([London, England]: Longman and Broderip) [WC]
  • English guitar and voice in staff notation
anonymous c1785v
anonymous. Voulez vous être heureux. Romance de Galatée. Paroles [translated from Cervantes] de Mr. de Florian. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785w
anonymous. When in war on the ocean, a celebrated sea song, sung by Mr. Bannister at the anacreontic society (War on the ocean we meet the proud Foe [piano with text; arr. for guitar]) (London, [England]: T. Skillern) [WC]
  • [English] guitar and voice in staff notation
anonymous c1785x
anonymous. Vous qui de l'amoureuse yvresse. Air. Avec accompagnement de guittare par Mr. * * (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785y
anonymous. Vous qui pour les enflammer. La Manie des Femmes. Avec accompagnement de guitare (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1785?a
anonymous. Les dangers de la coudrette. Romance de la Rosière de Salency, avec accompt. de guitare (Amusez vous jeunes fillettes) (Paris, [France]: Mme. Girard)
  • English guitar and voice in staff notation
anonymous c1785?b
anonymous. A general toast, by Mr. Vernon in the School for scandal (Here's to the maiden of bashful fifteen [voice and piano; arr. for flute or guitar]) [Music arranged from the traditional air Half Hanykin by Thomas Linley] ([London, England]: Str[aight])
  • English guitar and voice in staff notation
anonymous c1785?c
anonymous. In airy dreams . . . A favorite song, adapted for the harpsichord, ger: flute, violin & guitar [also arr. for 2 guitars] (London, [England]: Longman & Broderip)
  • English guitar and voice in staff notation
  • English guitar duet in staff notation
anonymous c1785?d
anonymous. In airy dreams . . . A favorite song, adapted for the harpsichord, ger: flute, violin & guitar [also arr. for 2 guitars] (London, [England]: Preston)
  • English guitar and voice in staff notation
  • English guitar duet in staff notation
anonymous c1785?e
anonymous. The Shepherd's evening, sung at Sadlers Wells, adapted for the harpsichord, violin, german flute or guittar (Now to pant on Thetis' breast) ([London, England]: s.n.)
  • English guitar and voice in staff notation
Arne c1785a
Arne, Thomas Augustin. The airs in the opera of Artaxerxes, set for the German-flute, violin & guittar (London, [England]: S. A. and P. Thompson) [BUC]
  • English guitar and voice in staff notation
Arne c1785b
Arne, Thomas Augustin. Love in a village. A comic opera . . . the musick by Handel, Boyce, Arne . . . for the harpsichord, voice, german flute or guitar (London, [England]: H. Wright) [WC]
  • English guitar and voice in staff notation
Barrois c1785
Barrois. Pour respirer un air plus frais. La Collerette. Romance avec accompagnement de guittarre (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Barthélemon c1785
Barthélemon, François-Hippolyte. Five new favourite English songs, and one Italian duett. Sett for the harpsichord, violin, german flute and adapted to the guittar (Dublin, [Ireland]: Samuel Lee) [BUC]
  • English guitar and voice in staff notation
Blin de la Codre c1785a
Blin de la Codre, M.S. Le goût de bien des gens. Air, accompagnement de guitarre par Mr. De Morlanne (Paris, [France]: Savigny Frères) [BUC]
  • 5-course guitar and voice in staff notation
Blin de la Codre c1785b
Blin de la Codre, M.S. Le secret ajoute au plaisir. Romance avec accompagnement de guitare (Paris, [France]: Toulan) [BUC]
  • 5-course guitar and voice in staff notation
Cagé c1785a
Cagé. Faire voudrois belle Marie. Romance nouvelle. Accompagnement de guittare (Paris, [France]: frères Savigny) [BUC]
  • 5-course guitar and voice in staff notation
Cagé c1785b
Cagé. Je vous le dis. Les délices d'amour. Accompagnement de guittare (Paris, [France]: frères Savigny) [BUC]
  • 5-course guitar and voice in staff notation
Cagé c1785c
Cagé. Je vous le dis. Les délices érotiques. Paroles de M. Renaud Duférol. Accompagnement de guittare par M. Cagé. Air: Sans mon Curé (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Cambini 1785a
Cambini, Giuseppe Maria. En vain pour garder une fille. Vaudeville avec de la Croisée avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Cambini 1785b
Cambini, Giuseppe Maria. Lisette, belle Lisette. Air de la Croisée avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Cambini 1785c
Cambini, Giuseppe Maria. Le sommeil fuyait de nos yeux. Romance de la Croisée avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Chapelle c1785?a
Chapelle, Pierre-David-Augustin. Pourriez-vous bien douter encore. Romance . . . (Paris, [France]: Camand)
  • 5-course guitar and voice in staff notation
Chapelle c1785?b
Chapelle, Pierre-David-Augustin. Pourriez-vous bien douter encore. Romance . . . (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Chapelle c1785?c
Chapelle, Pierre-David-Augustin. Toujours de tes rigueurs. Ariette . . . accompagnement de guitarre par Mr Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Chapelle c1785?d
Chapelle, Pierre-David-Augustin. Toujours de tes rigueurs. Ariette . . . accompagnement de guitarre par Mr Ducray (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Chardiny c1785?a
Chardiny, Louis-Claude-Armand. Dans le champs une bergère légère. Ariette. Accompagnement de guitarre (Paris, [France]: frères Savigny)
  • 5-course guitar and voice in staff notation
Chardiny c1785?b
Chardiny, Louis-Claude-Armand. La gentille Annette sur l'herbette. Ariette. Accompagnement de guitarre (Paris, [France]: frères Savigny)
  • 5-course guitar and voice in staff notation
Comien c1785
Comien. Le connais-tu me chère Éléonore. Ariette avec accompagnement de guithare, par Mr. Comien (Paris, [France]: Frère) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1785a
Dalayrac, Nicolas-Marie. Sous sa forme nouvelle. Air de l'Amant Statue avec accompagnement de guitarre par Mr Alberti (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1785b
Dalayrac, Nicolas-Marie. Sous sa forme nouvelle. Ariette de l'Amant Statue, accompt. de guitarre par M Ducray (Paris, [France]: Savigny frères) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1785?
Dalayrac, Nicolas-Marie. Dans le bosquet, l'autre matin. Ariette [from Le dot] . . . chantée par Mme Dugason, accomp. de guitarre par M. Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Davaux c1785
Davaux, Jean-Baptiste. J'aime encor et j'ai soixante ans. Ariette de Théodore, avec accompagnement de guitarre (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Désaugiers c1785
Désaugiers, Marc-Antoine. L'amour ne se plais [!] qu'au village. Couplets . . . (Air: La foi que vous m'avez promise [from Les deux jumeaux de Bergame]), accompagnement de guitarre (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Dezède c1785?a
Dezède, Nicolas. C'est pour toi que je les arrange . . . air . . . avec accompagnement de guittare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Dezède c1785?b
Dezède, Nicolas. C'est pour toi que je les arrange . . . airiette . . . avec accompagnement de guittare par Mr. Alberti (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Dezède c1785?c
Dezède, Nicolas. Lise chantoit dans la prairie . . . avec accompagnement de guitare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Dezède c1785?d
Dezède, Nicolas. Ou porter ma douleur mortelle. Ariette . . . accompagnement de guitarre par Mr. Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Dezède c1785?e
Dezède, Nicolas. Ou porter ma douleur mortelle. Ariette . . . accompagnement de guitarre par Mr. Ducray (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Dibdin c1785
Dibdin, Charles. The pupil's compendium. A novel & interesting musical work. To be published in six numbers, intituled The pupil's compendium, or The bee of Apollo, to consist of Italian, French and English music . . . adapted to the harpsichord with occasionally an accompanyment for the violin, flute or guitar, No. 1 (London, [England]: John Preston)
  • English guitar in staff notation
Ducray-Duminil 1785
Ducray-Duminil, François Guillaume. J'ai du plaisir à voler au village. Ariette du Vieux Soldat et sa pupille. [Words by Maillot, music by Froment]. Accompt. de guittare par M. Ducray (Paris, [France]: frères Savigny) [BUC]
  • 5-course guitar and voice in staff notation
Ducray-Duminil c1785a
Ducray-Duminil, François Guillaume. Colin disoit à Lise un jour. Romance ou Premier Faux-Pas. Avec accomp.t de guitarre par Mrs. Ducray (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Ducray-Duminil c1785b
Ducray-Duminil, François Guillaume. Nous n'avons qu'un tems à vivre, avec accompagnement de guittare (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Ducray-Duminil c1785c
Ducray-Duminil, François Guillaume. Témoins de ma vive constance. À ma Maîtresse qui vouloit que je renonçasse à l'amour. Accompagnement de guittare (Air: Ô toi qui n'eus jamais dû naître) (Paris, [France]: frères Savigny) [BUC]
  • 5-course guitar and voice in staff notation
Ducray-Duminil c1785d
Ducray-Duminil, François Guillaume. Un baiser, ou la rose. Musique de Mlle de T., accompagnement de guitarre (Paris, [France]: frères Savigny) [BUC]
  • 5-course guitar and voice in staff notation
Dun c1785
Dun, Alexandre. Lise. Air . . . avec accompagnement de guittare, et un de violon sans guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Ghillini di Asuni c1785
Ghillini di Asuni. A select collection for one, two and three guitars of six favorite English . . . French . . . Italian songs and six easy lessons or solos . . . compiled and composed by Sig. Ghillini di Asuni. Op. 19 (London, [England]: Longman and Broderip)
  • English guitar in staff notation
  • English guitar(s) and voice in staff notation
Giordani c1785a
Giordani, Tommaso. Damon and Delia. A favourite dialogue and duett for the piano-forte, violin, german flute, & guittar (London, [England]: Robert Birchall) [BUC]
  • English guitar and voice in staff notation
Giordani 1785b
Giordani, Tommaso. Gentle river. A favourite ballad, for the pianoforte, german flute, guitar & violin (London, [England]: Tommaso Giordani) [BUC]
  • English guitar and voice in staff notation
Giordani 1785c
Giordani, Tommaso. Gentle river. A favourite ballad, for the pianoforte, german flute, guitar & violin (Dublin, [Ireland]: John Lee) [BUC]
  • English guitar and voice in staff notation
Giordani 1785d
Giordani, Tommaso. Slave bear the sparkling goblet round, for the piano-forte, german-flute, violin & guittar (London, [England]: John Welcker) [WC]
  • English guitar and voice in staff notation
Giordani 1785?a
Giordani, Tommaso. Gentle river. A favourite ballad, for the pianoforte, german flute, guitar & violin (London, [England]: John Welcker)
  • English guitar and voice in staff notation
Giordani 1785?b
Giordani, Tommaso. Slave bear the sparkling goblet round, for the piano-forte, german-flute, violin & guittar (Dublin, [Ireland]: John Lee)
  • English guitar and voice in staff notation
Gonnin c1785
Gonnin. À la fortune, à la gloire. Air nouveau. Accompagnement de guitarre (Paris, [France]: frères Savigny) [WC; BUC]
  • 5-course guitar and voice in staff notation
Grétry c1785?a
Grétry, André-Ernest-Modeste. Chacun soupire dans ce séjour. Air [from Panurge] avec accompagnement de guittare (s.l.: s.n.)
  • 5-course guitar and flute in staff notation
Grétry c1785?b
Grétry, André-Ernest-Modeste. Chacun soupire dans ce séjour. Air [from Panurge] avec accompagnement de guittare (Paris, [France]: Borrelly)
  • 5-course guitar and flute in staff notation
Grétry c1785?c
Grétry, André-Ernest-Modeste. Du choix que l'amour. Air [from Panurge] avec accompagnement de guitare par Mr. D. (Paris, [France]: Savigny)
  • 5-course guitar and voice in staff notation
Grétry c1785?d
Grétry, André-Ernest-Modeste. Les voyages sont à la mode. Air [from Panurge] avec accompagnement de guittare (Paris, [France]: Le Beau)
  • 5-course guitar and flute in staff notation
Hook c1785
Hook, James. The hours of love. A collection of sonnets, containing Morning, Noon, Evening and Night . . . properly adapted for the voice, harpsichord, violin, german flute, or guitar; a new edition (London, [England]: S.A. and P. Thompson) [BUC]
  • English guitar and voice in staff notation
Leone c1785
Leone. A complete introduction to the art of playing the mandoline, containing the most essential rules and examples for learners to obtain a proficiency, to which are added a pleasing variety of airs, lessons, duets & sonatas (London, [England]: Longman and Broderip) [BUC]
  • mandolin method
Light c1785
Light, Edward. The art of playing the guitar . . . to which is added a variety of . . . lessons, airs, divertimentos, songs &c . . . adapted for that instrument (London, [England]: J. Preston) [NG]
  • guitar method
Lolli c1785
Lolli (Loli), Luigi Bichi. Six Italian canzonetts, with accompaniments for the Spanish guitar, or piano forte, two noturno's for two voices, and six easy divertimens [sic] for the piano forte or harp (London, [England]: Preston) [WC]
  • guitar and voice in staff notation
Martini c1785
Martini, Jean-Paul-Gilles. L'Amour est un enfant trompeur me dit souvent ma mère. Air . . . avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Monville c1785
Monville. Pour un simple baiser. Air . . . avec accompt. de guitare par Alberti (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Philidor c1785a
Philidor, François-André Danican. De la part d'un amant fidelle. Air . . . avec accompagnement de guitarre (s.l.: s.n.) [NG]
  • 5-course guitar and voice in staff notation
Philidor c1785b
Philidor, François-André Danican. Riche de la terre pour vous vivre est doux. Ariette . . . avec accompagnement de guitarre (s.l.: s.n.) [NG]
  • 5-course guitar and voice in staff notation
Philidor c1785c
Philidor, François-André Danican. Riche de la terre pour vous vivre est doux. Ariette . . . avec accompagnement de guitarre (Paris, [France]: Prault) [NG]
  • 5-course guitar and voice in staff notation
Philidor c1785?
Philidor, François-André Danican. Amusez vous, jeunes fillettes. Les dangers de la coudrette. Romance . . . avec accompt. de guitare (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Porro 1785
Porro, Pierre Jean. Nouvelle étrennes de guitarre ou recueil des plus jolies romances et couplets qui aient paru dans l'année 1784 suivis d'une sonate et de plusieurs pièces pour la guitarre seule, mis en musique et arrangés expressément pour cet instrument . . . par M. Porro. [Op. 4] (Paris, [France]: Baillon)
  • 5-course guitar and voice in staff notation
  • 5-course guitar in staff notation
Saint-Georges c1785?
Saint-Georges, Joseph Bologne, Chevalier de. L'autre jour à l'ombrage. Romance nouvelle . . . avec accompt. de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Shield 1785a
Shield, William. Love in a camp . . . adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
Shield 1785b
Shield, William. The nunnery . . . adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
Shield c1785a
Shield, William. The comic opera of Robin Hood. For the guitar (London, [England]: John Bland) [BUC]
  • [English?] guitar and voice in staff notation
Shield c1785b
Shield, William. Fontainbleau . . . adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
Shield c1785c
Shield, William. The overture, songs and duets of Rosina . . . set for the voice, harpsichord, violin, ger. flute & guitar (Dublin, [Ireland]: John Lee) [BUC]
  • [English?] guitar and voice in staff notation
various 1785-1789
various authors. Étrennes de Polymnie. Recueil de chansons, romances, vaudevilles (Paris, [France]: Belin)
  • 5-course guitar and voice in staff notation
  • 6-string guitar and voice in staff notation
  • other accompaniments for continuo, keyboard, and violins
Villeneuve c1785
Villeneuve. L'amy des femmes. Paroles et musique de Mr. Devilleneuve, avec accompagnement de guitarre (s.l.: s.n.) [BUC]
  • guitar and voice in staff notation
Alberti 1786
Alberti, Francesco. Nouvelle méthode de guitarre dans laquelle on y trouve différentes variations, une sonate, 12 menuets et 6 ariettes (Paris, [France]: Camand)
  • 5-course guitar in staff notation
Alberti c1786a
Alberti, Francesco. Air nouveau (Oiseaux de ce bocage) avec accompt. de guitare . . . No. 29 (Paris, [France]: Camand) [TYLER]
  • 5-course guitar and voice in staff notation
Alberti c1786b
Alberti, Francesco. Romance par M . . . accompt. de guitare . . . no. 33 (Paris, [France]: s.n.) [TYLER]
  • 5-course guitar and voice in staff notation
Alberti c1786?
Alberti, Francesco. Trois duos pour violon et guittare. [Op. 4] (Paris, [France]: Camand)
  • 5-course guitar and violin in staff notation
Billiard c1786a
Billiard, J.P. Sonata di ghitarra con accompagnamento di violino obligato [D major] (Paris, [France]: J.P. Billiard) [WC]
  • 5-course guitar and violin in staff notation
Billiard c1786b
Billiard, J.P. Sonata di ghitarra con accompagnamento di violino obligato [F major] (Paris, [France]: J.P. Billiard) [WC]
  • 5-course guitar and violin in staff notation
Cimarosa c1786?
Cimarosa, Domenico. Sento che in seno. Air . . . avec accompagnement de guitarre (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1786
Dalayrac, Nicolas-Marie. Quand le bien-aimé reviendra. Romance . . . chantée par Mme. Dugazon . . . accompt. de guitarre par Mr. Le Moine prof.r (Paris, [France]: Savigny frères) [WC]
  • 5-course guitar and voice in staff notation
Dalayrac c1786?
Dalayrac, Nicolas-Marie. Romance . . . avec accompagt. de guittarre (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Deshayes c1786?a
Deshayes, Prosper-Didier. Ah! qu'il est rude. Air . . . avec accompagnement de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Deshayes c1786?b
Deshayes, Prosper-Didier. Ah! qu'il est rude. Air . . . avec accompagnement de guitarre par Mr. Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Deshayes c1786?c
Deshayes, Prosper-Didier. Je renonce à l'amour. Ariette . . . accompagnement de guitarre par Mr. Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Deshayes c1786?d
Deshayes, Prosper-Didier. Quand jeune veuve en sa détresse. Vaudeville . . . accompagnement de guitarre par Mr. Ducray (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Dibdin c1786
Dibdin, Charles. Sweet Willy O. As perform'd . . . in the entertainment of The jubilee . . . a favorite rondo for the harpsichord, violin, german flute and guitar (London, [England]: Longman and Broderip) [BUC]
  • English guitar in staff notation
Gossec 1786
Gossec, François-Joseph. Aujourd'hui cesse la fête. Vaudeville [from Rosine, ou L'épouse abandonnée] . . . accompagnement de guitarre par M. Lemoine (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Latis c1786
Latis. Sur la fin d'un beau jour d'été. Romance avec accompagnement de guittare (Paris, [France]: Mlle. Lebeau) [WC]
  • 5-course guitar and voice in staff notation
Meggenhofen c1786
Meggenhofen, Ferdinand von. Lustig Brüder singet Lieder. Cosakken Lied aus dem Schauspiel Die Bestürmung von Smolensk mit Clavier und Guitarre Begleitung (Mainz, [Germany]: Bernhard Schott)
  • 5-course guitar and voice in staff notation
Porro 1786
Porro, Pierre Jean. Nouvelles étrennes de guitarre, ou choix des plus jolies chansons, romances, nouvellement mises en musique mêlées de pieces, menuets, allemandes, terminées par une sonate et par des observations sur la guitarre, 3e année 1786 . . . [Op. 5] (Paris, [France]: Pierre Jean Porro and Baillon)
  • 5-course guitar in staff notation
  • 5-course guitar and voice in staff notation
Shield c1786
Shield, William. Rosina. A comic opera, adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar (and voice?) in staff notation
Signorile c1786?
Signorile, Nicola. Sorge la bella Aurora. Duettino notturno . . . con accompagnamento di chitarra francese e basso (Naples, [Italy]: Luigi Marescalchi)
  • 5-course guitar, bass, and voice in staff notation
Tibbs c1786
Tibbs, William. My sheep I neglected. A favorite song [voice and piano, arr. for guitar or flute] (London, [England]: Longman and Broderip) [WC]
  • [English?] guitar and voice in staff notation
Vidal 1786a
Vidal, B. Journal de guitarre composée de sonates, de pièces d'airs arrangée d'ariettes et romances avec accompagnement de guitarre et violon ad libitum séparés du journal (Paris, [France]: B. Vidal) [TYLER]
  • 5-course guitar, voice, and violin in staff notation
Vidal 1786b
Vidal, B. Ve Recueil de petits airs variés pour la guitare (Paris, [France]: B. Vidal) [TYLER]
  • 5-course guitar and voice in staff notation
anonymous 1787a
anonymous. Moi l'aimer pien le taple. Le Suisse en belle humeur. Paroles de Mr. P. d'H . . . Accompt. de guitarre par Mr. * * *. Air: Oui noir [by A.E.M. Grétry] (Paris, [France]: Savigny frères) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1787b
anonymous. When Phoebus gilds the orient morn. The Sweets of Love. A favourite song for the voice, hapsichord [sic], violin, German flute, or guittar (London, [England]: J. Clarke) [BUC]
  • guitar and voice in staff notation
Arnold 1787
Arnold, Samuel. Inkle and Yarico. A comick opera . . . adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • English guitar and voice in staff notation
Baudron c1787?
Baudron, Antoine Laurent. Vaudeville d' Epiménide à Paris. Accompagnement de guittare par M. Chaudet (Paris, [France]: Imbault)
  • guitar and voice in staff notation
Champein c1787?
Champein, Stanislas. De mes torts et de ma vengeance. Vaudevilles . . . avec accompagnement de guitarre (s.l.: s.n.)
  • guitar and voice in staff notation
Dalayrac c1787a
Dalayrac, Nicolas-Marie. Aussitôt que je t'apperçois. Air d'Azémia. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1787b
Dalayrac, Nicolas-Marie. Il nège, il vente, il gèle. Couplets . . . avec accompagt. de guittare (Paris, [France]: Frères) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1787?
Dalayrac, Nicolas-Marie. Tendre méloncolie. Air . . . accompt. de guitarre par M. Gonnin (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Ghillini di Asuni c1787
Ghillini di Asuni. Twenty four of the most elegant, and favourite English songs adaped for one, two and three guitars with an accompaniment . . . Op. 20 (London, [England]: Longman and Broderip)
  • English guitar(s) in staff notation
  • English guitar and voice in staff notation
Grétry c1787
Grétry, André-Ernest-Modeste. Richard Cœur-de-Lion . . . A favorite opera . . . Adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar in staff notation
Haydn c1787?a
Haydn, Joseph.Romance du Fat dupé ou L'inconséquente, chanté par M. Bordier, avec accompagnement de guitarre (Je ne vous dirai pas j'aime) (Paris, [France]: Savigny)
  • 5-course guitar and voice in staff notation
Haydn c1787?b
Haydn, Joseph.Romance du Fat dupé ou L'inconséquente, chanté par M. Bordier, avec accompt. de guitarre par M. La Haye, profess. (Je ne vous dirai pas j'aime) (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Haydn c1787?c
Haydn, Joseph.Romance du Fat dupé ou L'inconséquente, chanté par M. Bordier, avec accompt. de guitarre par M. Le Moine, professeur (Je ne vous dirai pas j'aime) (Paris, [France]: Imbault)
  • 5-course guitar in staff notation
Hook 1787
Hook, James. Je pense à vous. The much admired song of Je pense à vous, sung by Mr. Incledon at Vauxhall Gardens . . . adapted for the harpsichord or piano forte, violin, german flute, or guitar (London, [England]: S.A. and P. Thompson) [BUC]
  • English guitar and voice in staff notation
Lemoyne 1787
Lemoyne, Jean-Baptiste. Ier Recueil d'ariettes, de l'opéra de Phèdre, avec accompagnement de guitare . . . par Mr. Alberti (Paris, [France]: Le Duc) [TYLER]
  • 5-course guitar and voice in staff notation
Martín y Soler c1787?
Martín y Soler, Vicente. XII Canzonette italiane accompagnate col cembalo o arpa o chitarra (Mannheim, Munich, and Dusseldorf, [Germany]: Götz)
  • guitar and voice in staff notation
Mengozzi c1787?
Mengozzi, Bernardo. Donne, donne chi vi crede . . . Jeunes filles qui vous aime. Rondeau . . . avec accompt. de guitarre (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Propiac 1787a
Propiac, (Catherine Joseph Ferdinand) Girard de. Cette fleur n'est plus dangereuse. Romance d'Isabelle et Rosalvo. Avec accompt. de guitarre par M. Gomin (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Propiac 1787b
Propiac, (Catherine Joseph Ferdinand) Girard de. Femme qui chérit la sagess. Air d'Isabelle et Rosalvo. Avec accompagnement de guitarre par M. Gomin, No. 1 (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Propiac 1787c
Propiac, (Catherine Joseph Ferdinand) Girard de. Femme qui chérit la sagess. Air d'Isabelle et Rosalvo. Avec accompagnement de guitarre par M. Gomin, No. 1 (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Propiac c1787?a
Propiac, (Catherine Joseph Ferdinand) Girard de. Cette fleur n'est plus dangereuse. Romance d'Isabelle et Rosalvo. Avec accompt. de guitarre par M. Gomin (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Propiac c1787?b
Propiac, (Catherine Joseph Ferdinand) Girard de. Cette fleur n'est plus dangereuse. Romance d'Isabelle et Rosalvo. Avec accompt. de guitarre par M. Gomin (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Propiac c1787?c
Propiac, (Catherine Joseph Ferdinand) Girard de. Femme qui chérit la sagess. Air d'Isabelle et Rosalvo. Avec accompagnement de guitarre par M. Gomin, No. 1 (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Salieri c1787a
Salieri, Antonio. Ainsi qu'une abeille. Air de Tarare . . . accompagnement de guitarre par M. Gonnin (s.l.: s.n.) [WC]
  • 5-course guitar and voice in staff notation
Salieri c1787b
Salieri, Antonio. Dans nos vergers délicieux. Air du 2me acte de Tarare . . . avec accompagnement de guitarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Salieri c1787c
Salieri, Antonio. Je suis né natif de Ferrare. Air du 3me acte de Tarare . . . avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • guitar and voice in staff notation
Salieri c1787d
Salieri, Antonio. Je suis né natif de Ferrare. Air du 3me acte de Tarare . . . avec accompagnement de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Shield 1787
Shield, William. The farmer . . . adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
Vallain 1787
Vallain. Airs choisis arrangés en trio et dialogués pour guitarre, violon, et alto . . . [op. 3] . . . on y peut joindre la partie du chant en observant les ritournelles telles qu'elles sont dans la partition (Paris, [France]: Boyer)
  • 5-course guitar, violin, and viola in staff notation
various 1787
various authors. Etrennes chantantes ou choix des plus nouvelles ariettes, romances et vaudeville avec accompagnement de guitarre. Dédiées aux dames pour l'année 1787 (Paris, [France]: Goujon fils)
  • 5-course guitar and voice in staff notation
Vidal 1787
Vidal, B. Pot-pourri en trio concertant pour guitarre et duex violons (Paris, [France]: B. Vidal) [TYLER]
  • 5-course guitar and violins in staff notation
D-B Mus. ms. 19767 [1787]
"Scheidler/Mozart MS" (Austria?) [RISM B/VII p. 21; SMT II p. 28]
  • 13-course lute in French tablature
anonymous 1788
anonymous. Astley's Hornpipe [piano and guitar] (Dublin, [Ireland]: Walker's Hibernian Magazine) [BUC]
  • guitar [and piano?] in staff notation
anonymous c1788
anonymous. Couvent. Air du couvent avec accompagnement de guitarre (Paris, [France]: Savigny) [WC]
  • 5-course guitar and voice in staff notation
anonymous c1788?
anonymous. The Suffering Negro. A favorite song for the voice, harps.d, violin o flute & guittar (Some kindly genious now assist) (London, [England]: G. Goulding, Burry & Co.)
  • [English] guitar and voice in staff notation
Cambini c1788?a
Cambini, Giuseppe Maria. Je touche à l'heure fortunée. Air [de Tuteur avare] . . . avec accompagnement de guitarre (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Cambini c1788?b
Cambini, Giuseppe Maria. Je touche à l'heure fortunée. Air [de Tuteur avare] . . . avec accompagnement de guitarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Champein 1788a
Champein, Stanislas. Souvent plus d'une enchanteresse. Vaudeville de Lanval et Viviane. Avec accompagnement de guitarre par M. Chaudet (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Champein 1788b
Champein, Stanislas. Souvent une erreur passagère. Romance de Lanval et Viviane. Avec accompagnement de guitarre par M. Chaudet (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Cimarosa c1788
Cimarosa, Domenico. Se m'abbandoni mio dolce amore. Air . . . the favorite song. In the opera call'd L'Italiana in Londra [mit Guitarre-Begleitung?] (Soho, [England]: J. Cooper) [BUC]
  • guitar and voice in staff notation
Dalayrac c1788?a
Dalayrac, Nicolas-Marie. Regards vifs et jolis. Air . . . avec accompt. de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1788?b
Dalayrac, Nicolas-Marie. Regards vifs et jolis. Air . . . avec accompagnement de guittare (Paris, [France]: Savigny)
  • 5-course guitar and voice in staff notation
Dalayrac c1788?c
Dalayrac, Nicolas-Marie. Si l'himen a quelque douceurs. Air . . . avec accompt. de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1788?d
Dalayrac, Nicolas-Marie. Voyés une fille à quinze ans. Air . . . avec accompt. de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Gaude c1788
Gaude. Vingt quatre variations pour la flûte traversière accompagnée de la guitarre . . . op. 1 (Offenbach, [Germany]: Johann André)
  • 5-course guitar and voice in staff notation
Grétry c1788a
Grétry, André-Ernest-Modeste. A Vénus disoit Junon. Air d'Amphitryon. Avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and flute in staff notation
Grétry c1788b
Grétry, André-Ernest-Modeste. Oui malgré mes cruels tourments. Air. Accompagnement de guittare par Alberti (Paris, [France]: Camand) [WC]
  • 5-course guitar and flute in staff notation
Grétry c1788?
Grétry, André-Ernest-Modeste. Ingrat! ingrat. Air avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and flute in staff notation
Labarre c1788
Labarre, Trille. Etrennes de guitarre, ou recueil des plus jolies romances et couplets qui aient parus dans l'année 1787, suivis d'une sonate avec accompagenement de violon obligé et de plusieurs autres pièces . . . [op. 2] (Paris, [France]: Baillon)
  • 5-course guitar and voice in staff notation
  • 5-course guitar and violon in staff notation
Leblanc 1788a
Leblanc. La saison se renouvelle. Air de Gabrielle et Paulin ou Les amours du printems, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Leblanc 1788b
Leblanc. Selon la coutume, au village. Vaudeville de Gabrielle et Paulin . . . avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lefèvre 1788a
Lefèvre, Théodore. Amis, d'un bonheur que j'envie. Vaudeville de prix, ou L'embarras du choix . . . avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lefèvre 1788b
Lefèvre, Théodore. Un prix se donne tous les ans. Air du prix, ou L'embarras du choix . . . avec accompt. de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Martín y Soler c1788
Martín y Soler, Vicente. XII Canzonette Italiane accompagnate col cembalo o arpa o chitarra (London, [England]: Longman and Broderip) [BUC]
  • guitar and voice in staff notation
Porro 1788
Porro, Pierre Jean. Journal de guitarre, ou choix d'airs nouveaux de tous les caractères avec préludes, accompagnements, airs variés, &c. . . . pincé et doigté marqués pour l'instruction . . . 12 cahiers et les étrennes de guitarre (Paris, [France]: Pierre Jean Porro) [TYLER]
  • 5-course guitar and voice in staff notation
Rousseau c1788
Rousseau, Jean-Jacques. Sweet Melissa, lovely Maiden! Melissa. The words by C. James. Adapted to the piano forte, harp or guitar (London, [England]: J. Dale) [BUC]
  • guitar and voice in staff notation
Shield 1788
Shield, William. Marian . . . adapted for the guitar (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
Vidal 1788
Vidal, B. Six sonatas pour la guitarre avec accompagnement de violon . . . [op. 4] (Paris, [France]: B. Vidal) [TYLER]
  • 5-course guitar and violin in staff notation
Vidal c1788a
Vidal, B. 4e Recueil de menuets, allemandes, ronde, gavotte et autres airs arrangés pour la guitarre . . . [op. 32] (Paris and Versailles, [France]: Bouin and Mlle. Castagnery) [TYLER]
  • 5-course guitar in staff notation
Vidal c1788b
Vidal, B. Ariette ou romance avec accompagnement de guitare (Paris, [France]: B. Vidal)
  • 5-course guitar and voice in staff notation
anonymous 1789
anonymous. Pourvu qu'on nous oublie. Air des Solitaires de Normandie. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1789a
anonymous. O! dear what can the matter be. A favorite duett with an accompaniment for the piano-forte or harp [arr. for guitar and 2 flutes] (London, [England] : Preston & Son) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1789b
anonymous. Le Thiers Etat adressé à Mr. Le Docteur G . . . Air: Vous de qui l'amoureuse ivresse (Si le clergé, si la noblesse [voice and guitar]) (Paris, [France]: Hémar Bonvalet) [WC]
  • 5-course guitar and voice in staff notation
F. Bianchi 1789
Bianchi, Francesco. Amate pure quellache amore. Rondo (in: Journal d'ariettes italiennes, Abonnement 1789, no. 260) (Paris, [France]: Bailleux)
  • 5-course guitar and voice in staff notation
F. Bianchi c1789?a
Bianchi, Francesco. Amate pure quellache amore. Air [from Sémiramis]. . . avec accompagnement de guitarre, no. 3 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
F. Bianchi c1789?b
Bianchi, Francesco. Amate pure quellache amore. Air [from Sémiramis]. . . avec accompagnement de guitarre, no. 3 (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Champein c1789?
Champein, Stanislas. Ici l'on vous enchaîne. Chanson . . . avec accompagnement de guitarre (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Chapelle c1789?
Chapelle, Pierre-David-Augustin. Air[s] avec accompagnement de guittare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Dalayrac c1789
Dalayrac, Nicolas-Marie. Mes amis, je dois vous le dire. Vaudeville des Deux Savoyards . . . avec accompt. de guittare, No. 6 (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Dezède c1789?a
Dezède, Nicolas. Aimera qui voudra. Air avec accompagnement de guittare par Le Moine (Paris, [France]: Le Duc)
  • 5-course guitar and voice in staff notation
Dezède c1789?b
Dezède, Nicolas. Le cœur d'une fillette . . . avec accompagnement de guitarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Leigh 1789
Leigh, Samuel Egerton. The new hours of love, containing morning, noon, evening and night; written by a young lady . . . set to music . . . for the piano forte, violin, ger[ma]n flute & guittar (London, [England]: Fentum) [BUC]
  • [English?] guitar and voice in staff notation
Lemoyne 1789
Lemoyne, Jean-Baptiste. Vivent les noces pour danser. Ronde des Prétendus. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lemoyne c1789?
Lemoyne, Jean-Baptiste. Vivent les noces pour danser. Ronde . . . avec accompt. de guittare (Paris, [France]: Savigny)
  • 5-course guitar and voice in staff notation
Paisiello c1789
Paisiello, Giovanni. Ecco l'ora s'avvicina. Dans l'instant à sa fenêtre. Air [from Il Barbiere di Siviglia] . . . accompt. de guitare par M. Alberti (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
Paixão Ribeiro 1789
Paixão Ribeiro, Manoel da. Nova arte de viola . . . divida em duas partes . . . com estampas das posturas . . . e com alguns minuettes, e modinhas por musica, e por cifra (Coimbra, [Portugal]: s.n.)
  • 5-course viola toeira in staff notation
Porro 1789
Porro, Pierre Jean. Collection de préludes et caprices dans tous les tons pour l'étude de la guitare (Paris, [France]: Pierre Jean Porro)
  • 5-course guitar in staff notation
Propiac 1789a
Propiac, (Catherine Joseph Ferdinand) Girard de. Derrière un lilas. Chansonette de la Fausse Paysanne ou l'Heureuse Inconséquence. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Propiac 1789b
Propiac, (Catherine Joseph Ferdinand) Girard de. Nous autres fillettes. Air de la Fausse Paysanne ou l'Heureuse Inconséquence. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Propiac c1789?a
Propiac, (Catherine Joseph Ferdinand) Girard de. A Paris peut-on s'enflammer? Air . . . avec accompt. de guittare, No. 2 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Propiac c1789?b
Propiac, (Catherine Joseph Ferdinand) Girard de. Maman craint que je la trahisse. Air . . . avec accompt. de guittare, No. 1 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Propiac c1789?c
Propiac, (Catherine Joseph Ferdinand) Girard de. Mon seigneur, n'a pu quand j'y pense. Air . . . avec accompt. de guittare, No. 6 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Propiac c1789?d
Propiac, (Catherine Joseph Ferdinand) Girard de. Nous autres fillettes. Air . . . avec accompt. de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Propiac c1789?e
Propiac, (Catherine Joseph Ferdinand) Girard de. Quoi Gervais garde le silence. Romance . . . avec accompt. de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
various c1789
various authors. Journal d'airs italiens et français avec accompagnement de guitarre [No. 1-180. Quotidien] (Paris, [France]: Le Duc)
  • 5-course guitar and voice in staff notation
Ximenes 1789
Ximenes, Antonio. Trois trios pour guitarre, violon et basse . . . [op. 1] (Paris, [France]: Vidal)
  • 5-course guitar, violin, and bass in staff notation
CH-BEb Ms. h.h.LII. 16 (2) (Ms.1235) [c1789]
Dalayrac, Nicolas-Marie. "Air des petits Savoyards. Une petite fillette" [RISM A.II 400196107]
  • guitar and voice in staff notation
Adrien c1790
Adrien, Martin Joseph. La bonne fille, paroles de M. Reynier . . . avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Alberti c1790?
Alberti, Francesco. L'amante infidelle ou les regrets superflus. Romance avec accompagnement de guitare (Paris, [France]: s.n.)
  • 5-course guitar and voice in staff notation
Aldridge c1790
Aldridge. The Irish lilt. A favourite dance for the harpsichord, violin, german flute and guitar (s.l.: s.n.) [BUC]
  • English guitar in staff notation
Alpereri c1790
Alpereri. Du jeune dieu qu'on adore à Cythère. Romance. Accompagnement de guittare (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1790a
anonymous. L'Attrait qui fait chérir ces lieux. Air du Couvent [comedy by P. Laujon], avec accomp.t de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1790b
anonymous. The Musical Companion containing a collection of the newest and most fashionable songs, &c. as sung at the different theatres and public gardens in England and Ireland; properly adapted for the violin, German flute, and guitar [Number IV] (Dublin, [Ireland]: Joseph Hill) [BUC]
  • English guitar and voice in staff notation
anonymous 1790c
anonymous. Nos plaisirs sont légers. Air du Couvent [comedy by P. Laujon], avec accomp.t de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790a
anonymous. Complete instructions for the guittar, containing the most useful directions & examples for learners to obtain a speedy proficiency. To which is added a choice collection of favourite airs, minuets, marches, songs, &c. properly adapted for that instrument (London, [England]: J. Preston)
  • English guitar method
anonymous c1790b
anonymous. Concinamus, o sodales. The favorite song of Dulce Domum performed annually at Winchester College . . . adapted for the harpischord, piano forte, guitar and flute (London, [England]: I. Bland) [BUC]
  • English guitar and voice in staff notation
anonymous c1790c
anonymous. Dans nos champs, une bergère légère. Air du Nouvel Œdipe. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790d
anonymous. Doctes filles de mémoire. Air de la Confédération du Parnasse. Avec accomp.t de guittare. Paroles du Cousin Jacques (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790e
anonymous. The Duke of Clarence's March, adapted for the harpsichord, violin, German flute or guitar (London, [England]: T. Skillern) [BUC]
  • English guitar in staff notation
anonymous c1790f
anonymous. En séchant vos larmes. Air du Petit Sacristain. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790g
anonymous. Est bien venu quiconque apporte. Le Bon Accueil. Ariette nouvelle avec accopagnement de guitare (Paris, [France]: Camand) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790h
anonymous. Et les soupirs et les hélas. Air de la Confédération du Parnasse. Avec accomp.t de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790i
anonymous. The first Journal Musick Book, containing about fifty tunes, some with variations; altered for one guittar of English, Scotch, Irish, Italian, French, and stage dances (London, [England]: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1790j
anonymous. Les Français dans la nuit obscure. Air de la Confédération du Parnasse. Avec accomp.t de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790k
anonymous. La gentille Annette. Air du Nouvel Œdipe. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790l
anonymous. The Hymns, anthems and tunes with the ode used at the Magdalen Chapel. Set for the organ, harpsichord, voice, German-flute or guittar. Book I (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1790m
anonymous. Ils les liront très surement. Air de la Suite de la Confédération. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790n
anonymous. In airy dreams. A favourite song, adapted for the harpsichord, Ger: flute, violin & guitar (London, [England]: Bland & Weller) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1790o
anonymous. Je t'aime tant. Le Délire de l'Amour. Romance, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790p
anonymous. The lasses with obliging care. The White cockade. A favorite air to which is added two fashionable dances adapted for the harpsichord, violin, Ger: flute and guitar (London, [England]: Skillern, T.) [BUC]
  • English guitar and voice in staff notation
anonymous c1790q
anonymous. Loin de l'amant que j'adore. Les Regrets d'une Bergère. Air: Dans ces desertes campag.s. Avec acct. de guit. (Paris, [France]: Chez Frère) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790r
anonymous. Longman and Broderip's pocket companion for the guitar with easy rules for tuning to which is added a favorite selection of the most admired airs, songs, minuets, marches, dances, cotillons and allmands, judiciously adapted for that instrument (London, [England]: Longman and Broderip)
  • guitar and voice in staff notation
anonymous c1790s
anonymous. The Match girl, a favorite ballad, composed by a Lady [voice and piano; arr. for guitar] ([London, England]: Longman and Broderip) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1790t
anonymous. Mon cher ami, the answer to Ma chère amie, a favorite song, written and composed by a gentleman [arr. for guitar and german flute] (London, [England]: S.A. and P. Thompson) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1790u
anonymous. Mon courcier hors d'haleine. Romance du petit page. Dans le Mariage de Figaro, avec accompagnement de guitarre (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1790v
anonymous. Mon flageolet, mon tambourin. Ronde du Bon Père. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790w
anonymous. O vous qu'une crainte mortelle. Air de la Suitede la Confédération. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790x
anonymous. Oh! the hours I have pass'd in the arms of my dear. Coolun. A celebrated Irish air to which is added variations for the piano forte, violin, German flute, and guitar (London, [England]: T. Skillern) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1790y
anonymous. Où courent les peuples épars. Roland à Roncevaux. Air, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790z
anonymous. Oui tout le bien que j'ai perdu. Air de la Confédération du Parnasse. Avec accomp.t de guittare. Paroles du Cousin Jacques (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790aa
anonymous. Pauvre Jacques quand j'étois près de toi. Romance du Pauvre Jacques. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790bb
anonymous. Sublime amour de la patrie. Air de la Confédération du Parnasse. Avec accomp.t de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790cc
anonymous. Sur la fin d'un beau jour d'été. Romance avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790dd
anonymous. Le tems présent est une fleur. Air de la Confédération du Parnasse. Avec accomp.t de guittare. Paroles du Cousin Jacques (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790ee
anonymous. Toi que j'aimai, que j'aime encore. Adieux de la Présidente de Tourvel au Chevalier de Valmont. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790ff
anonymous. Tourner ainsi la tête. Air du Prix ou l'Embarras du Choix [words by A.E.X. Poisson de Lachabeaussière and P.F.N. Fabre d'Églantine, adapted to "Oui noir mais pas si diable" by A.E.M. Grétry], avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790gg
anonymous. Tous les hauts faits qu'on lit déja. Air de la Confédération du Parnasse. Avec accomp.t de guittare. Paroles du Cousin Jacques (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790hh
anonymous. Vous avez eu je le sais bien. Air de la Confédération du Parnasse. Avec accomp.t de guittare. Paroles du Cousin Jacques (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790ii
anonymous. Vous voyez la patrie. Air de la Confédération du Parnasse. Avec accomp.t de guittare. Paroles du Cousin Jacques (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1790jj
anonymous. When first she came to town. Jess Macpharlane, a favourite old Scots duett, set for one, or two voices pianoforte, violin, or guitar (Edinburgh, [Scotland]: J. Walten) [BUC]
  • guitar and voice in staff notation
anonymous c1790kk
anonymous. When you tell me your heart is another's, a favorite song with an accompaniment for the harp or piano forte [arr. for flute or guitar] (London, [England]: Broderip & Wilkinson) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1790?a
anonymous. Coolun, a celebrated Irish air to which is added variations for the piano forte, violin, german flute & guitar (London, [England]: Bland & Weller)
  • [English?] guitar and voice in staff notation
anonymous c1790?b
anonymous. The Fortune teller (I've been with ye woman of deep penetration [voice and piano, with guitar arr.]) ([London, England]: s.n.)
  • [English?] guitar and voice in staff notation
anonymous c1790?c
anonymous. God save the King, for two voices [2 voices, 2 flutes, 2 guitars, and variations for piano] (London, [England]: Longman and Broderip)
  • [English?] guitar and voice in staff notation
anonymous c1790?d
anonymous. There's nae luck about the house, a favorite old Scots song, set for the voice, piano forte, guitar, flute or clarinet (And are ye sure the news is true) (Edinburgh, [Scotland]: John Watlen)
  • [English?] guitar and voice in staff notation
anonymous c1790?e
anonymous. Yeo yeo sir, sung by Mrs. Jordan in The spoil'd child (I am a brisk and sprightly lad [voice and piano; arr. for flute or guitar]) (Dublin, [Ireland]: John Lee)
  • [English?] guitar and voice in staff notation
anonymous c1790?f
anonymous. The Village holyday, a favorite new air [piano with text; arr. for flute or guitar] (s.l.: s.n.)
  • [English?] guitar and voice in staff notation
anonymous c1790?g
anonymous. The Waefu' heart, a much admired Scots song, as sung at the public concerts [voice and piano/violin; arr. for flute or guitar] (Dublin, [Ireland]: Hime)
  • [English?] guitar and voice in staff notation
anonymous c1790?h
anonymous. When you tell me your heart is another's, a favorite song with an accompaniment for the harp or piano forte [arr. for flute or guitar] (London, [England]: J. Dale)
  • [English?] guitar and voice in staff notation
anonymous c1790?i
anonymous. The White cockade, a favorite air to which is added two fashionable dances adapted for the harpsichord, violin, ger: flute and guitar (The lasses with obliging care) ([London, England]: Wheatstone)
  • [English?] guitar and voice in staff notation
Aprile c1790?
Aprile, Giuseppe. Sei canzonette a una e a due voci con accompagnamneto di chitarra francese e violino (Naples, [Italy]: Luigi Marescalchi)
  • 5-course guitar and voice(s) in staff notation
Arne c1790
Arne, Thomas Augustin. A second collection of psalms and hymns use'd [sic] at the Magdalen Chapel. The words by Dr. Watts, Dr. Doddridge, Dr. Dodd, Mr. Dryden and Mr. Lockman. The musick compos'd by Dr. Arne, Mr. Will.m Selby and Mr. Adam Smith . . . Set for the organ, harpsichord, voice, violin, German flute and guittar (London, [England]: Longman and Broderip) [BUC]
  • English guitar and voice in staff notation
Arrowsmith c1790
Arrowsmith, D. The Sprig of Myrtle. A favourite new ballad [. . . followed by accompaniments for the german flute and guitar] (London, [England]: S.A. and P. Thompson) [WC]
  • English guitar and voice in staff notation
Baudron c1790
Baudron, Antoine Laurent. J'ai toujours vendu des chansons. Air [from Épiménide à Paris] . . . accompagnement de guitarre par M. Chaudet (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
A. Bianchi c1790?a
Bianchi, Antonio. Il distacco. Canzonetta per la chitarre o piano-forte (Hamburg, [Germany]: Johann August Böhme)
  • guitar and voice in staff notation
A. Bianchi c1790?b
Bianchi, Antonio. Eine liebenswürdige Schöne . . . Una vaga Giovinetta . . . (Aria) für Forte-Piano oder Guitarre (Hamburg, [Germany]: Johann August Böhme)
  • guitar and voice in staff notation
F. Bianchi c1790?
Bianchi, Francesco. Caro bene nel solo mirar. Air . . . avec accompagnement de guittare, no. 2 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Bolton c1790
Bolton, Thomas. Twenty four easy and pleasing lessons for the guitar or piano forte guitar (London, [England]: Longman and Broderip) [WC]
  • [English?] guitar or "piano forte guitar" solos
Campbell c1790
Campbell, William. Campbell's pocket companion for the guitar, containing a choice collection of the newest cotillions, allmands, duetts (London, [England]: William Campbell) [WC]
  • [English?] guitar in staff notation
Champein c1790
Champein, Stanislas. Nos bons parens parlent sans cesse. Ariette [from Le Manteau] . . . accopagnement de guitarre par M. La Haye (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Chapelle c1790
Chapelle, Pierre-David-Augustin. Pourriez-vous bien douter encore. Airiette . . . accompagnement de guitarre par Mr Ducray (Paris, [France]: Savigny frères) [WC]
  • 5-course guitar and voice in staff notation
Cherubini c1790
Cherubini, Luigi. Romance d'Essex à Elizabeth. Avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Cimarosa c1790?a
Cimarosa, Domenico. Ah tornar la bella aurora. Rondo . . . con accompagnmemento di chitarra francese (Naples, [Italy]: Luigi Marescalchi)
  • guitar and voice in staff notation
Cimarosa c1790?b
Cimarosa, Domenico. La donna che amante. Air . . . avec accompagnement de guitare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Cimarosa c1790?c
Cimarosa, Domenico. Se m'abbandoni mio dolce amore. Air [mit Guitarre-Begleitung] (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Collins c1790
Collins, John. The chapter of kings. A celebrated historical song [with accompaniment for piano and violin, or flute or guitar] (Dublin, [Ireland]: B. Cooke) [WC]
  • English guitar and voice in staff notation
Corbaux c1790
Corbaux. Pour peindre ma bergère. Portrait de ma bergère . . . accompagnement de guittare par M. Ducray (Paris, [France]: Savigny frères) [BUC]
  • 5-course guitar and voice in staff notation
Costellow c1790
Costellow, Thomas. O the bonny bonny bells. A favorite ballad . . . [with an arrangement for guitar] (London, [England]: Longman and Broderip) [WC]
  • [English?] guitar and voice in staff notation
Dalayrac 1790a
Dalayrac, Nicolas-Marie. Auprès de Barcelone. Chanson Niaise de la Soirée orageuse. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1790b
Dalayrac, Nicolas-Marie. Chantons l'amour et ses plaisirs. Air de la Soirée orageuse. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1790c
Dalayrac, Nicolas-Marie. Fillettes, fillettes qui dans la retraite. Air de la Soirée orageuse. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1790d
Dalayrac, Nicolas-Marie. Il est des amusements des plaisirs. Air de la Soirée orageuse. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1790e
Dalayrac, Nicolas-Marie. Viellard qui d'amour est épris. Vaudeville de la Soirée orageuse. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1790f
Dalayrac, Nicolas-Marie. Vous me plaignés ma tendre amie. Air de la Soirée orageuse. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1790a
Dalayrac, Nicolas-Marie. Escouto d'Jeannetto veux-tu. Air des deux Savoyards . . . avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1790b
Dalayrac, Nicolas-Marie. Un jour Lisette. Air de Raoul de Créqui. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1790c
Dalayrac, Nicolas-Marie. Une petite fillette. Chanson des Deux Savoyards. Avec accompt. de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1790?a
Dalayrac, Nicolas-Marie. Escouto d'Jeannetto veux-tu. Air [from Deux petits savoyards] . . . avec accompt. de guittare (s.l.: s.n)
  • 5-course guitar and voice in staff notation
Dalayrac c1790?b
Dalayrac, Nicolas-Marie. Fillettes, fillettes qui dans la retraite. Air [from La Soirée orageuse] . . . avec accompt. de guittare par M. Mathieux (Paris, [France]: Savigny frères)
  • 5-course guitar and voice in staff notation
Dalayrac c1790?c
Dalayrac, Nicolas-Marie. Une petite fillette. Chanson des Deux Savoyards. Avec accompt. de guitare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Dalayrac c1790?d
Dalayrac, Nicolas-Marie. Une petite fillette. des Deux Savoyards. Avec accompt. de guitare (The Hague and Amsterdam, [Netherlands]: B. Hummel & fils)
  • 5-course guitar and voice in staff notation
Deduit c1790
Deduit. Les cinq sens, ou L'heureuse nuit . . . accompagnement de guitarre par M. Ducray (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Denis c1790?a
Denis, Pierre. Recueil de douze petits airs de chants connus, les plus à la mode, avec deux différens accompagnemens de mandoline, pour ceux qui voudront s'accompagner (Paris, [France]: Pierre Denis)
  • mandolin and voice in staff notation
Denis c1790?b
Denis, Pierre. Second recueil de petits airs de chanter, les plus à la mode, avec accompagnemens de mandoline, et les folies d'Espagne, avec des variations faciles (Paris, [France]: Pierre Denis)
  • mandolin and voice in staff notation
  • mandolin in staff notation
Dibdin c1790
Dibdin, Charles. I will be yours another year, a favorite ballad [for voice and continuo, flute/guitar] (London, [England]: Longman and Broderip) [WC]
  • English guitar and voice in staff notation
Dibdin c1790?
Dibdin, Charles. Lawyers pay you with words, a favorite song [for voice and piano or flute/guitar] (London, [England]: Preston)
  • English guitar and voice in staff notation
Ducray-Duminil c1790
Ducray-Duminil, François Guillaume. Du jeu de la loterie. La loterie. Avec accompagnement de guitarre . . . (Air de Figaro) (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Ferrari c1790
Ferrari, Giacomo Gotifredo. L'Amant malheureux et constant. Romance . . . accompt. de guitarre par M. Le Moine (Paris and Lyon [France]: P. Porro and Garnier) [BUC]
  • 5-course guitar and voice in staff notation
Fischer c1790
Fischer, Johann Christian. Fischer's variations on Gamachree Molly. Sett for the harpsichord, violin, German flute, and guittar (Dublin, [Ireland]: John Lee) [BUC]
  • English guitar in staff notation
Fischer c1790?a
Fischer, Johann Christian. A celebrated Irish air with favorite variations . . . sett for the harpsichord, violin, german flute and guitar (Dublin, [Ireland]: Hime)
  • English guitar, harpsichord, violin, and flute in staff notation
Fischer c1790?b
Fischer, Johann Christian. Variations on Gramachree Molly (Dublin, [Ireland]: Hime)
  • English guitar, harpsichord, violin, and flute in staff notation
Garat c1790a
Garat, Pierre. Adieux d'un soldat. Romance . . . avec accompt. de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Garat c1790b
Garat, Pierre. L'autre jour je crus entendre. Romance . . . avec accompt. de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Garat c1790c
Garat, Pierre. Eglé sur le peu que je vaux. Romance, avec accompagnement de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Giordani c1790
Giordani, Tommaso. I smile at love and all his arts. A favorite canzonet (London, [England]: Longman and Broderip) [WC]
  • [English?] guitar and voice in staff notation
Gardel c1790a
Gardel, Maximilien Léopold Philippe Joseph. Minuet di la Cour and gavot, etc. [piano, flute and guitar] (London, [England]: Skillern) [BUC]
  • guitar in staff notation
Gardel c1790b
Gardel, Maximilien Léopold Philippe Joseph. Minuet di la Cour and gavot [piano, German flute and guitar]. (London, [England]: s.n.) [BUC]
  • guitar in staff notation
Grétry c1790a
Grétry, André-Ernest-Modeste. Juif n'être pas si tiaple. Air de la Confédération du Parnasse. Avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and flute in staff notation
Grétry c1790b
Grétry, André-Ernest-Modeste. Oui, noir mais pas si diable. Air [from L'Amitié à l'Épreuve] . . . avec accompagnement de guitarre par Mxxx (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and flute in staff notation
Grétry c1790c
Grétry, André-Ernest-Modeste. Oui, noir mais pas si diable. Air [from L'Amitié à l'Épreuve] . . . avec accompagnement de guitarre par Mxxx (London, [England]: Longman and Broderip) [BUC]
  • 5-course guitar and flute in staff notation
Grétry c1790?a
Grétry, André-Ernest-Modeste. En célébrant un empereur. Air avec accompagnement de guitarre (Liège, [Belgium]: Andrez)
  • 5-course guitar and flute in staff notation
Grétry c1790?b
Grétry, André-Ernest-Modeste. Oui, noir mais pas si diable. Air [from L'Amitié à l'Épreuve] . . . avec accompagnement de guitarre par Mxxx (Paris, [France]: Savigny frères) [BUC]
  • 5-course guitar and flute in staff notation
Haydn c1790a
Haydn, Joseph.L'heureux jardinier. Air [Hob. XXVIa: 20] . . . traduit de l'allemand (Zufriedenheit) avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Haydn c1790b
Haydn, Joseph.L'heureux jardinier. Air [Hob. XXVIa: 36]. . . traduit de l'allemand avec accompt. de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Jackson c1790
Jackson, William. A collection of favourite Irish tunes . . . properly adapted to the harpsichord, violin, german flute, and guitar (Dublin, [Ireland]: Joseph Hill) [BUC]
  • English guitar and voice in staff notation
Kirshaw c1790
Kirshaw, George. The London march for the piano forte, violin, german flute, or guittar (s.l.: s.n.) [BUC]
  • English guitar and voice in staff notation
Lefevre c1790
Lefevre, Joseph. A concise method to attain the art of playing on the cistre . . . (London, [England]: Longman and Broderip)
  • English guitar method
Leigh c1790a
Leigh, Samuel Egerton. First quarter May 18th 1790. Apollo's quarterly gift . . . properly adapted to the voice, harpsichord, violin, german flute & guitar [19 songs] (London, [England]: s.n.) [WC]
  • [English?] guitar and voice in staff notation
Leigh c1790b
Leigh, Samuel Egerton. The grove. A favorite song and duett . . . properly adapted for the voice, harp, harpsichord, flute & guitar (London, [England]: s.n.) [BUC]
  • [English?] guitar and voice in staff notation
Leigh c1790?
Leigh, Samuel Egerton. The disgrace of France, contrasted by the glory of . . . Great Britain, under George our most Gracious King . . . properly adapted to the voice, harpsichord, violin, german flute & guitar (London, [England]: Thompson)
  • [English?] guitar and voice in staff notation
Lemoyne 1790a
Lemoyne, Jean-Baptiste. Du Français asservi j'ai sçu briser les chaînes. Air de Louis IX. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lemoyne 1790b
Lemoyne, Jean-Baptiste. On danse bien à la ville. Ronde des Pommiers et le moulin, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lemoyne 1790c
Lemoyne, Jean-Baptiste. Oui, mettons nous à l'ouvrage. Air des Pommiers et le moulin, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lemoyne c1790
Lemoyne, Jean-Baptiste. Ô toi que j'ai perdu. Air de Nephté, avec accompt. de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Martini c1790
Martini, Jean-Paul-Gilles. Ce petit dieu, qu'on nomme Amour . . . suite et même air de L'amour . . . avec accompt. de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Méhul 1790
Méhul, Etienne-Nicolas. Minerve, o divine sagesse. Air d'Euphrosine avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Monsigny c1790
Monsigny, Pierre-Alexandre. Tho' prudence may press me [for voice and piano; arr. for guitar] (New York, [USA]: J. Hewitt) [WC]
  • English guitar and voice in staff notation
Mussolini c1790
Mussolini, Cesare. Six new songs and six minuets . . . with a new pastoral air . . . adapted for ye guittar & mandolin with accompanyments for the harspichord & violin (London, [England]: Cesare Mussolini) [WC]
  • [English?] guitar, mandolin, and voice in staff notation
Paisiello c1790
Paisiello, Giovanni. Vous l'ordonné . . . avec accompagnt. de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Paisiello c1790?a
Paisiello, Giovanni. Credea Nina cara. Romance . . . avec accompt. de guittare, No. 2 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Paisiello c1790?b
Paisiello, Giovanni. Credea Nina cara. Romance . . . avec accompt. de guittare, No. 2 (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Paisiello c1790?c
Paisiello, Giovanni. Pauvre d'atours. Air . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Phillis c1790
Phillis, Jean Baptiste. Ah! combien la nuit a de charmes. Les charmes de la nuit. Romance . . . accompagnement de guittare par M. Phillis (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Porro c1790
Porro, Pierre Jean. Six sonates pour la guitare avec accompagnement de violon . . . [Op. 11] et 1er livre de sonates (Paris, [France]: Pierre Jean Porro) [WC]
  • 5-course guitar and violin in staff notation
Propiac c1790
Propiac, (Catherine Joseph Ferdinand) Girard de. Cette fleur n'est plus dangereuse. Romance . . . avec accompt. de guitarre par M. Gomin (London, [England]: Andrews) [WC]
  • guitar and voice in staff notation
Ruprecht c1790?
Ruprecht, Martin. Aria. Mir ist mein erstes Lied geglückt. Mit Guitarre Begleitung (Mainz, [Germany]: Bernhard Schott)
  • guitar and voice in staff notation
Sarti c1790
Sarti, Giuseppe. Aria del Sigr. Bertoni nelle Gelosie villane, avec accompt. de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Sarti c1790?
Sarti, Giuseppe. La verginella come la rosa. Gelosie villane, avec accompagnement de gitare (Paris, [France]: Mlle. Lebeau)
  • 5-course guitar and voice in staff notation
Shaw c1790
Shaw, D. The dauntless sailor [for voice, flute, and guitar] (London, [England]: Fentum) [WC]
  • guitar, flute, and voice in staff notation
Shield c1790
Shield, William. By her own lovely self . . . a favorite song in The woodman [arr. for the guitar] (Dublin, [Ireland]: Elizabeth Rhames) [WC]
  • [English?] guitar and voice in staff notation
Shield c1790?a
Shield, William. The crusade. An historical romance adapted for the guitar (London, [England]: Longman and Broderip)
  • [English?] guitar and voice in staff notation
Shield c1790?b
Shield, William. Rosina. A comic opera, adapted for one or two guitars (London, [England]: J. Dale)
  • [English?] guitar, guitar duet in staff notation
Smart c1790
Smart, Thomas. When war's alarms . . . with variations for the harpsichord, piano forte, violin, german flute or guittar (London, [England]: Thomas Straight) [BUC]
  • English guitar and voice in staff notation
Travanet c1790
Travanet, B. de (Mme.). Pauvre Jacques quand j'étois près de toi. Romance du Pauvre Jacques avec accompagnement de guittare (Paris, [France]: Godets frères) [WC]
  • 5-course guitar and voice in staff notation
various c1790a
various authors. Amusement de société ou choix d'ariettes, romances, vaudevilles . . . avec accompagnement de guitarre par divers auteurs (Paris, [France]: les frères Savigny)
  • 5-course guitar and voice in staff notation
D-FS Ms. Weyarn 662 [c1790-1800]
Zinck, Joseph Michael. (Germany?) [RISM p. 374; BOETTICHER 1979, p. 199]
  • 6-course mandora in French lute tablature
D-FS Ms. Weyarn 663 [c1790-1800]
Zinck, Joseph Michael. (Germany?) [RISM p. 374; BOETTICHER 1979, p. 199]
  • 6-course mandora in French lute tablature
D-FS Ms. Weyarn 664 [c1790-1800]
Zinck, Joseph Michael. (Germany?) [RISM p. 374; BOETTICHER 1979, p. 199]
  • 6-course mandora in French lute tablature
D-FS Ms. Weyarn 682 [c1790-1800]
Zinck, Joseph Michael. (Germany?) [RISM p. 374; BOETTICHER 1979, p. 199]
  • 6-course mandora in French lute tablature
D-FS Ms. Weyarn 692 [c1790-1800]
Zinck, Joseph Michael. (Germany?) [RISM p. 374; BOETTICHER 1979, p. 199]
  • 6-course mandora in French lute tablature
S-Skma HcPA-R [1790-1799]
Mezger, Franz. En Sonat för Claver och Lutha. (Sweden?) [RISM A/II 190021953]
  • piano and lute in staff (?) notation
anonymous 1791
anonymous. Loin de nous le vain délire. Hymne à la Liberté. Chanté par le Peuple de Strasbourg, à la Proclamation de la Constitution. Le Dimance 25 7bre 1791 . . . Accompt. de guittare par M. Le Moine (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Beffroy de Reigny 1791
Beffroy de Reigny, Louis-Abel. Jeun' fillettes, prenais garde. Air des capucins. Chanson paysanne [from Les Capucin] . . . [guitar] accompagnement par Mr Trille Labarre (Paris, [France]: Leduc) [BUC]
  • 5-course guitar and voice in staff notation
Beffroy de Reigny c1791a
Beffroy de Reigny, Louis-Abel. Colinette au bois s'en alla. Ronde de Nicodème dans la Lune. Avec accompagnement de guittare (Paris, [France]: Frère) [BUC]
  • 5-course guitar and voice in staff notation
Beffroy de Reigny c1791b
Beffroy de Reigny, Louis-Abel. Pouvez-vous oublier qu'un roi. Air des deux Nicodèmes avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Beffroy de Reigny c1791?a
Beffroy de Reigny, Louis-Abel. Existe t'il sur la terre. Air . . . avec accompagnement de guitarre (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Beffroy de Reigny c1791?b
Beffroy de Reigny, Louis-Abel. Existe t'il sur la terre. Air . . . avec accompagnement de guitarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Beffroy de Reigny c1791?c
Beffroy de Reigny, Louis-Abel. Plus de peur, allons mesdames. Air . . . avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Beffroy de Reigny c1791?d
Beffroy de Reigny, Louis-Abel. Ronde . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Beffroy de Reigny c1791?e
Beffroy de Reigny, Louis-Abel. Qui tout le bien j'ai perdu. Air du Club des bonnes gens avec accompagt. de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
P.J. Candeille c1791?
Candeille, Pierre Joseph. Dans ces doux aziles. Air de Castor et Pollux . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Cherubini c1791
Cherubini, Luigi. Voyez la belle besogne. Air [from Lodoïska] avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1791a
Dalayrac, Nicolas-Marie. Chacun avec moi l'avouera. Air de Philippe et Georgette. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1791b
Dalayrac, Nicolas-Marie. O ma Georgette. Air de Philippe et Georgette. Avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1791c
Dalayrac, Nicolas-Marie. Pour bien juger une maîtresse. Air de Philippe et Georgette. Avec accompagt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1791a
Dalayrac, Nicolas-Marie. Notre meunier chargé d'argent. Air de Camille ou le Souterrein. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1791b
Dalayrac, Nicolas-Marie. On nous dit que dans l'mariage. Air de Camille ou le Souterrein. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1791?a
Dalayrac, Nicolas-Marie. Chacun avec moi l'avouera. Air de Philippe et Georgette. Avec accompt. de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Dalayrac c1791?b
Dalayrac, Nicolas-Marie. Chacun avec moi l'avouera. Air de Philippe et Georgette. Avec accompt. de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Dalayrac c1791?c
Dalayrac, Nicolas-Marie. Heureux moment bonheur suprême. Ariette [from Camille, ou Le souterrain] . . . avec accompt. de guitare par Mr. Carie l'aîné (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1791?d
Dalayrac, Nicolas-Marie. Notre meunier chargé d'argent. Air [from Camille, ou Le souterrain] . . . avec accompt. de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Dalayrac c1791?e
Dalayrac, Nicolas-Marie. O ciel dans ma douleur amère. Arriette [from Camille, ou Le souterrain] . . . avec accompt. de guittare par Mr. Carie l'aîné (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1791?f
Dalayrac, Nicolas-Marie. O ma Georgette. Air [from Philippe et Georgette] . . . avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Dalayrac c1791?g
Dalayrac, Nicolas-Marie. On nous dit que dans l'mariage. Air [from Camille, ou Le souterrain] . . . avec accompt. de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Dalayrac c1791?h
Dalayrac, Nicolas-Marie. Pour bien juger une maîtresse. Air [from Philippe et Georgette] . . . avec accompagt. de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Hoyle 1791
Hoyle, John [pseudonym for John Binns]. A complete dictionary of music, containing a full and clear explanation, divested of technical phrases, of all the words and terms, English, Italian, etc, made use of in that science . . . The whole compiled from the best ancient and modern authors . . . By John Hoyle (London, [England]: H.D. Symonds, J. Dale, Miller & J. Sewell)
  • treatise
Kreutzer 1791
Kreutzer, Rodolphe. La douce clarté de l'aurore. Romance de Lodoiska avec accompt. de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Plantade c1791
Plantade, Charles-Henri. Te bien aimer ô ma chère Zélie. Romance . . . avec accompagnement de guittare (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Pleyel 1791
Pleyel, Ignace Joseph. Hymne à la liberté, chanté par le peuple de Strasbourg à la proclamation de la Constitution le dimance 25 7bre 1791 . . . accompt. de guittare par M. Le Moine (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Saint-Aldegonde c1791
Sainte-Aldegonde, Comte de. Voici donc le séjour paisible. Romance éxécutée sur le tombeau de J.J. Rousseau avec accompagnement de guitarre (Paris, [France]: Frère) [WC]
  • 5-course guitar and guitar in staff notation
Shield c1791?
Shield, William. Zephyr, come, thou playful minion . . . in the comic opera of The woodman [for voice and basso continuo, arr. for flute or guitar] (London, [England]: Longman and Broderip)
  • [English?] guitar and voice in staff notation
Vidal c1791
Vidal, B. Six sonates pour la guitarre avec accompagnement de violon . . . 2e livre de sonates (Paris, [France]: Boyer) [WC]
  • 5-course guitar and violin in staff notation
D-B Mus. ms. autogr. Rust 53 [1791]
(Germany) [RISM B/VII p. 18; SMT II p. 23]
  • 13-course lute in French tablature
anonymous c1792a
anonymous. De notre injuste maître. Couplets Liégeois; avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1792b
anonymous. La Nouvelle Carmagnolle (Le Roy de Prusse avais promis [voice and guitar]) (Paris, [France]: Mlle. Borrelly) [WC]
  • 5-course guitar and voice in staff notation
anonymous c1792c
anonymous. Vous dont la vertu guerrière. Chanson Philoso-Patriotique, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1792?
anonymous. L'Officier de fortune. Vaudeville de lofficier [sic] de fortune avec accompag.t de guittare (Fidel époux franc militaire) (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Bruni 1792
Bruni, Antonio Bartolomeo. Fidel époux franc militaire sont des titres chers. Vaudeville de l'Officier de Fortune. Avec accompagnement de guitare (Paris, [France]: Frères) [BUC]
  • 5-course guitar and voice in staff notation
Bruni c1792?
Bruni, Antonio Bartolomeo. Fidel époux franc militaire sont des titres chers. Vaudeville de l'Officier de Fortune. Avec accompagnement de guitare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Carter c1792
Carter, Thomas. Examine the world with attention. A favorite song [for voice, harpsichord, guitar] (London, [England]: Longman and Broderip) [WC]
  • English guitar and voice in staff notation
Denis c1792
Denis, Pierre. Méthode pour apprendre à jouer de la mandoline sans maître . . . Diviseé en trois parties . . . (Paris, [France]: Boyer)
  • mandolin method
Devienne c1792a
Devienne, François. Ah! de quel souvenir affreux. Air des Visitandines. Avec accompagnement de guitarre (s.l.: s.n.) [WC]
  • 5-course guitar and voice in staff notation
Devienne c1792b
Devienne, François. Enfant chéri des dames je fus. Rondeau des Visitandines . . . avec accompagnement de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Devienne c1792c
Devienne, François. J'ai bien souvent juré d'être fidèle. Duo des Visitandines [with guitar accompaniment] (s.l.: s.n.) [WC]
  • 5-course guitar and voice in staff notation
Eley c1792
Eley, Chr. Fr. The Duke of York's new march, as performed by His Royal Highness's new Band in the Coldstream Regt. of Guards. Composed, and arranged for the piano forte by C.F. Eley [in fact, an arrangement of "Non più andrai" from Mozart, with an arrangement for two flutes, and an accompaniment for guitar] (London, [England]: Longman and Broderip) [BUC]
  • guitar and voice in staff notation
Gaveaux 1792
Gaveaux, Pierre. Jeunes amants, cueillés des fleurs. Air de L'amour filial ou des Deux Suisses . . . accompagnement de guittare par M. Le Moine (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Gaveaux c1792
Gaveaux, Pierre. Jeunes amants, cueillés des fleurs. Air de L'amour filial ou des Deux Suisses avec accompagnement de guittare (Paris, [France]: Frères) [WC]
  • 5-course guitar and voice in staff notation
Gaveaux c1792?
Gaveaux, Pierre. Jeunes amants, cueillés des fleurs. Air [from L'amour filial ou des Deux Suisses] . . . avec accompagnement de guittare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Guichard c1792
Guichard, Louis Joseph. C'est l'honneur qui vous guide nouveaux. Aux soldats nationaux. Romance avec accompagnement de guitare (Air: Charmante Gabrielle) (s.l.: s.n.) [WC]
  • 5-course guitar and voice in staff notation
Kreutzer c1792
Kreutzer, Rodolphe. Un jour le Français se fâcha. La Carmagnole, chantée dans Le siège de Lille. Avec accompagnement de guittare (Paris, [France]: Frère) [WC]
  • 5-course guitar and voice in staff notation
Leite 1792
Leite, António da Silva. Seis sonatas de guitarra com accompanhamto de hum violino e duas trompas ad libitum (Porto, [Portugal]: s.n.)
  • guitar, violin, and 2 horns in staff notation
Lemoyne c1792
Lemoyne, Jean-Baptiste. Tout me trouble, tout m'épouvante. Air de Nephté avec accompt. de guittare (Paris, [France]: Imbault) [TYLER]
  • 5-course guitar and voice in staff notation
Mombelli c1792
Mombelli, Domenico. Tu mi sprezzi, tu non m'ami. Rondo . . . con accompagnamento di chitarra francese (Naples, [Italy]: Luigi Marescalchi) [WC]
  • guitar and voice in staff notation
Moretti 1792
Moretti, Federico. Principi per la chitarra composti composti dal dilettante . . . (Naples, [Italy]: Luigi Marescalchi) [TYLER: Sparks has it as lost, but RISM B/VI/2 p. 597 lists a copy in I-Bc]
  • 5-course guitar method in staff notation
Traeg c1792
Traeg, Andreas. Différentes petites pièces faciles pour la guitarre seule . . . [op. 6] (Vienna, [Austria]: Jean Traeg) [WC]
  • guitar in staff notation
Trial 1792
Trial, Armand-Emmanuel. Un jour le Français se fâcha. La Carmagnole, chantée dans Le siège de Lille. Avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Trial c1792?a
Trial, Armand-Emmanuel. L'amour dans le cœur d'un Français. De Cécile et Julien, ou le Siège de Lille . . . avec accompagnement de guitare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Trial c1792?b
Trial, Armand-Emmanuel. Bientôt en vainqueur, en héros. [from Cécile et Julien, ou le Siège de Lille] . . . avec accompt. de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Vidal c1792
Vidal, B. Six duos concertants pour guitarre et violon . . . [op. 7] de duos (Paris, [France]: Imbault) [TYLER]
  • 5-course guitar and violin in staff notation
I-MOe [Sign. unknown] [c1792]
Moretti, Federico. "Principi per la chitarra" (Naples, Italy) [TYLER p. 282]
  • 5- or 6-string guitar method
anonymous 1793a
anonymous. On attends un couplet galant. Air de Favart aux Champs Elisée; avec accompagnement de guitarre. Air de la Boulangere (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1793b
anonymous. Plus d'grandeurs, plus d'seigneurs. Air de Au Retour. Avec accomp.t de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1793c
anonymous. Tant d'fiers à bras qu'en sav' si long. Chanson d'un Sans Culotte, sur la prise de Toulon . . . Avec accompagnement de guitarre. Air de la Carmagnole (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1793d
anonymous. Tout le jour est fait pour l'ouvrage. Air de Au Retour. Avec accomp.t de guittare. Air: Amusés-vous (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1793e
anonymous. Vainement la tendresse espère. Air de Au Retour. Avec accomp.t de guittare. Air: Il ne faut s'étonner de rien (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1793f
anonymous. Vous savez tous que l'gros Thomas. Ronde de Georges et Gros Jean. Avec accompt. de guitarre. Air la Boulangère à, &c. (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1793a
anonymous. Amis, prenons nous par la main. Ronde de l'Union Villageoise. Scène mise à la suitte du prix ou l'embarras du choix. Avec accompagnement de guittare par L.M. (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1793b
anonymous. Citoyens pour qui je vais voir renaître. Air de l'Union Villageoise. Scène mise à la suitte du prix ou l'embarras du choix. Avec accompagnemenet de guittare, par L.M. Air: jadis un célèbre empereur (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1793c
anonymous. In the dead of the night, as sung by Master Knyvett, at the vocal concerts, Willis's rooms [voice and piano; arr. for flute or guitar] (London, [England]: Longman and Broderip) [WC]
  • [English] guitar and voice in staff notation
anonymous c1793d
anonymous. Marche patriotique. 89 (Valeureux Liégeois, marchez à ma voix [voice and guitar]) ([Paris, France]: Frère) [WC]
  • 5-course guitar and voice in staff notation
anonymous c1793e
anonymous. O Liberté, fille des cieux. Hymne à la Liberté avec accompt. de guitarre. Air: de la Croisée [by G.G. Cambini] ([Paris, France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1793f
anonymous. Tous ces Français que loin de nous. Air de la Suite de la Confédération. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1793?a
anonymous. In the dead of the night, as sung by Mrs. Jordan in The wedding day [voice and bass; arr. guitar] (s.l.: s.n.)
  • [English] guitar and voice in staff notation
anonymous c1793?b
anonymous. In the dead of the night, sung by Mrs. Jordan at the theatre royal Drury Lane in the new comedy of The wedding day [voice and piano; arr. guitar] (London, [England]: A. Bland & Weller)
  • [English] guitar and voice in staff notation
anonymous c1793?c
anonymous. In the dead of the night, sung by Mrs. Jordan in The wedding day adapted for the piano forte [voice and piano; arr. guitar] ([London, England]: Walker & Gladman)
  • [English] guitar and voice in staff notation
Beffroy de Reigny c1793?
Beffroy de Reigny, Louis-Abel. Ronde de la Fête Civique [from Nicodème dans la Lune] . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Bruni 1793a
Bruni, Antonio Bartolomeo. Il est si doux de pouvoir dire. Ariette de Georges et Gros-Jean. Avec accompagnement de guitarre, sur l'air Fidel (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Bruni 1793b
Bruni, Antonio Bartolomeo. V'là ma cocarde j'prends la tienne. Vaudeville de Au Retour. Avec accompagnement de guittare. Air (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Cambini c1793a
Cambini, Giuseppe Maria. D'un bon et fran républicain. Air de Au retour. Avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Cambini c1793b
Cambini, Giuseppe Maria. On a mille goût différents. La Montagne, chanson patriotique avec accompagnement de guittare (Paris, [France]: Frère) [WC]
  • 5-course guitar and voice in staff notation
J. Candeille c1793?a
Candeille, Julie. Au temps orageux des folies. Romance . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
J. Candeille c1793?b
Candeille, Julie. Au temps orageux des folies. Romance . . . avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
J. Candeille c1793?c
Candeille, Julie. Au temps orageux des folies. Romance . . . avec accompagnement de guittare (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
J. Candeille c1793?d
Candeille, Julie. O mon dieu qu'es' qu'on dira. Vaudeville . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
J. Candeille c1793?e
Candeille, Julie. O mon dieu qu'es' qu'on dira. Vaudeville . . . avec accompagnement de guittare (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
J. Candeille c1793?f
Candeille, Julie. O mon dieu qu'es' qu'on dira. Vaudeville . . . avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Champein 1793
Champein, Stanislas. Scélérats, traîtres, assassins. Couplets sur la Reprise de Toulon . . . avec accompagnement, de guittare [Air: c'est ce qui me console from Les Dette by Champein] (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Champein c1793?
Champein, Stanislas. Scélérats, traîtres, assassins. Couplets sur la Reprise de Toulon . . . avec accompagnement, de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Dalayrac c1793a
Dalayrac, Nicolas-Marie. Citoyens, vous parlez de paix. Air de La soirée orageuse: Nous nous partag'rons la culture. Avec accompagnement de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Dalayrac c1793b
Dalayrac, Nicolas-Marie. Cœurs sensibles et généreux. Romance sur la mort de Barras . . . avec accompt. de guitare. Air: Comment goûter quelque repos. Par le Cen. Coupigny (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1793c
Dalayrac, Nicolas-Marie. Comment goûter quelque repos. Air [from Renaud d'Ast] . . . avec acct. de guittare M. Le Moine (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1793?
Dalayrac, Nicolas-Marie. Comment goûter quelque repos. Air [from Renaud d'Ast] . . . accompagnement de guitarre par M. Gonnin (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Devienne c1793a
Devienne, François. A moins que dans ce monastère. Vaudeville des Visitandines. Avec accompagnement de guitarre (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Devienne c1793b
Devienne, François. Le ciel mes sœurs, vous tienne en joie. Air [from Les Visitandines] . . . avec accompagnement de guitarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Devienne c1793c
Devienne, François. Gardés le plus profond silence. Vaudeville du 3e. acte des Visitandines. Avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Devienne c1793?a
Devienne, François. Le ciel mes sœurs, vous tienne en joie. Air [from Les Visitandines] . . . avec accompagnement de guitarre (s.l.: Mlle. Lebeau)
  • 5-course guitar and voice in staff notation
Devienne c1793?b
Devienne, François. Dans l'azile de l'innocence. Romance [from Les Visitandines] . . . avec accompagnement de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Devienne c1793?c
Devienne, François. Deux enfants s'aimaient. Le cousin de tout le monde. Air [with guitar accompaniment] (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Devienne c1793?d
Devienne, François. Gardés le plus profond silence. Vaudeville du 3e. acte [of Les Visitandines] . . . avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Devienne c1793?e
Devienne, François. Gardés le plus profond silence. Vaudeville du 3e. acte [of Les Visitandines; with guitar accompaniment] (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Devienne c1793?f
Devienne, François. Quand je suis saoul dès le matin. Air [from Les Visitandines] . . . avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Devienne c1793?g
Devienne, François. Un jour de cet automne. Ronde [from Les Visitandines] . . . avec accompagnement de guittare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Devienne c1793?h
Devienne, François. Un jour de cet automne. Rondo gasconne [from Les Visitandines; with guitar accompaniment] (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Foignet 1793
Foignet, Charles Gabriel. Jeunes beautés au regard tendre. Air . . . avec accompt. de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Gaveaux 1793a
Gaveaux, Pierre. L'heureuse vie que mène un père capucin [from La partie quarée]. . . avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Gaveaux 1793b
Gaveaux, Pierre. Le curé de notre village. Ronde de la Partie Quarée . . . avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Gaveaux c1793a
Gaveaux, Pierre. Adieu pour le coup, l'hermitage. Vaudeville [from Les deux ermites] . . . avec accompt. de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Gaveaux c1793b
Gaveaux, Pierre. Mes chers enfants, unissés vous. Vaudeville de L'amour filial ou des Deux Suisses. . . avec accompt. de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Giroust 1793
Giroust, François. Quels accens, quels transports. Hymne des Versaillois, chantée sur différentes théâtres . . . avec accompagnement de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Giroust c1793?
Giroust, François. Quels accens, quels transports. Hymne des Versaillois, chantée sur différentes théâtres . . . avec accompagnement de guitarre (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Gossec 1793
Gossec, François-Joseph. Vous aimables fillettes. Rondo patriotique [from Le Camp de Grand-Pré] . . . accompagnement de guitarre du C. Lemoine (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Gossec c1793?
Gossec, François-Joseph. Vous aimables fillettes. Ronde [from Le Camp de Grand-Pré] . . . avec accompag.t de guitarre (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Gouriet 1793
Gouriet (fils). Toi don’t la lumière éclatante. Hymne des Parisiens, chantée sur différents théâtres avec accompag.t de guithare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Leger 1793a
Leger, François Pierre Auguste. Je viens devant vous. Air de la Papesse Jeanne (Vaudeville) . . . avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Leger 1793b
Leger, François Pierre Auguste. Pourquoi faire un pareil éclat? Air de la Papesse Jeanne (Vaudeville) . . . avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lemoyne 1793
Lemoyne, Jean-Baptiste. Mon fils vole aux champs de l'honneur. Air de Miltiade à Marathon, avec accompt. de guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Müller c1793a
Müller, Wenzel. Es seufzt einmal um Mitternacht. Aria . . . (in: 2 Romanzen . . . mit Begleitung der Guittare und der Flöte) (Bonn, [Germany]: N. Simrock) [NG]
  • guitar and voice in staff notation
Müller c1793b
Müller, Wenzel. Lieber kleiner Gott der Liebe. Aria . . . (in: Auswahl von Arien mit Guitarre Begleitung, No. 101) (Mainz, [Germany]: Bernhard Schott) [NG]
  • guitar and voice in staff notation
Müller c1793c
Müller, Wenzel. Es hielt in seinem Felsennest. 2 Romanzen aus der Zauberzitter und dem Sonntagskind (Es seufzt einmal um Mitternacht) mit Begleitung der Guittare und der Flöte (Bonn, [Germany]: N. Simrock) [NG]
  • guitar and flute in staff notation
Müller c1793d
Müller, Wenzel. Ihr guten lieben Leute. Romanze . . . mit Begleitung der Guitarre (Hamburg, [Germany]: Johann August Böhme) [NG]
  • guitar and voice in staff notation
Persuis c1793?a
Persuis, Louis-Luc Loiseau de. Adieu bergère chére [from Estelle]. Romance avec accompagnement de guittare. No. 2 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?b
Persuis, Louis-Luc Loiseau de. Adieu charmante bergère [from Estelle]. Romance avec accompagnement de guitarre. No. 14 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?c
Persuis, Louis-Luc Loiseau de. Ah s'il est dans votre village [from Estelle]. Romance . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?d
Persuis, Louis-Luc Loiseau de. Ah s'il est dans votre village [from Estelle]. Romance . . . avec accompagnement de cistre (Paris, [France]: Frère)
  • cittern? and voice in staff notation
Persuis c1793?e
Persuis, Louis-Luc Loiseau de. Arbre charmant qui me rappelle [from Estelle]. Romance avec accompagnement de guittare par M. Phillis. [No.] 8 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?f
Persuis, Louis-Luc Loiseau de. Beaux narcisses qu'une bergère [from Estelle]. Romance avec accompagnement de guittare. No. 15 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?g
Persuis, Louis-Luc Loiseau de. Ce malin dans une bruyère [from Estelle]. Romance avec accompagnement de guittare. No. 6 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?h
Persuis, Louis-Luc Loiseau de. C'en est fait, je succombe [from Estelle]. Romance avec accompagnement du guittare. No. 5 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?i
Persuis, Louis-Luc Loiseau de. Gaston le sort de la patrie [from Estelle]. Romance avec accompagnement du guittare. No. 16 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?j
Persuis, Louis-Luc Loiseau de. Je vais donc quitter pour jamais [from Estelle]. Romance avec accompagnement du guittare par M. Phillis ainé. [No.] 1 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?k
Persuis, Louis-Luc Loiseau de. Ne méprisez point mon enfance [from Estelle]. Romance avec accompagnement du guittare. No. 17 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?l
Persuis, Louis-Luc Loiseau de. Que j'aime a voir les hirondelles [from Estelle]. Air avec accompagnement de cistre (Paris, [France]: Imbault)
  • cittern? and voice in staff notation
Persuis c1793?m
Persuis, Louis-Luc Loiseau de. Un jour la bergère Annette [from Estelle]. Romance avec accompagnement de guittare. No. 4 (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Persuis c1793?n
Persuis, Louis-Luc Loiseau de. Un jour la bergère Annette [from Estelle] . . . avec accompagnement de guitare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Poirier 1793
Poirier (-La Taille). Aux cris perçans de la nature. La suitte du Réveil du peuple, ou Les cris de la nature contre les agens du crime; avec accompagt. de guitthare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Scio 1793
Scio, Etienne. Un Espagnol qui voit venir. Air de Lisia avec accompagnement de guitarre (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Shield c1793?
Shield, William. The lamp of hope . . . in Sprigs of laurel, a comic opera [voice and piano, arr. for flute or guitar] (London, [England]: Longman and Broderip)
  • [English?] guitar and voice in staff notation
Solié 1793a
Solié, Jean-Pierre. Regards vifs et joli menton. De la Moisson . . . avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Solié 1793b
Solié, Jean-Pierre. Un hibou se sentant épris. Ronde de la Moisson. Air: L'âge a sçu borner nos désirs. Aec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Storace 1793
Storace, Stephen. The prize . . . adapted for the guitar (London, [England]: J. Dale) [BUC]
  • [English?] guitar and voice in staff notation
Trial c1793
Trial, Armand-Emmanuel. Air de Cécile et Julien ou le Siège de Lille [voice and guitar] (Paris, [France]: Frère) [WC]
  • 5-course guitar and voice in staff notation
various 1793
various authors. Etrennes chantantes ou choix des plus nouvelles ariettes, romances et vaudeville avec accompagnement de guitarre. Dédiées aux dames pour l'année 1793 (Paris, [France]: Goujon fils)
  • 5-course guitar and voice in staff notation
Watlen 1793
Watlen, John. Watlen's collection of the most admired Scots songs both antient and modern selected from the best authors without being italianised . . . plain and simple as sung at most of the publick places in Scotland set for the voice, piano forte, flute or guitar (Edinburgh, [Scotland]: John Watlen)
  • [English?] guitar and voice in staff notation
anonymous 1794a
anonymous. De ta main tu cueilles le fruit. Air de Paul et Virginie [by J.F. Lesueur]. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1794b
anonymous. De toi ma chèr si j'ai fait choix. De l'Heureuse Décade, avec accompt. de guitare. Air: On compterait les diamans (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1794c
anonymous. De ton bon coeur, tu ne suis que la loi, Air de Faucon. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1794d
anonymous. Être doux avec fermeté. De l'Heureuse Décade, avec accompagne[men]t de guitarre. Air: Philis demande son portrait [by Albanese] (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1794e
anonymous. Hier matin dès l'point du jour. Ariette, de l'Heureuse Décade, avec accompt. de guitarre. Air: de la Carmagnole (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1794f
anonymous. Un jour couroit Jeannette. Air de Faucon. Avec accompt. de guittare . . . Air: auprès de Barcelonne (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous 1794g
anonymous. Que sont les grandeurs sur la terre? Air de Faucon. Avec accompt. de guittare [by J.P. Solié] (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1794a
anonymous. The highland laddie, introduced by Mrs. Warrell in The Highland reel [by Mr. Shield] [voice and piano/guitar] (Philadelphia, [USA]: Carr & Co. and H. & P. Rice) [WC]
  • guitar and voice in staff notation
anonymous c1794b
anonymous. Romance de Flora, avec accompagt. de guittare (Flora n'a pas besoin d'aveux) (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
anonymous c1794c
anonymous. Un père avoit dix-sept enfans. Air de Au Retour. Avec accomp.t de guittare. Air: de cadet Roussel (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1794?
anonymous. When in war on the ocean, a celebrated sea song, written by the late Earl of Sandwich, sung by Mr. Kelly in the musical entertainment called The first of June, and by Mr. Bannister at the Anacreontic Society [voice and piano/guitar] (London, [England]: Longman and Broderip)
  • [English?] guitar and voice in staff notation
Bruni c1794
Bruni, Antonio Bartolomeo. O dieu puissant. Hymne à l'Être Suprême chanté par les enfans le 20 praireal l'an 2me . . . [avec accompagnement de guitare] (s.l.: s.n.) [WC]
  • 5-course guitar and voice in staff notation
Bruni c1794?a
Bruni, Antonio Bartolomeo. Ah! fort bien dame. Duetto [from Claudine, ou Le petit commissionaire] . . . accompagnement de guitare (Paris, [France]: Bonjour)
  • 5-course guitar and voice in staff notation
Bruni c1794?b
Bruni, Antonio Bartolomeo. Hélas Jeanette qui chantait si bien. Air [from Claudine, ou Le petit commissionaire] . . . accompagnement de guitarre (Paris, [France]: Bonjour)
  • 5-course guitar and voice in staff notation
Bruni c1794?c
Bruni, Antonio Bartolomeo. Je voulais en vain me distraire. Air [from Claudine, ou Le petit commissionaire] . . . accompagnement de guitare (Paris, [France]: Bonjour)
  • 5-course guitar and voice in staff notation
Bruni c1794?d
Bruni, Antonio Bartolomeo. Il n'en est pas de généreux. Air [from Claudine, ou Le petit commissionaire] . . . accompagnement de guitare (Paris, [France]: Bonjour)
  • 5-course guitar and voice in staff notation
Bruni c1794?e
Bruni, Antonio Bartolomeo. On riait de ma tournure. Air . . . [from Claudine, ou Le petit commissionaire] accompagnament de guitare (Paris, [France]: Bonjour)
  • 5-course guitar and voice in staff notation
Bruni c1794?f
Bruni, Antonio Bartolomeo. Quel plaisir pour toi. Vaudeville [from Claudine, ou Le petit commissionaire] . . . accompagnement de guitare (Paris, [France]: Bonjour)
  • 5-course guitar and voice in staff notation
Champein 1794
Champein, Stanislas. Pour terrasser nos ennemis. Vaudeville de L'heureuse décade, avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Champein c1794?
Champein, Stanislas. Pour terrasser nos ennemis. Vaudeville de L'heureuse décade, avec accompagnement de guitare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Chastenet de Puységur 1794a
Chastenet de Puységur, Armand-Marie-Jacques. Avec ma bonne tous le jours. [from L'Intérieur d'un Ménage Républicain by A.M.J. Chastenet de Puységur]. Avec accompt. de guitarre. Air: Colin disait à Lise un jour (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Chastenet de Puységur 1794b
Chastenet de Puységur, Armand-Marie-Jacques. Désirant l'absolution. [from L'Intérieur d'un Ménage Républicain by A.M.J. Chastenet de Puységur]. Avec accompt. de guitarre. Air: Ah de quel souvenir affreux (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1794a
Dalayrac, Nicolas-Marie. Air et vaudeville de Rose et Picard. Avec ac. de guittare par le Citoyen Guichard (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac 1794b
Dalayrac, Nicolas-Marie. Je te salue, Être Suprême. Hommage à l'Être Suprême, par le Cn. Lepitre, chanté . . . avec accompt. de guittare. Air: Veillons au salut de l'empire (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1794a
Dalayrac, Nicolas-Marie. Veillons au salut de l'empire. Le salut de l'empire. Air: Vous qui d'amoureuse avanture, avec accompagnement de guittare (in: The Patriot's Calendar for the year 1794) (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Dalayrac c1794b
Dalayrac, Nicolas-Marie. Veillons au salut de l'empire. Le salut de l'empire. Air: Vous qui d'amoureuse avanture, avec accompagnement de guittare (s.l.: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1794c
Dalayrac, Nicolas-Marie. Les vertus à l'ordre du jour. Stances contre l'athéisme. Air du vaudeville de La soirée orageuse [for voice and guitar] (Paris, [France]: Lebeau) [WC]
  • 5-course guitar and voice in staff notation
Dalayrac c1794?a
Dalayrac, Nicolas-Marie. Veillons au salut de l'empire. Le salut de l'empire. Air: Vous qui d'amoureuse avanture, avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Dalayrac c1794?b
Dalayrac, Nicolas-Marie. Veillons au salut de l'empire. Le salut de l'empire. Air: Vous qui d'amoureuse avanture, avec accompagnement de guittare (Paris, [France]: Mlle. Lebeau)
  • 5-course guitar and voice in staff notation
Dalayrac c1794?c
Dalayrac, Nicolas-Marie. Vous qui d'amoureuse avanture. Air . . . avec acct. de guittare (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Dalayrac c1794?d
Dalayrac, Nicolas-Marie. Vous qui d'amoureuse avanture. Air de Renaud d'Ast . . . avec acct. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Devienne 1794
Devienne, François. Pour soutenir une cause si belle. Air [from Rose et aurèle] . . . accompagnement de guitarre par Guichard (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Devienne c1794?a
Devienne, François. C'en est fait, je me marie. Rondeau [from Rose et aurèle] . . . accompagnement de guitarre par Guichard (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Devienne c1794?b
Devienne, François. Nous allons faire tendre amie. Vaudeville [from Rose et aurèle] . . . accompagnement de guitarre par Guichard (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Devienne c1794?c
Devienne, François. Thérèse un jour dans les champs. Chanson [from Rose et aurèle] . . . accompagnement de guitarre par Guichard (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dezède c1794
Dezède, Nicolas. Arrivant au prochain village. Romance de L'heureuse décade, avec accompagnement de guitarre (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Dibdin c1794
Dibdin, Charles. I lock'd up all my treasure . . . a favorite song . . . followed by an arrangement for guitar (in: The gentleman's amusement) (Philadelphia, [USA]: R. Shaw) [WC]
  • English guitar in staff notation
Foignet c1794?
Foignet, Charles Gabriel. Heureux habitans des campagnes. Vaudeville [accompagnement de guitare] (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Gaveaux c1794?
Gaveaux, Pierre. Pour bien employer ses loisirs. Chanson [from La famille indigente] . . . avec accompt. de guitarre (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Gossec c1794?
Gossec, François-Joseph. Père de l'univers. Hymne chantés à la tribune du Jardin National [for voice and guitar] (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Grétry c1794?
Grétry, André-Ernest-Modeste. Buvons géronte à notre république. Air avec accompagnement de guitarre (Paris, [France]: Imbault)
  • 5-course guitar and flute in staff notation
Jadin c1794
Jadin, Louis-Emmanuel. La berceuse. Romance chantée par la Citoyenne Baptiste dans Les dangers de l'ivresse . . . avec accompt. de guittare par le C. Guichard. - Le Buveur. Couplets chantés par le Citoyen Baptiste aîné dans Les dangers de l'ivresse (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lemière de Corvey 1794a
Lemière de Corvey, Jean-Frédéric-Auguste. Malgré l'orage et les frimats. Air de la Reprise de Toulon. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Lemière de Corvey 1794b
Lemière de Corvey, Jean-Frédéric-Auguste. Pardonnez-moi cette faiblesse. Air de la Reprise de Toulon. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Martini c1794
Martini, Jean-Paul-Gilles. Doux sommeil de l'indifférence. Romance [from La matinée d'une jolie femme] . . . avec . . . guitarre (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Martini c1794?
Martini, Jean-Paul-Gilles. Doux sommeil de l'indifférence. Romance [from La matinée d'une jolie femme] . . . avec . . . guitarre (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Méhul 1794a
Méhul, Etienne-Nicolas. Le chant du départ. Hymne de guerre, par M.J. Chénier . . . arrangé pour le guitarre (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Méhul 1794b
Méhul, Etienne-Nicolas. Qu'ils sont charmans, qu'ils sont aimans. Air du Faucon, avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Méhul c1794
Méhul, Etienne-Nicolas. Le chant du départ. Hymne de guerre, par M.J. Chénier . . . arrangé pour le guitarre (s.l.: s.n.) [NG]
  • 5-course guitar and voice in staff notation
Pleyel 1794
Pleyel, Ignace Joseph. Why turns my Jen her head. Air . . . (in: The Philadelphia pocket companion for guittar or clarinett, vol. I) (Philadelphia, [USA]: Carr)
  • English guitar and voice in staff notation
Porro c1794
Porro, Pierre Jean. A dieu. Air du Petit matelot (in: Journal de guitare, en 48 nos. . . . 10e année, No. 23) (Paris, [France]: Pierre Jean Porro) [NG]
  • 5-course guitar and voice in staff notation
Reichardt c1794
Reichardt, Johann Friedrich. Erlkönig. Ballade von Göthe . . . für die Guitarre (Hamburg, [Germany]: Johann August Böhme) [BUC]
  • guitar and voice in staff notation
Scio c1794?a
Scio, Etienne. Bravant le chaud et la froidure. Romance [from Lisidore et Mont-Rose] . . . avec accompagt. de guittare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Scio c1794?b
Scio, Etienne. Chaque jour maman me caresse [from Lisidore et Mont-Rose]. . . avec accompagt. de guittare (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
anonymous 1795
anonymous. Pourquoi ces bruits et ces allarmes. Air du Réveil du Peuple sur les Terroristes. Chanté sur le Théâtre de l'Opéra Comique National par le C[itoy]en Chenard, le 4 Germinal, de l'an 3e. Paroles du C[itoy]en Dupont [words and guitar accompaniment only] (Paris, [France]: Decombe) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795a
anonymous. A[h] vous derais [sic] je mama. A celebrated French song, to which is added variations for the harpsichord, piano forte, German flute, violin and guittar (London, [England]: T. Skillern) [BUC]
  • English guitar? in staff notation
anonymous c1795b
anonymous. Amis, ne craignons point les blancs. Chanson des Caraïbes dans Lolotte et Fanfan. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795c
anonymous. Begone dull care. A favorite duett, sung with the utmost applause at Harrison & Knyvetts Vocal Concerts [arr. for 2 guitars or flutes] (London, [England]: Preston & Son) [WC]
  • 2 guitars in staff notation
anonymous c1795d
anonymous. Begone dull care. A favorite English song or duett set for the pianoforte, guitar, flute or two voices . . . (Edinburgh, [Scotland]: J. Watlen) [WC]
  • guitar (and voice?) in staff notation
anonymous c1795e
anonymous. Indeed young man, I must deny . . . sung by Miss Milne [voice and piano; arr. for flute or guitar] (New York, [USA]: G. Gilfert & Co.) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1795f
anonymous. O fleur d'amour. Romance Nègre dans Lolotte et Fanfan. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795g
anonymous. O soleil! prête moi tes flammes. Cantique des Caîciens dans Lolotte et Fanfan. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795h
anonymous. O vous belle dormeuse. Romance nocturne dans Lolotte et Fanfan. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795i
anonymous. Oh! que n'ai-je assés de larmes. Romance du Solitaire dans Lolotte et Fanfan. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795j
anonymous. Oh! where and oh where is your Highland laddie gone. A true copy of The Blue Bell of Scotland. A . . . Scotch song with an accompaniment for the piano forte, harp, guittar or lute as sung . . . by Mrs. Jordan, etc. (London, [England]: J. Dale) [BUC]
  • guitar or lute [?] and voice in staff notation
anonymous c1795k
anonymous. Oiseaux qui gazouillés. Romance des Enfans dans Lolotte et Fanfan. Avec accompt. de guittare (Paris, [France]: Imbault) [BUC]
  • guitar and voice in staff notation
anonymous c1795l
anonymous. Precious goblet, a favorite song, sung by Mr. Meredith at the Music Hall Liverpool and by Mr. Sedgwick at the anacreontic society (voice and piano/flute/guitar) (London, [England]: Preston & Son) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1795m
anonymous. Reflection, a favorite ariette, with an accompaniment for the piano forte, harp, guitar and flute, etc. (London, [England]: W. Rolfe) [BUC]
  • guitar and voice in staff notation
anonymous c1795n
anonymous. S'il est vrai que d'être deux. Air du Troubadour Béarnois. Avec accompagnement de guitare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795o
anonymous. Vous remplirés votre verre. Chanson de l'Auberge Isolée. Avec accomp.t de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
anonymous c1795?a
anonymous. Indeed young man, I must deny [voice and piano; arr. for flute or guitar] (New York, [USA]: G. Gilfert & Co.)
  • [English?] guitar and voice in staff notation
anonymous c1795?b
anonymous. Jamie's complaint or the sequel to Auld Robin Grey, set to the original and much admired airs for the harpsichord, violin, flute & guittar (Dublin? [Ireland]: Lee?)
  • [English?] guitar and voice in staff notation
anonymous c1795?c
anonymous. Phillida, an original Welch air, sung by Mr. Vernon [voice and piano/guitar] ([London, England]: S.A. and P. Thompson)
  • [English?] guitar and voice in staff notation
anonymous c1795?d
anonymous. We all love a sup in our turn, a favorite new song, written by Mr. Connell, and sung by Mr. Johannot in The land we live in (A sup of good whisky will make you glad [voice and piano; arr. for flute or guitar]) (Dublin, [Ireland]: Hime)
  • [English?] guitar and voice in staff notation
anonymous c1795?e
anonymous. With the sun I rise at morn, a favorite ballad sung by Miss Worral [voice and piano; arr. for flute or guitar] (Dublin, [Ireland]: F. Rhames)
  • [English?] guitar and voice in staff notation
Arne c1795?
Arne, Thomas Augustin. Rule Britannia. A favorite song [followed by an accompaniment for the guitar] (London, [England]: Preston & Son) [BUC]
  • English guitar and voice in staff notation
Bolton c1795
Bolton, Thomas. Six rondeaus, three songs, three preludes composed; and three songs, selected and adapted, with an accompaniment for the guitar or piano forte guitar . . . [op. 3] (London, [England]: Longman and Broderip) [BUC]
  • [English?] guitar and voice in staff notation
Bothe c1795
Bothe. Gondellied. Hörner hallen, Flöten schallen. Mit Begleitung des Piano-Forte von D.C. Schreiber zur Guitarre eingerichtet von Jäger (Berlin, [Germany]: Concha & Co.) [BUC]
  • guitar and voice in staff notation
J. Candeille c1795
Candeille, Julie. Lisis avait de la jeunesse. Chanson de la jeune Hôtesse. Avec accompagnement de guittare (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
J. Candeille c1795?
Candeille, Julie. Lisi avait de la jeunesse. Chanson . . . avec accompagnement de guittare (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Chabran c1795
Chabran, Carlo Francesco. Compleat instructions for the Spanish guitar. To which is added a collection of favorite songs, rondos, dances, airs, minuets, allemands etc. (London, [England]: Culliford, Rolfe & Barron) [BUC]
  • 5-string guitar method in staff notation
Dalayrac c1795
Dalayrac, Nicolas-Marie. Ne fait pas tant votre embarras. Air du Porteur d'Eau dans la Pauvre Femme . . . avec accompagt. de guittare (Paris, [France]: Cousineau père & fils) [WC]
  • 5-course guitar and voice in staff notation
Dalayrac c1795?
Dalayrac, Nicolas-Marie. Il en est qui sont d' honnêt' gens. Air de Jacque, avec accompagnement de guittare par Lemoine (Paris, [France]: Cousineau père & fils)
  • 5-course guitar and voice in staff notation
Devienne c1795
Devienne, François. L'innocence reconnue . . . accompagenement de guittare par le citoyen Lemoine (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Dibdin c1795
Dibdin, Charles. I lock'd up all my treasure . . . a favorite song . . . followed by an arrangement for guitar (London, [England]: H. Andrews)
  • English guitar in staff notation
Eley c1795
Eley, Chr. Fr.. The Duke of York's 2d. march or new Coldstream march [piano forte, guitar; arrangement of "Non più andrai" from Mozart] (Dublin, [Ireland]: Edmund Lee) [BUC]
  • guitar and voice in staff notation
Gaveaux 1795
Gaveaux, Pierre. Peuple français, peuple de frères. Le réveil du peuple . . . [with guitar accompaniment] (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Gaveaux c1795?
Gaveaux, Pierre. Contre les chagrins de la vie. Air [from Le petit matelot] . . . arrangé pour la guitarre par I. B. Hainglaise (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Guichard 1795 [LOST]
Guichard, François, Abbé. Petites pièces (s.l.: s.n.)
  • 5-course guitar in staff notation
Guichard c1795a [LOST]
Guichard, François, Abbé. Les plaisirs des soirées (s.l.: s.n.)
  • 5-course guitar in staff notation
Guichard c1795b [LOST]
Guichard, François, Abbé. Petite méthode de guitarre (s.l.: s.n.)
  • 5-course guitar method
L. Guichard c1795
Guichard, L. La guitharre rendu facile sans le secours de l'art, où l'on trouve la manière de préluder et jouer dans tous les tons possibles tant majeur que mineur. Par M.L.G. (Paris, [France]: Frères)
  • 5-course guitar method
Hewitt c1795
Hewitt, James. Speed the lazy foot of time. Time. A favorite rondo [for voice/piano arr. for guitar] (New York, Philadelphia, and Baltimore, [USA]: B. and J. Carr) [WC]
  • guitar and voice in staff notation
Himmel c1795
Himmel, Friedrich Heinrich. Im Felde schleich' ich still und wild. Jägers Abendlied, von Göthe. Mit Begleitung des Piano-Forte oder der Guitarre (Berlin, [Germany]: Concha) [BUC]
  • guitar and voice in staff notation
Hurka c1795
Hurka, Friedrich Franz. Die Farben . . . fünf Lieder mit Begleitung des Pianoforte oder der Guittarre (Bonn, [Germany]: N. Simrock) [NG]
  • [English?] guitar in staff notation
Leite 1795
Leite, António da Silva. Estudo de guitarra, em que se expoem o meio mais facil para aprender a tocar este instrumento . . . (Porto, [Portugal]: Antonio Alvarez Ribeiro)
  • English guitar method
Lemoine c1795
Lemoine, Antoine-Marcel. La comparaison. Chansonette, avec accompagnement de guitare, par le citoyen Lemoine (Paris, [France]: Imbault) [BUC]
  • 5-course guitar and voice in staff notation
Leuder c1795
Leuder. Vous qui dans un amour fidèle. Romance, les adieux d'un mari abandonné de sa femme . . . accompagnement de guittare (Paris, [France]: Frère) [WC]
  • 5-course guitar and voice in staff notation
Light c1795
Light, Edward. Divertimentos, for the harp-lute . . . book the first . . . no. 3, vol. 2 (London, [England]: Edward Light) [BUC]
  • harp-lute in staff notation
Mandini c1795
Mandini, Steffano. Three favorite canzonetts, arranged with an accompaniment for the piano forte or guitar (London, [England]: Robert Birchall)
  • guitar and voice in staff notation
Méreaux c1795?
Méreaux, Nicolas-Jean Le Froid de. Romance de Berquin, avec accompagnement de guittare par Mr. Ducray [?] (s.l.: G.G. Ferrari)
  • 5-course guitar and voice in staff notation
Millico c1795
Millico, Giuseppe. Sei ariette italiane con parole allemande per l'arpa, o piano forte o guitarra . . . Ia (-IIIa) parte (Bonn, [Germany]: N. Simrock) [TYLER]
  • 6-string guitar and voice in staff notation
Pleyel c1795a
Pleyel, Ignace Joseph. A hobby horse I always rode. The hobby horse, an enigma [for voice and piano or guitar] (London, [England]: Longman and Broderip) [WC]
  • guitar and voice in staff notation
Pleyel c1795b
Pleyel, Ignace Joseph. Roving lovers, idly vain. A favorite rondo [for voice and piano or guitar] (London, [England]: Longman and Broderip) [WC]
  • guitar and voice in staff notation
Pleyel c1795c
Pleyel, Ignace Joseph. Six favorite songs and six rondos . . . and a select collection of lessons, airs, minuets, allemands, &c., to which are added some French & Italian songs adapted for the piano forte, guittar by F. Chabran (London, [England]: Robert Birchall)
  • guitar and voice in staff notation
Porro c1795a
Porro, Pierre Jean. Airs, duo et romances des Visitandines avec accompagnements de guitarre (Paris, [France]: Pierre Jean Porro) [WC]
  • 5-course guitar and voice in staff notation
Porro c1795b
Porro, Pierre Jean. Six romances nouvelles . . . de Mr. Garat avec accompagnement de guitarre (Paris, [France]: Pierre Jean Porro) [WC]
  • 5-course guitar and voice in staff notation
Shield c1795?
Shield, William. Whilst with village maids I stray [for voice, piano, flute, or guitar]. Sung by Mrs. Billington in Rosina (London, [England]: T. Gladman) [WC]
  • guitar and voice in staff notation
Steibelt c1795a
Steibelt, Daniel (Gottlieb). C'est á la tendre confiance. Air de Roméo et Juliette, avec accompagnement de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Steibelt c1795b
Steibelt, Daniel (Gottlieb). Je vais donc usurper les droits. Scène et air de Roméo et Juliette, avec accompagnement de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Steibelt c1795?a
Steibelt, Daniel (Gottlieb). Ange de vertu. Air de Roméo et Juliette, avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Steibelt c1795?b
Steibelt, Daniel (Gottlieb). Ange de vertu. Air de Roméo et Juliette, avec accompagnement de guittare (Paris, [France]: Boyer)
  • 5-course guitar and voice in staff notation
Steibelt c1795?c
Steibelt, Daniel (Gottlieb). Ange de vertu. Air de Roméo et Juliette, avec accompagnement de guittare . . . No. 5 (Paris, [France]: Naderman)
  • 5-course guitar and voice in staff notation
Steibelt c1795?d
Steibelt, Daniel (Gottlieb). Capulets, ombres malheureuses. Air de Roméo et Juliette, avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Steibelt c1795?e
Steibelt, Daniel (Gottlieb). C'est á la tendre confiance. Air de Roméo et Juliette, avec accompagnement de guittare . . . No. 3 (Paris, [France]: Boyer)
  • 5-course guitar and voice in staff notation
Steibelt c1795?f
Steibelt, Daniel (Gottlieb). C'est á la tendre confiance. Air de Roméo et Juliette, avec accompagnement de guittare . . . chanté par la Cnne. Rosine, No. 3 (Paris, [France]: Naderman)
  • 5-course guitar and voice in staff notation
Steibelt c1795?g
Steibelt, Daniel (Gottlieb). Du calme de la nuit. Scène et air de Roméo et Juliette . . . avec accompagnement de guittare (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Steibelt c1795?h
Steibelt, Daniel (Gottlieb). Je vais donc usurper les droits. Scène et air de Roméo et Juliette, avec accompagnement de guittare . . . chantés par la Citoyenne Scio (Paris, [France]: Naderman)
  • 5-course guitar and voice in staff notation
Storace c1795
Storace, Stephen. The pirates, an opera . . . adapted for the guitar (London, [England]: J. Dale) [BUC]
  • [English?] guitar and voice in staff notation
Vidal 1795
Vidal, B. Recueil d'airs et romances avec accompagnement de guitare formant les premier leçons, No. 1 [1-17] (Paris, [France]: Decombe) [TYLER]
  • 5-course guitar and voice in staff notation
anonymous c1796a
anonymous. Days of yore. The minstrel's song, sung by Mrs. Clendining, in the dramatic romance of Days of yore. Performed at the theatre royal, Covent Garden. With an accompaniment for the piano forte or hapr [arr. for flute or guitar] (Where is the tow'ring spirit fled [words by Richard Cumberland]) (London, [England]: Preston & Son) [WC]
  • guitar and voice in staff notation
anonymous c1796b
anonymous. Mrs. Jordan's favorite song, In the dead of the night, sung in the comedy of The wedding day [voice and piano; arr. for guitar] (London, [England]: Preston & Son) [WC]
  • [English] guitar and voice in staff notation
anonymous c1796c
anonymous. When oer the moon a misty veil. The Muleteer. A favorite ballad. Arranged for the piano forte, harp, violin & guittar (London, [England]: W. Cope) [BUC]
  • guitar and voice in staff notation
Bruni c1796?a
Bruni, Antonio Bartolomeo. Conservés bien votre chaussure. Vaudeville . . . accompagnement de guittare par le C. Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Bruni c1796?b
Bruni, Antonio Bartolomeo. Dans un moment d'humeur. Air . . . accompagnement de guittare par le C. Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Bruni c1796?c
Bruni, Antonio Bartolomeo. Depuis ma tendre enfance. Air . . . [accompagnement de guitare] (Paris, [France]: Mme. Lebeau)
  • 5-course guitar and voice in staff notation
Bruni c1796?d
Bruni, Antonio Bartolomeo. Est-il un plus doux métier. Air . . . accompagnement de guittare par le C. Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Bruni c1796?e
Bruni, Antonio Bartolomeo. Jamais de mélancolie. Air . . . accompagnement de guittare par le C. Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Bruni c1796?f
Bruni, Antonio Bartolomeo. Pour plaire une fillette. Air . . . accompagnement de guittare par le C. Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Cimarosa c1796?
Cimarosa, Domenico. Se m'abbandoni mio dolce amore. Air . . . the favorite song [mit Guitarre-Begleitung?] (Philadelphia, [USA]: Filippo Trisobio)
  • guitar and voice in staff notation
Fleischmann 1796a
Fleischmann, Friedrich. Wiegenlied (Schlafe main Prinzchen, schlaf ein), aus Gotters Esther, mit Begleitung einer Guitarre oder des Klaviers (Offenbach, [Germany]: Johann André)
  • guitar and voice in staff notation
Fleischmann 1796b
Fleischmann, Friedrich. Wiegenlied (Schlafe main Prinzchen, schlaf ein), aus Gotters Esther, mit Begleitung einer Guitarre oder des Klaviers (Hamburg, [Germany]: Johann August Böhme)
  • guitar and voice in staff notation
Gaveaux c1796?a
Gaveaux, Pierre. Contre les chagrins de la vie. Air . . . [Singstimme m. Guitarre] (? [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Gaveaux c1796?b
Gaveaux, Pierre. Contre les chagrins de la vie. Air . . . arrangé pour la guitarre par I.B. Hainglaise (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Giuliani 1796
Giuliani, Giovanni Francesco. Sei duetti notturni a due soprani con l'accompagnamento d'arpa, o cimbalo, o chitarra francese (Florence, [Italy]: Niccolo Pagani & Giuseppe Bardi) [NG]
  • guitar and voices in staff notation
Hainglaise 1796-1798
Hainglaise, J.B. Journal d'airs italiens, français et russes avec accompagnement de guitare par J.B. Hainglaise (St. Petersburg, [Russia]: J.B. Hainglaise, Gerstenberg et Dittmar)
  • guitar and voice in staff notation
Hamilton c1796
Hamilton, John.A collection of twenty-four Scots songs . . . set for the voice, piano forte, ger: flute, clarinet, guitar or harpsichord (Edinburgh, [Scotland]: John Hamilton) [BUC]
  • [English?] guitar and voice in staff notation
Haydn c1796?a
Haydn, Joseph. Duett aus der Schöpfung . . . (Holde Gattin, dir zur Seite) mit Begleitung einer Guitarre und obligaten Violine eingerichtet von J. Roedel (No. 99 der Auswahl von Arien und Duetten mit Guitarrebegleitung) (Mainz, [Germany]: Bernhard Schott) [WC]
  • guitar and voice in staff notation
Haydn c1796?b
Haydn, Joseph.Mit Würd und Hohheit angethan. Recitativo con aria aus der Schöpfung . . . mit Gesang, Klavier und Guittar (Vienna, [Austria]: Johann Traeg)
  • guitar and voice in staff notation
Hewitt c1796
Hewitt, James. Sweet sounds that steal upon the pensive ear. The wish, or the sequel to Henry's cottage maid [for voice and piano; arr. for guitar] (New York, Philadelphia, and Baltimore, [USA]: B. and J. Carr) [WC]
  • guitar and voice in staff notation
Hook c1796
Hook, James. The hours of love. A collection of sonnets containing Morning, Noon, Evening and Night . . . for the voice, piano-forte, violin, german flute or guitar. New edition (London, [England]: Preston & Son) [WC]
  • English guitar and voice in staff notation
Leite 1796
Leite, António da Silva. Estudo de guitarra, em que se expoem o meio mais facil para aprender a tocar este instrumento . . . (Porto, [Portugal]: Antonio Alvarez Ribeiro)
  • English guitar method
Lemoyne c1796?
Lemoyne, Jean-Baptiste. Les vertus à l'ordre du jour. Stances contre l'athéisme. Air du vaudeville de La soirée orageuse [from L'île des femmes; for voice and guitar] (Paris, [France]: Lebeau)
  • 5-course guitar and voice in staff notation
Mussini c1796
Mussini, Natale. Six ariettes avec accompagnement de forte-piano, ou guitarre seule (s.l.: s.n.) [WC]
  • guitar and voice in staff notation
Solié c1796?
Solié, Jean-Pierre. Le feu qui m'anime au combat. Air. No. 2 (with guitar accompaniment) (Paris, [France]: Leblanc)
  • 5-course guitar and voice in staff notation
Tost c1796?
Tost, Johann. Tiroler-Lied. Wann i in der Früh aufsteh, ai ei ei a, fürs Fortepiano and Guitarre (Hamburg and Altona, [Germany]: L. Rudolphus)
  • guitar and voice in staff notation
Watlen 1796
Watlen, John. (Watlen's collection of Scots songs) (Edinburgh, [Scotland]: John Watlen)
  • [English?] guitar and voice in staff notation
Winter c1796?a
Winter, Peter. Ich war wenn ich erwachte. Aria [from Das unterbrochene Opferfest] . . . für das Pianoforte oder Guitarre (Musikalisches Wochenblatt, II. Jg., 50) (Vienna, [Austria]: Johann Cappi)
  • guitar and voice in staff notation
Winter c1796?b
Winter, Peter. Was Liebe wir nennen. Ariette aus dem Unterbrochenen Opferfest für Piano-Forte . . . für die Guitarre eingerichtet von Jäger (Berlin, [Germany]: Julie Concha)
  • guitar and voice in staff notation
anonymous c1797a
anonymous. A collection of hymns for a voice, harpsichord, or guitar. Composed by different authors (Dublin, [Ireland]: John McCalley) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1797b
anonymous. Perhaps it is not love. A favorite canzonet for the piano forte or harp, the words by Shenstrone, the music by an amateur [voice and piano/guitar] (London, [England], J. Dale) [WC]
  • guitar and voice in staff notation
anonymous c1797?a
anonymous. The Cottager's daughter (Ah tell me ye swains have ye seen my pastora [voice and piano/guitar] (Philadelphia, [USA]: B. Carr)
  • [English?] guitar and voice in staff notation
anonymous c1797?b
anonymous. The Cottager's daughter (Ah tell me ye swains have ye seen my pastora [voice and piano/guitar] (Philadelphia, [USA]: G. Willig)
  • [English?] guitar and voice in staff notation
Arne c1797
Arne, Thomas Augustin. Love in a village. A comic opera . . . the musick by Handel, Boyce, Arne . . . for the harpsichord, voice, german flute or guitar (London, [England]: Harrison and Co.)
  • English guitar and voice in staff notation
Bruni c1797?a
Bruni, Antonio Bartolomeo. Les vents, la grêle et le tonnerre. Chanson [from Le Major Palmer] . . . accompagnement de guitarre par le C. Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Bruni c1797?b
Bruni, Antonio Bartolomeo. Messieurs, par charité. Air [from Le Major Palmer] . . . accompagnement de guitarre par le C. Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Canobbio 1797
Canobbio, Carlo. Six sonates pour la guitarre accompagnées d'un violon (avec sourdine) (St. Petersburg, [Russia]: Gerstenberg & Dittmar)
  • guitar and violin in staff notation
Collins c1797
Collins, John. The chapter of kings. A celebrated historical song [with accompaniment for piano and violin, or flute or guitar] (London, [England]: Longman and Broderip) [WC]
  • English guitar and voice in staff notation
Dalayrac c1797?a
Dalayrac, Nicolas-Marie. Je sais qu'une fois. Air [from La maison isolée, ou Le vieillard des Vosges] . . . avec accompagnement de guittare par Lemoine (Paris, [France]: Frère)
  • 5-course guitar and voice in staff notation
Dalayrac c1797?b
Dalayrac, Nicolas-Marie. Ne vous affligés pas. Rondeau [from Gulnare, ou L'esclave persanne] . . . accompagnement de guitare par Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1797?c
Dalayrac, Nicolas-Marie. Rondo [Sexe charmant, jadore ton empire from Gulnare ou L'esclave persanne] . . . chanté par le Cn. Elleviou . . . avec accompagnement de guitarre par F. Chauvet (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1797?d
Dalayrac, Nicolas-Marie. Rondo [Sexe charmant, jadore ton empire from Gulnare ou L'esclave persanne] . . . chanté par le Cn. Elleviou . . . avec accompagnement de guitarre par F. Chauvet (Paris, [France]: Mlle. Lebeau)
  • 5-course guitar and voice in staff notation
Delicati 1797
Delicati, Pietro. Sei canzoncine, con accompagnamento, di piano-forte, o chitarra (Rome, [Italy]: Vincenzo Pilucchi Cracas)
  • guitar and violin in staff notation
Dignum c1797
Dignum, Charles. The chapter of kings. A celebrated historical song [with accompaniment for piano, flute or guitar] (London, [England]: Longman and Broderip) [WC]
  • guitar and voice in staff notation
Gaveaux c1797
Gaveaux, Pierre. Souvent la nuit. Air [from Traité nul]. . . avec accompt. de guittare par Lamoine (Paris, [France]: Frères)
  • 5-course guitar and voice in staff notation
Gaveaux c1797?a
Gaveaux, Pierre. C'est en vain que les amoureux. Rondeau [from Le traité nul] . . . (in: Journal de guitare. 10e année, No. 30) (s.l.: P. Porro)
  • 5-course guitar and voice in staff notation
Gaveaux c1797?b
Gaveaux, Pierre. Un amant sensible et discret. Romance [from Le traité nul] . . . (in: Journal de guitare. 10e année, No. 29) (s.l.: P. Porro)
  • 5-course guitar and voice in staff notation
Gresnick c1797?a
Gresnick [Gresnich], Antoine-Frédéric. Heureux transport des vrais amants. Rondo [from L'heureux procès, ou Alphonse et Léonore] . . . accompagnement de guittare par Chauvet (Paris, [France]: Vue Goulden Vogt)
  • 5-course guitar and voice in staff notation
Gresnick c1797?b
Gresnick [Gresnich], Antoine-Frédéric. Il n'est pas jour encore. Air [from Les faux mendians] . . . avec accompagnement de guitarre par Lemoine (Paris, [France]: Vue Goulden Vogt)
  • 5-course guitar and voice in staff notation
Gresnick c1797?c
Gresnick [Gresnich], Antoine-Frédéric. Maint écrivain d'un grand talent. Air [from Les faux mendians] . . . avec accompagnement de guitarre par Lemoine (Paris, [France]: Vue Goulden Vogt)
  • 5-course guitar and voice in staff notation
Gresnick c1797?d
Gresnick [Gresnich], Antoine-Frédéric. Nous n'avons pas en partage. Air [from Les faux mendians] . . . avec accompagnement de guitarre par Lemoine (Paris, [France]: Vue Goulden Vogt)
  • 5-course guitar and voice in staff notation
Imbault c1797
Imbault, Jean-Jérôme. Au nom sacré de l'innocence. Air avec accopagnement de guittare (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Méhul c1797?
Méhul, Etienne-Nicolas. Air de la Caverne . . . (in: Journal de guitare . . . par P. Porro, 10e année, No. 5) (Paris, [France]: P. Porro)
  • 5-course guitar and voice in staff notation
Müller c1797
Müller, Wenzel. Das Leben ist ein Würfelspiel. Das Würfelspiel . . . für die Guitarre eingerichtet von I. Arnold (No. 1 der Auswahl von Arien mit Begleitung der Guitarre) (Mainz, [Germany]: Bernhard Schott) [NG]
  • guitar and voice in staff notation
Stevenson 1797
Stevenson, Sir John (Andrew). First selection of French and English songs, with accompaniments for the guittar (London, [England]: John Stevenson) [NG]
  • English guitar and voice in staff notation
Weigl c1797?
Weigl, Joseph. Duettino [from L'amor marinaro ossia Il corsaro] . . . with an accompaniment for the pianoforte or guitar (ad. lib.) by G. Deville (London, [England]: s.n.)
  • guitar and voice in staff notation
anonymous c1798a
anonymous. Somebody (Were I obliged to beg my bred [voice and piano/guitar]) (New York, [USA]: I.C. Mollers) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1798b
anonymous. Two bunches a penny primroses [voice and piano/guitar] (Philadelphia, [USA]: G. Willig) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1798c
anonymous. Ye sons of England take your arms. A British Allons enfans de la patrie . . . Adapted for the piano forte, harp, harpsichord, German flute & guitar (London, [England]: J. Dale) [BUC]
  • [English?] guitar and voice in staff notation
anonymous c1798?a
anonymous. Somebody (Were I obliged to beg my bred [voice and piano/guitar]) (Boston, [USA]: P.A. von Hagen)
  • [English?] guitar and voice in staff notation
anonymous c1798?b
anonymous. Somebody (Were I obliged to beg my bred [voice and piano/guitar]) (Philadelphia, [USA]: G. Willig)
  • [English?] guitar and voice in staff notation
Beschort c1798?
Beschort, Jonas Friedrich. Lied. An den Mond, für Guittar und Gesang (Vienna, [Austria]: Johann Traeg)
  • guitar and voice in staff notation
A. Bianchi c1798a
Bianchi, Antonio. Douze chanson italiennes pour le forte-piano ou la guitare (Hamburg, [Germany]: Günther and Böhme) [MGG]
  • guitar and voice in staff notation
A. Bianchi c1798b
Bianchi, Antonio. Douze chanson italiennes pour le forte-piano ou la guitare (Hamburg, [Germany]: Johann August Böhme) [MGG]
  • guitar and voice in staff notation
Carter c1798
Carter, Thomas. Oh! Nanny wilt thou fly from me [for voice, violin, harpsichord, or flute/guitar] (London, [England]: M. Clementi & Co.) [NG]
  • English guitar and voice in staff notation
Cuvelier de Trie c1798
Cuvelier de Trie, J.G.A. Jeune et gentille bergerette. Air de l'Enfant du Malheur. [Melodrama, by J.G.A. Cuvelier de Trie] avec accompt. de guitarre (Paris, [France]: s.n.) [BUC]
  • 5-course guitar and voice in staff notation
Dalayrac c1798?
Dalayrac, Nicolas-Marie. C'est ici que l'on danse. Ronde de Primerose . . . arrangée pour guitarre par Porro (Paris, [France]: Le Duc)
  • 5-course guitar and voice in staff notation
Della-Maria c1798?
Della-Maria, Dominique. Lorsque dans une tour obscure [from Le prisonnier, ou La ressemblance] . . . arrangée pour la guitare par Olivier Aubert (Paris, [France]: Chapelle)
  • 5-course guitar and voice in staff notation
Devienne c1798?a
Devienne, François. Au noble état de militarie. Air . . . accompagnement de guitarre par Le Moine (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Devienne c1798?b
Devienne, François. Me voici près des lieux. Romance . . . accompagnement de guitarre par Le Moine (Paris, [France]: Cousineau)
  • 5-course guitar and voice in staff notation
Guichard 1798 [LOST]
Guichard, François, Abbé. Nouveaux desserts anacréontiques, rondes de table . . . [op.37] (s.l.: s.n.)
  • 5-course guitar and voice in staff notation
Hook c1798
Hook, James. The willow. A favorite air, sung . . . by Mrs. Jordan and accompanied by herself on the lute (London, [England]: J. Dale) [BUC]
  • lute? and voice in staff notation
Kelly c1798
Kelly, Michael. The grand march in the romance of Blue Beard for the piano forte with an accompaniment for tabourine & guitar (London, [England]: Corri, Dussek & Co.)
  • guitar, tambourine, (piano?), and voice in staff notation
Kelly c1798?a
Kelly, Michael. The grand march in the romance of Blue Beard for the piano forte with an accompaniment for tabourine & guitar (London and Edinburgh, [England]: D. Corri)
  • guitar, tambourine, (piano?), and voice in staff notation
Kelly c1798?b
Kelly, Michael. The grand march in the romance of Blue Beard for the piano forte with an accompaniment for tabourine & guitar (London, [England]: Preston)
  • guitar, tambourine, (piano?), and voice in staff notation
Phile c1798
Phile, Philip. The favorite new Federal song (Hail! Columbia, happy land), adapted to the Presidents march . . . for the voice, piano forte, guittar and clarinett (s.l.: s.n.) [WC]
  • guitar and voice in staff notation?
Solié c1798?
Solié, Jean-Pierre. No. 49. Aus der Oper Le secret ([hand-written:] Recueil des chansons avec accompagnement de guitarre) (Bonn, [Germany]: Nikolaus Simrock)
  • guitar and voice in staff notation
Tarchi c1798
Tarchi, Angelo. Je dis quand je vois dans la rue. Air du Cabriolet jaune . . . avec accompagnement de guitare par Lemoine (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Tarchi c1798?
Tarchi, Angelo. Il fallait voir dans Angoulême. Air . . . avec accompagnement de guitarre par Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Weigl c1798?
Weigl, Joseph. Muthig, muthig ohne Sorgen. Arie aus der Oper Das Dorf im Gebürge (Hamburg and Altona, [Germany]: Louis Rudolphus)
  • guitar and voice in staff notation
Winter c1798?
Winter, Peter. An die Freundschaft. Aria . . . mit Begleitung der Guitarre von Friedrich Delver (Hamburg, [Germany]: Johann August Böhme)
  • guitar and voice in staff notation
US-Wc Ms. M572 .B65 Case [1798]
Boccherini, Luigi. "Six quintéti pour 2 violons, guitare, alto et basse composés à Madrid pour Mr le Marquis de Bénavent par Bocchérini" (Madrid, Spain) [see GÉRARD no. 445-450]
  • guitar and string quartet in staff notation
Abreu/Prieto 1799
Abreu, Antonio, and Victor Prieto. Escuela para tocar con perfección la guitarra de cinco y seis órdenes, con reglas generales de mano izquierda y derecha (Salamancha, [Spain]: s.n.)
  • 5- and 6-course guitar method in tablature and staff notation
anonymous 1799
anonymous. Apollo et Terpsichore. To be continued monthly. No. 1 [-12]. A collection of the most celebrated songs duetts, rondos, airs, &c. extracted from the latest operas & other entertainments adapted for the piano-forte, violin, guitar, or german flute (London, [England]: W. Rolfe)
  • English guitar and voice in staff notation
anonymous c1799a
anonymous. The Linnets (Ye tunefull linnetsess my care [voice and piano; arr. for clarinet or guitar]) (Boston and New York, [USA]: P.A. von Hagen and G. Gilfert) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1799b
anonymous. Lucy or Selim's complaint (Night o'er the world her curtain hung [voice and piano/guitar]) (Boston and New York, [USA]: P.A. von Hagen and G. Gilfert) [WC]
  • [English?] guitar and voice in staff notation
anonymous c1799c
anonymous. Rosa and Henry . . . the much admired song in the new comedy of The secret [words by E. Morris] . . . properly disposed of for the harp or piano forte, the music by a Lady of fashion [also arr. for flute or guitar] (London, [England]: Longman, Clementi, & Co.) [WC]
  • [English?] guitar and voice in staff notation
Bruni c1799?
Bruni, Antonio Bartolomeo. Il est moins utile. Air [from l'Auteur dans son ménage] . . . accompagnament de guitare par Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Canobbio 1799
Canobbio, Carlo. Polonoise (St. Petersburg, [Russia]: s.n.)
  • guitar and violin in staff notation
Cimarosa c1799
Cimarosa, Domenico. Se m'abbandoni mio dolce amore. Air . . . the favorite song [mit Guitarre-Begleitung?] (Philadelphia, [USA]: G. Willig) [WC]
  • guitar and voice in staff notation
Dalayrac c1799?a
Dalayrac, Nicolas-Marie. Comme mon cœur bat et palpite. Duo, accompagnement de guitarre par P. Porro (Paris, [France]: P. Porro)
  • 5-course guitar and voice in staff notation
Dalayrac c1799?b
Dalayrac, Nicolas-Marie. Lison me dit me mère. Chanson gasconne . . . avec accompt. de guitarre par Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Dalayrac c1799?c
Dalayrac, Nicolas-Marie. Prenons d'abord . . . [Air] accompagnement de guitarre par P. Porro (Paris, [France]: P. Porro)
  • 5-course guitar and voice in staff notation
Dalayrac c1799?d
Dalayrac, Nicolas-Marie. Rondeau [Adolphe et Clara, ou Les deux prisonniers] avec accompagnement de guitarre par M. Doisy (Hamburg, [Germany]: Johann August Böhme)
  • 5-course guitar and voice in staff notation
Dalayrac c1799?e
Dalayrac, Nicolas-Marie. Rondo [Adolphe et Clara, ou Les deux prisonniers] . . . accompt. de lyre ou guitare par P. Porro, deuxième édition (Paris, [France]: P. Porro)
  • guitar/lyre and voice in staff notation
Ferandiere 1799
Ferandiere, Fernando. Arte de tocar la guitarra española (Madrid, [Spain]: Pantaleon Aznar)
  • 6-course guitar in staff notation
Hewitt c1799
Hewitt, James. How happy was my humble lot. A favorite ballad [arr. for flute and guitar] (New York, [USA]: J. Hewitt) [WC]
  • guitar and flute in staff notation
Hofmann 1799
Hofmann, Johann. Tre duetti per il mandolino e violino, Op. 1 (Vienna, [Austria]: Artaria & Co.) [BUC]
  • mandolin and violin in staff notation
Hook c1799
Hook, James. The hours of love . . . for the voice, harpsichord, violin, german flute, or guitar (Philadelphia and Baltimore, [USA]: Carr & Co.) [WC]
  • English guitar and voice in staff notation
Méhul c1799?a
Méhul, Etienne-Nicolas. Amours, amour, si je succombe. Romance [from Ariodant] . . . accompagnement de guitarre par Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Méhul c1799?b
Méhul, Etienne-Nicolas. Femme sensible. Romance . . . arrangé pour guitarre par Lemoine (Paris, [France]: Imbault)
  • 5-course guitar and voice in staff notation
Moretti 1799
Moretti, Federico. Principios para tocar la guitarra de seis ordenes (Madrid, [Spain]: Josef Rico)
  • 6-course guitar method with staff notation
Paisiello c1799?
Paisiello, Giovanni. Patrona compatime. Canzonette . . . aus dem Intermezzo Der Schuster . . . italienisch und deutsch, mit Begleitung der Guitarre oder des Pianoforte (Leipzig, [Germany]: Breitkopf and Härtel)
  • guitar and voice in staff notation
Phillis c1799
Phillis, Jean Baptiste. Nouvelle méthode pour la lyre ou guitarre à six cordes . . . [op. 6] (Paris, [France]: Pleyel) [WC]
  • 6-string guitar/lyre in staff notation
Phillis c1799?
Phillis, Jean Baptiste. Étude nouvelle pour la guitare ou lyre dans les tons le plus usités, majeurs et mineurs, ou l'on démontre les difficultés, les agréments et les positions du démanchement (Paris, [France]: Pleyel)
  • guitar/lyre in staff notation
Rigel c1799
Rigel, Henri-Jean. Romance des Petits oiseaux . . . accompt. de lyre ou guitare, par Le Moine (Paris, [France]: Mlles Erard and Garnier) [NG]
  • guitar/lyre and voice in staff notation
Solié c1799a
Solié, Jean-Pierre. Ah! le bonheur s'enfuit par la contrainte. Air du Chapitre second . . . avec accompt. de guitarre par Lemoine (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Solié c1799b
Solié, Jean-Pierre. Aux accens d'une douce voix. Air du Chapitre second . . . avec accompt. de guitarre par Lemoine (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Tarchi c1799a
Tarchi, Angelo. Morbleu je ne peux plus. Air du 30 & 40 . . . chanté par le Cn. Martin, avec accomp. de guitare par Lemoine (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Tarchi c1799b
Tarchi, Angelo. On dit que j'ai de grands défauts. Polaque du 30 & 40 chanté par le Cn. Elleviou . . . avec accomp. de guitare par Lemoine (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Tarchi c1799c
Tarchi, Angelo. Pardonnez-moi si mon coeur coupable. Romance du 30 & 40 . . . chanté par la Cne. Jenni Bouvier, accompagnement de guitare par Lemoine (Paris, [France]: Imbault) [WC]
  • 5-course guitar and voice in staff notation
Zamacola 1799
Zamacola, Juan Antonio de. Collecion de las mejores coplas, de seguidillas . . . para cantar a la guitarra, con un discurso sobre las causas de la corrupcion y abatimento de la music española (Madrid, [Spain]: Villalpando)
  • guitar method
E-Mn Ms. M.1236 [1799]
Rubio, Juan Manuel García. "Arte, reglas armónicas para aprehender a templar y puntear la guitarra española de seis órdenes" (Madrid, Spain) [TYLER p. 283]
  • 6-course guitar method
GB-Lam Ms. XX (161093.1) [1799]
Bevilacqua, Matteo. "2 duettie e 4 cavatine: ridotti per chitarra francese" (Italy) [TYLER p. 285]
  • 6-string guitar and voice in staff notation
GB-Lam Ms. XX (161023.1) [1799]
Caruso, Luigi. "Ho veduto una civetta: duetto con chitarra francese obligata" (Italy) [TYLER p. 285]
  • guitar and two voices, violin, and continuo in staff notation
GB-Lam Ms. XX (161014.1) [1799]
Caruso, Luigi. "Or siam pur del cielo irato: duettino per chitarra francese" (Italy) [TYLER p. 285]
  • guitar and two voices in staff notation
GB-Lam Ms. XX (161020.1) [1799]
Gazzaniga, Giuseppe. "Liete voci che tanto esultate: duettino per chitarra francese" (Italy) [TYLER p. 285]
  • guitar and two voices in staff notation
GB-Lam Ms. XX (161013.1) [1799]
Millico, Giuseppe. "Canzoncina ("Fille se mai pretendi ora") per chitarra francese" (Italy) [TYLER p. 285]
  • guitar in staff notation
GB-Lam Ms. XX (161007.1) [1799]
Trentin, Gregorio. "Un tema con sei variazioni per chitarra francese di Gregorio Trentin umiliato alla nobile signora Lauretta Co: Papafava Dotto . . . Conselve li 24 Genjo 1799" (Italy) [TYLER p. 285]
  • 6-string guitar in staff notation
N-Arendal, Aust-Agder kulturhistoriske senter, Ms. without Sign. [1799]
Dedekams, Mette Kirstine. "Mette Kirstine Dedekams notebok." (Norway)
  • Norwegian cister (sister) and voice in staff notation
[LOST ms] [1799]
Boccherini, Luigi. Quintets nos. 7-12 [transcription by the composer; see GÉRARD nos. 451-453; modern edition by Zimmermann in 1925, source unknown]
  • 6-course guitar and string quartet in staff notation

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